[translations] [PATCH] Doc-ja: Adding Notation Reference

[Yoshiki Sawada <sawada.yoshiki@xxxxxxxxx>]

Hello John and all,

I created a patch to add Japanese NR.
I made it by copying English "notation.tely" and typing 
"make ISOLANG=ja skeleton-update".

I added few translations to "ja/notation.tely".
If my patch works correctly, I'll add progresses to my translations.
If not, I'll re-make it.

Sincerely,
Yoshiki Sawada

From d444e796e56a26a009e1e1a5380bcd237d3b48b7 Mon Sep 17 00:00:00 2001
From: Yoshiki Sawada <sawada@ubuntu.ubuntu-domain>
Date: Sun, 17 Jan 2010 11:48:24 +0900
Subject: [PATCH] Doc-ja: Adding Japanese Notation Reference

---
 Documentation/ja/notation.tely                     |  125 ++++
 Documentation/ja/notation/ancient.itely            |  581 +++++++++++++++
 Documentation/ja/notation/changing-defaults.itely  |  769 ++++++++++++++++++++
 Documentation/ja/notation/cheatsheet.itely         |   22 +
 Documentation/ja/notation/chords.itely             |  238 ++++++
 Documentation/ja/notation/contemporary.itely       |  172 +++++
 Documentation/ja/notation/editorial.itely          |  208 ++++++
 Documentation/ja/notation/expressive.itely         |  333 +++++++++
 Documentation/ja/notation/fretted-strings.itely    |  258 +++++++
 Documentation/ja/notation/input.itely              |  358 +++++++++
 Documentation/ja/notation/keyboards.itely          |  251 +++++++
 .../ja/notation/notation-appendices.itely          |  590 +++++++++++++++
 Documentation/ja/notation/notation.itely           |   40 +
 Documentation/ja/notation/percussion.itely         |  112 +++
 Documentation/ja/notation/pitches.itely            |  487 +++++++++++++
 Documentation/ja/notation/repeats.itely            |  159 ++++
 Documentation/ja/notation/rhythms.itely            |  631 ++++++++++++++++
 Documentation/ja/notation/simultaneous.itely       |  189 +++++
 Documentation/ja/notation/spacing.itely            |  442 +++++++++++
 Documentation/ja/notation/specialist.itely         |   44 ++
 Documentation/ja/notation/staff.itely              |  315 ++++++++
 Documentation/ja/notation/text.itely               |  356 +++++++++
 Documentation/ja/notation/unfretted-strings.itely  |   99 +++
 Documentation/ja/notation/vocal.itely              |  401 ++++++++++
 Documentation/ja/notation/wind.itely               |  101 +++
 Documentation/ja/notation/world.itely              |  146 ++++
 26 files changed, 7427 insertions(+), 0 deletions(-)
 create mode 100644 Documentation/ja/notation.tely
 create mode 100644 Documentation/ja/notation/ancient.itely
 create mode 100644 Documentation/ja/notation/changing-defaults.itely
 create mode 100644 Documentation/ja/notation/cheatsheet.itely
 create mode 100644 Documentation/ja/notation/chords.itely
 create mode 100644 Documentation/ja/notation/contemporary.itely
 create mode 100644 Documentation/ja/notation/editorial.itely
 create mode 100644 Documentation/ja/notation/expressive.itely
 create mode 100644 Documentation/ja/notation/fretted-strings.itely
 create mode 100644 Documentation/ja/notation/input.itely
 create mode 100644 Documentation/ja/notation/keyboards.itely
 create mode 100644 Documentation/ja/notation/notation-appendices.itely
 create mode 100644 Documentation/ja/notation/notation.itely
 create mode 100644 Documentation/ja/notation/percussion.itely
 create mode 100644 Documentation/ja/notation/pitches.itely
 create mode 100644 Documentation/ja/notation/repeats.itely
 create mode 100644 Documentation/ja/notation/rhythms.itely
 create mode 100644 Documentation/ja/notation/simultaneous.itely
 create mode 100644 Documentation/ja/notation/spacing.itely
 create mode 100644 Documentation/ja/notation/specialist.itely
 create mode 100644 Documentation/ja/notation/staff.itely
 create mode 100644 Documentation/ja/notation/text.itely
 create mode 100644 Documentation/ja/notation/unfretted-strings.itely
 create mode 100644 Documentation/ja/notation/vocal.itely
 create mode 100644 Documentation/ja/notation/wind.itely
 create mode 100644 Documentation/ja/notation/world.itely

diff --git a/Documentation/ja/notation.tely b/Documentation/ja/notation.tely
new file mode 100644
index 0000000..22618d7
--- /dev/null
+++ b/Documentation/ja/notation.tely
@@ -0,0 +1,125 @@
+\input texinfo @c -*- coding: utf-8; mode: texinfo; documentlanguage: ja -*-
+@ignore
+    Translation of GIT committish: 82a821b7fb55935bc71ef8cc4716b9661f806ab3H
+
+    When revising a translation, copy the HEAD committish of the
+    version that you are working on.  See TRANSLATION for details.
+@end ignore
+
+@setfilename lilypond-notation.info
+@settitle LilyPond è¨?è­?æ³?ã?ªã??ã?¡ã?¬ã?³ã?¹
+@documentencoding UTF-8
+@documentlanguage ja
+@afourpaper
+
+@macro manualIntro
+ã??ã?®ã??ã??ã?¥ã?¢ã?«ã?¯ LilyPond ã??ã?¼ã?¸ã?§ã?³ @version{} ã?§æ??ä¾?ã??ã??ã??@c
+ã??ã?¹ã?¦ã?®è¨?è­?æ³?ã?«ã?¤ã??ã?¦ã?®å??ç?§ã??æ??ä¾?ã??ã?¾ã??ã??@c
+ã??ã?®ã??ã??ã?¥ã?¢ã?«ã?¯ã??読ã?¿æ??ã?? @rlearningnamed{Top,å­¦ç¿?ã??ã??ã?¥ã?¢ã?«} ã?§@c
+æ?±ã?£ã?¦ã??ã??é¡?æ??ã?«æ?£ã??親ã??ã??ã?§ã??ã?¨ã??å??æ??ã?¨ã??ã?¦ã??ã?¾ã??ã??
+@end macro
+
+@c `Notation Reference' was born 1999-10-11 with git commit 940dda0...
+@macro copyrightDeclare
+Copyright @copyright{} 1999--2009 by the authors.
+@end macro
+
+
+@set FDL
+@include macros.itexi
+
+@c don't remove this comment.
+@ignore
+@omfcreator Han-Wen Nienhuys, Jan Nieuwenhuizen and Graham Percival
+@omfdescription Notation Reference of the LilyPond music engraving system
+@omftype user manual
+@omfcategory Applications|Publishing
+@omflanguage English
+@end ignore
+
+@c Translators: Yoshiki Sawada
+@c Translation status: post-GDP
+
+@lilyTitlePage{è¨?è­?æ³?ã?ªã??ã?¡ã?¬ã?³ã?¹}
+
+
+@ifnottex
+
+@menu
+* Musical notation::               Notation which is used in
+    almost all projects.
+* Specialist notation::            Notation which is only used for
+    specific purposes.
+* General input and output::       General information about
+    LilyPond input and output.
+* Spacing issues::                 Display of output on paper.
+* Changing defaults::              Tuning output.
+
+Appendices
+
+* Notation manual tables::         Tables and charts.
+* Cheat sheet::                    Summary of LilyPond syntax.
+* LilyPond grammar::               Syntax diagram for LilyPond parser.
+* GNU Free Documentation License:: License of this document.
+* LilyPond command index::
+* LilyPond index::
+@end menu
+
+@docMain
+@end ifnottex
+
+@contents
+
+
+@include notation/notation.itely
+@include notation/specialist.itely
+
+@include notation/input.itely
+@include notation/spacing.itely
+
+@include notation/changing-defaults.itely
+
+
+@include notation/notation-appendices.itely
+@include notation/cheatsheet.itely
+
+
+
+@node LilyPond grammar
+@appendix LilyPond grammar
+
+This appendix contains a description of the LilyPond grammar, as
+output from the parser.
+
+@verbatiminclude ly-grammar.txt
+
+
+@include fdl.itexi
+
+
+@node LilyPond command index
+@appendix LilyPond command index
+
+This index lists all the LilyPond commands and keywords with links
+to those sections of the manual which describe or discuss their
+use.  Each link is in two parts.  The first part points to the
+exact location in the manual where the command or keyword appears;
+the second part points to the start of the section of the manual
+in which the command or keyword appears.
+
+@printindex ky
+
+@node LilyPond index
+@appendix LilyPond index
+
+In addition to all the LilyPond commands and keywords, this index
+lists musical terms and words which relate to each of them, with
+links to those sections of the manual which describe or discuss
+that topic.  Each link is in two parts.  The first part points to
+the exact location in the manual where the topic appears; the
+second part points to the start of the section of the manual where
+that topic is discussed.
+
+@printindex cp
+
+@bye
diff --git a/Documentation/ja/notation/ancient.itely b/Documentation/ja/notation/ancient.itely
new file mode 100644
index 0000000..f707bdc
--- /dev/null
+++ b/Documentation/ja/notation/ancient.itely
@@ -0,0 +1,581 @@
+\input texinfo @c -*- coding: utf-8; mode: texinfo; documentlanguage: ja -*-
+@c This file is part of notation.tely
+@ignore
+    Translation of GIT committish: 82a821b7fb55935bc71ef8cc4716b9661f806ab3
+
+    When revising a translation, copy the HEAD committish of the
+    version that you are working on.  See TRANSLATION for details.
+@end ignore
+
+
+@c -*- coding: utf-8; mode: texinfo; -*-
+@c vim: foldmethod=marker
+@c \version "2.12.0"
+@node Ancient notation
+@section Ancient notation
+@translationof Ancient notation
+
+@untranslated
+
+
+@c index Vaticana, Editio
+@c index Medicaea, Editio
+@c index hufnagel
+@c index Petrucci
+@c index mensural
+@menu
+* Overview of the supported styles::
+* Ancient notation---common features::
+* Typesetting mensural music::
+* Typesetting Gregorian chant::
+* Working with ancient music---scenarios and solutions::
+@end menu
+
+@c{{{1 Overview of the supported styles
+@node Overview of the supported styles
+@subsection Overview of the supported styles
+@translationof Overview of the supported styles
+
+@untranslated
+
+
+@c index Solesmes
+@c index Vaticana, Editio
+@c index Ratisbona, Editio
+@c index Medicaea, Editio
+@c index hufnagel
+@c index mensural
+@c index neomensural
+@c index Petrucci
+@c{{{1 Ancient notation, general
+@node Ancient notation---common features
+@subsection Ancient notation---common features
+@translationof Ancient notation---common features
+
+@untranslated
+
+
+@menu
+* Pre-defined contexts::
+* Ligatures::
+* Custodes::
+* Figured bass support::
+@end menu
+
+@c{{{2 Pre-defined contexts
+@node Pre-defined contexts
+@unnumberedsubsubsec Pre-defined contexts
+@translationof Pre-defined contexts
+
+@untranslated
+
+
+@c ode{VaticanaVoice}, @code{VaticanaStaff}, @code{MensuralVoice},
+@c{{{2 Ligatures
+@node Ligatures
+@unnumberedsubsubsec Ligatures
+@translationof Ligatures
+
+@untranslated
+
+
+@c index Ligatures
+@c TODO: Should double check if I recalled things correctly when I wrote
+@c down the following paragraph by heart.
+@c ode{\]}.  Some ligature styles may need additional input syntax
+@c ode{LigatureBracket} engraver just puts a square bracket
+@c ode{Ligature_bracket_engraver} has to be replaced with one of the
+@c @seealso
+@c TODO: nothing here yet ...
+@c Alternatively, the file
+@c @file{gregorian@/-init@/.ly} can be included; it provides a scheme
+@c function
+@c @example
+@c \ligature @var{music expr}
+@c @end example
+@c with the same effect and is believed to be stable.
+@c TODO: this does not seem to work at the moment.
+@c -- eo
+@c{{{2 Custodes
+@node Custodes
+@unnumberedsubsubsec Custodes
+@translationof Custodes
+
+@untranslated
+
+
+@c index custos
+@c index custodes
+@c ode{Staff} context when declaring the @code{\layout} block,
+@c ode{mensural}.  They are demonstrated in the following fragment.
+@c{{{2 Figured bass support
+@node Figured bass support
+@unnumberedsubsubsec Figured bass support
+@translationof Figured bass support
+
+@untranslated
+
+
+@c{{{1 Typesetting mensural music
+@node Typesetting mensural music
+@subsection Typesetting mensural music
+@translationof Typesetting mensural music
+
+@untranslated
+
+
+@menu
+* Mensural contexts::
+* Mensural clefs::
+* Mensural time signatures::
+* Mensural note heads::
+* Mensural flags::
+* Mensural rests::
+* Mensural accidentals and key signatures::
+* Annotational accidentals (musica ficta)::
+* White mensural ligatures::
+@end menu
+
+@c{{{2Mensural contexts
+@node Mensural contexts
+@unnumberedsubsubsec Mensural contexts
+@translationof Mensural contexts
+
+@untranslated
+
+
+@c index MensuralVoiceContext
+@c index MensuralStaffContext
+@c @seealso
+@c TODO: nothing here yet ...
+@c{{{2 Mensural clefs
+@node Mensural clefs
+@unnumberedsubsubsec Mensural clefs
+@translationof Mensural clefs
+
+@untranslated
+
+
+@c index clefs
+@c ode{mensural-c1}, @code{mensural-c2},@*
+@c ode{mensural-c3}, @code{mensural-c4}
+@c ode{mensural-f}
+@c ode{mensural-g}
+@c ode{neomensural-c1}, @code{neomensural-c2},@*
+@c ode{neomensural-c3}, @code{neomensural-c4}
+@c ode{petrucci-c1}, @code{petrucci-c2},@*
+@c ode{petrucci-c3}, @code{petrucci-c4},@*
+@c ode{petrucci-c5}
+@c ode{petrucci-f}
+@c ode{petrucci-g}
+@ref{Clef}.
+@c{{{2Mensural time signatures
+@node Mensural time signatures
+@unnumberedsubsubsec Mensural time signatures
+@translationof Mensural time signatures
+
+@untranslated
+
+
+@c index mensuration sign
+@c index time signatures
+@c ode{neomensural} and @code{mensural}.  The above table uses the
+@c ode{neomensural} style.  The following examples show the
+@ref{Time signature}, gives a general introduction to
+@c{{{2Mensural note heads
+@node Mensural note heads
+@unnumberedsubsubsec Mensural note heads
+@translationof Mensural note heads
+
+@untranslated
+
+
+@c index note heads, ancient
+@c ode{mensural} or @code{petrucci}.
+@c Renaissance music doesn't use bar lines ...  but they do help to
+@c separate the notes for easier identification.
+@ref{Note head styles}, gives an overview of all available note head styles.
+@c{{{2Mensural flags
+@node Mensural flags
+@unnumberedsubsubsec Mensural flags
+@translationof Mensural flags
+
+@untranslated
+
+
+@c index flags
+@c Hence,
+@c when typesetting the incipit of a transcribed piece of mensural
+@c music, the default flag style should be used.
+@c @seealso
+@c TODO: nothing here yet ...
+@c due to a change in early 2.3.x.
+@c{{{2Mensural rests
+@node Mensural rests
+@unnumberedsubsubsec Mensural rests
+@translationof Mensural rests
+
+@untranslated
+
+
+@c index rests, ancient
+@c ode{neomensural}, and @code{mensural}.  @code{classical} differs
+@c ode{neomensural} styles:
+@ref{Rests}, gives a general introduction into the use of
+@c{{{2Mensural accidentals and key signatures
+@node Mensural accidentals and key signatures
+@unnumberedsubsubsec Mensural accidentals and key signatures
+@translationof Mensural accidentals and key signatures
+
+@untranslated
+
+
+@c index accidentals
+@c index key signature
+@c ode{glyph-name-alist} property of the grobs @code{Accidental} and
+@c ode{KeySignature}, respectively; e.g.:
+@c ode{\override Staff.Accidental #'glyph-name-alist =
+@ref{Pitches}, @ref{Accidentals}, and @ref{Automatic accidentals}, give a
+@c{{{2 Annotational accidentals (musica ficta)
+@node Annotational accidentals (musica ficta)
+@unnumberedsubsubsec Annotational accidentals (@emph{musica ficta})
+@translationof Annotational accidentals (musica ficta)
+
+@untranslated
+
+
+@c index Accidental, musica ficta
+@c index Musica ficta
+@c{{{2White mensural ligatures
+@node White mensural ligatures
+@unnumberedsubsubsec White mensural ligatures
+@translationof White mensural ligatures
+
+@untranslated
+
+
+@c index Mensural ligatures
+@c index White mensural ligatures
+@c ode{Mensural_ligature_engraver} in the @code{Voice}
+@c @example
+@c \set Score.timing = ##f
+@c \set Score.defaultBarType = "empty"
+@c \override NoteHead #'style = #'neomensural
+@c \override Staff.TimeSignature #'style = #'neomensural
+@c \clef "petrucci-g"
+@c \[ c'\maxima g \]
+@c \[ d\longa c\breve f e d \]
+@c \[ c'\maxima d'\longa \]
+@c \[ e'1 a g\breve \]
+@c @end example
+@c ode{Mensural_ligature_engraver}, the same music transcribes
+@c @seealso
+@c TODO: nothing here yet ...
+@c{{{1 Typesetting Gregorian chant
+@node Typesetting Gregorian chant
+@subsection Typesetting Gregorian chant
+@translationof Typesetting Gregorian chant
+
+@untranslated
+
+
+@menu
+* Gregorian chant contexts::
+* Gregorian clefs::
+* Gregorian accidentals and key signatures::
+* Divisiones::
+* Gregorian articulation signs::
+* Augmentum dots (@emph{morae})::
+* Gregorian square neume ligatures::
+@end menu
+
+@c ode{Vaticana_ligature_engraver} automatically selects the
+@c ode{vaticana_punctum} to produce punctum neumes.  Similarly, the
+@c ode{Mensural_ligature_engraver} automatically assembles
+@c{{{2Gregorian chant contexts
+@node Gregorian chant contexts
+@unnumberedsubsubsec Gregorian chant contexts
+@translationof Gregorian chant contexts
+
+@untranslated
+
+
+@c index VaticanaVoiceContext
+@c index VaticanaStaffContext
+@c ode{VaticanaStaffContext} can be used to engrave a piece of
+@c @seealso
+@c TODO: nothing here yet ...
+@c{{{2 Gregorian clefs
+@node Gregorian clefs
+@unnumberedsubsubsec Gregorian clefs
+@translationof Gregorian clefs
+
+@untranslated
+
+
+@c index clefs
+@c ode{vaticana-do1}, @code{vaticana-do2},@*
+@c ode{vaticana-do3}
+@c ode{vaticana-fa1}, @code{vaticana-fa2}
+@c ode{medicaea-do1}, @code{medicaea-do2},@*
+@c ode{medicaea-do3}
+@c ode{medicaea-fa1}, @code{medicaea-fa2}
+@c ode{hufnagel-do1}, @code{hufnagel-do2},@*
+@c ode{hufnagel-do3}
+@c ode{hufnagel-fa1}, @code{hufnagel-fa2}
+@c ode{hufnagel-do-fa}
+@ref{Clef}.
+@c{{{2 Gregorian accidentals and key signatures
+@node Gregorian accidentals and key signatures
+@unnumberedsubsubsec Gregorian accidentals and key signatures
+@translationof Gregorian accidentals and key signatures
+
+@untranslated
+
+
+@c index accidentals
+@c index key signature
+@c @lilypondfile[verbatim,lilyquote,texidoc,doctitle]
+@c{ancient-accidentals.ly}
+@c ode{glyph-name-alist} property of the grobs @code{Accidental} and
+@c ode{KeySignature}, respectively; e.g.:
+@c ode{\override Staff.Accidental #'glyph-name-alist =
+@ref{Pitches}, @ref{Accidentals}, and @ref{Automatic accidentals}, give a
+@c{{{2Divisiones
+@node Divisiones
+@unnumberedsubsubsec Divisiones
+@translationof Divisiones
+
+@untranslated
+
+
+@c index divisio
+@c index divisiones
+@c index finalis
+@ref{Divisiones}.
+@c ode{\divisioMinima}, @code{\divisioMaior}, @code{\divisioMaxima},
+@c ode{\caesura}
+@c ode{\virgula},
+@c ode{\caesura},
+@c ode{\divisioMinima},
+@c ode{\divisioMaior},
+@c ode{\divisioMaxima},
+@c ode{\finalis}.
+@c{{{2Gregorian articulations
+@node Gregorian articulation signs
+@unnumberedsubsubsec Gregorian articulation signs
+@translationof Gregorian articulation signs
+
+@untranslated
+
+
+@c index articulations
+@c @seealso
+@c TODO: nothing here yet ...
+@c{{{2Augmentum dots (@emph{morae})
+@node Augmentum dots (@emph{morae})
+@unnumberedsubsubsec Augmentum dots (@emph{morae})
+@translationof Augmentum dots (@emph{morae})
+
+@untranslated
+
+
+@c ode{\augmentum \virga c} will have no visible effect.  Instead, say
+@c ode{\virga \augmentum c} or @code{\augmentum @{\virga c@}}.  Also
+@c ode{\augmentum a \augmentum g}.
+@ref{Breath marks}.
+@c{{{2Gregorian square neumes ligatures
+@node Gregorian square neume ligatures
+@unnumberedsubsubsec Gregorian square neume ligatures
+@translationof Gregorian square neume ligatures
+
+@untranslated
+
+
+@c index Square neumes ligatures
+@c index Gregorian square neumes ligatures
+@c ode{\virga},
+@c ode{\stropha},
+@c ode{\inclinatum},
+@c ode{\auctum},
+@c ode{\descendens},
+@c ode{\ascendens},
+@c ode{\oriscus},
+@c ode{\quilisma},
+@c ode{\deminutum},
+@c ode{\cavum},
+@c ode{\linea}.
+@c ode{\flexa}, for upwards and downwards movement, respectively,
+@c Regarding the @emph{punctum}, @code{b} and @code{\[ b \]} are
+@c equivalent.
+@c ode{\descendens} or @code{\ascendens}, e.g., @code{ \[ \auctum
+@c ode{\oriscus}, or @code{\stropha}.
+@c ode{\inclinatum}, etc. may be mixed in as desired.  The use of
+@c ode{\iij}, @code{\IJ}, and @code{\IIJ}, that will produce the
+@c neume table
+@c ode{g}, @code{a}, and @code{b} as example pitches.
+@c TODO: \layout block is identical in all of the below examples.
+@c Therefore, it should somehow be included rather than duplicated all
+@c the time.  --jr
+@c why not make variables in ly/engraver-init.ly? --hwn
+@c Because it's just used to typeset plain notes without
+@c a staff for demonstration purposes rather than something
+@c special of Gregorian chant notation.  --jr
+@c ode{\[ b \]}
+@c ode{\[ \cavum b \]}
+@c ode{\[ \linea b \]}
+@c ode{\[ \auctum \ascendens b \]}
+@c ode{\[ \auctum \descendens b \]}
+@c ode{\[ \inclinatum b \]}
+@c ode{\[ \inclinatum \auctum b \]}
+@c ode{\[ \inclinatum \deminutum b \]}
+@c ode{\[ b \flexa g \]}
+@c ode{\[ b \flexa \auctum \descendens g \]}
+@c ode{\[ b \flexa \auctum \ascendens g \]}
+@c ode{\[ b \flexa \deminutum g \]}
+@c ode{\[ g \pes b \]}
+@c ode{\[ g \pes \auctum \descendens b \]}
+@c ode{\[ g \pes \auctum \ascendens b \]}
+@c ode{\[ g \pes \deminutum b \]}
+@c ode{\[ \deminutum g \pes b \]}
+@c ode{\[ \deminutum g \pes \auctum \descendens b \]}
+@c ode{\[ a \pes b \flexa g \]}
+@c ode{\[ a \pes b \flexa \auctum \descendens g \]}
+@c ode{\[ a \pes b \flexa \deminutum g \]}
+@c ode{\[ \deminutum a \pes b \flexa g \]}
+@c ode{\[ \deminutum a \pes b \flexa \auctum \descendens g \]}
+@c ode{\[ \deminutum a \pes b \flexa \deminutum g \]}
+@c ode{\[ a \flexa g \pes b \]}
+@c ode{\[ a \flexa g \pes \auctum \descendens b \]}
+@c ode{\[ a \flexa g \pes \deminutum b \]}
+@c ode{\[ \virga b \inclinatum a \inclinatum g \]}
+@c ode{\[ \virga b \inclinatum a \inclinatum \auctum g \]}
+@c ode{\[ \virga b \inclinatum a \inclinatum \deminutum g \]}
+@c ode{\[ g \pes a \virga b \]}
+@c ode{\[ g \pes a \pes \auctum \descendens b \]}
+@c ode{\[ g \pes a \pes \deminutum b \]}
+@c ode{\[ g \pes \quilisma a \pes b \]}
+@c ode{\[ \quilisma g \pes \auctum \descendens b \]}
+@c ode{\[ \oriscus b \]}
+@c ode{\[ \oriscus g \pes \virga b \]}
+@c ode{\[ \oriscus g \pes \auctum \descendens b \]}
+@c ode{\[ g \oriscus a \pes \virga b \]}
+@c ode{\[ g \oriscus a \pes \auctum \descendens b \]}
+@c ode{\[ \stropha b \]}
+@c ode{\[ \stropha \auctum b \]}
+@c ode{\[ \stropha b \stropha b \]}
+@c ode{\[ \stropha b \stropha b \stropha b \]}
+@c ode{\[ \stropha b \stropha b \stropha a \]}
+@c ode{\virga},
+@c ode{\stropha},
+@c ode{\inclinatum},
+@c ode{\auctum},
+@c ode{\descendens},
+@c ode{\ascendens},
+@c ode{\oriscus},
+@c ode{\quilisma},
+@c ode{\deminutum},
+@c ode{\cavum},
+@c ode{\linea}.
+@c ode{\flexa} infix commands for a rising and falling line of melody,
+@c @seealso
+@c TODO: nothing here yet ...
+@c ode{\augmentum} should be implemented as a head prefix rather than a
+@c Working with ancient music: scenarios and solutions::  {{{1
+@node Working with ancient music---scenarios and solutions
+@subsection Working with ancient music---scenarios and solutions
+@translationof Working with ancient music---scenarios and solutions
+
+@untranslated
+
+
+@menu
+* Incipits::
+* Mensurstriche layout::
+* Transcribing Gregorian chant::
+* Ancient and modern from one source::
+* Editorial markings::
+@end menu
+
+@c{{{2Incipits
+@node Incipits
+@unnumberedsubsubsec Incipits
+@translationof Incipits
+
+@untranslated
+
+
+@c TODO Add text
+@c clefs, mensuration signs etc from lsr and -user
+@c use snippet Transcription-of-ancient-music-with-incipit
+@c @seealso
+@c ... and reference to other sections ...
+@c{{{2Mensurstriche layout
+@node Mensurstriche layout
+@unnumberedsubsubsec Mensurstriche layout
+@translationof Mensurstriche layout
+
+@untranslated
+
+
+@c This simple setup will take care of the
+@c TODO Add text about lyrics to the lowest line, to be placed
+@c outside the StaffGroup.
+@c from lsr and -user
+@c TBC
+@c @seealso
+@c ... and reference to other sections ...
+@c{{{2Transcribing Gregorian chant
+@node Transcribing Gregorian chant
+@unnumberedsubsubsec Transcribing Gregorian chant
+@translationof Transcribing Gregorian chant
+
+@untranslated
+
+
+@c ode{\override Stem #'length = #0} instead, and restore the stem
+@c ode{\CadenzaOff}.
+@c ode{\time}, e.g., 1/4, and let each syllable or note group fill
+@c ode{#'X-extent} property of the @code{LyricText} object may be
+@c ode{s} @q{notes}.
+@c extract from 1.6.1.1
+@c @seealso
+@c ... and reference to other sections ...
+@c{{{2Ancient and modern from one source
+@node Ancient and modern from one source
+@unnumberedsubsubsec Ancient and modern from one source
+@translationof Ancient and modern from one source
+
+@untranslated
+
+
+@c TODO Add text
+@c Here among others the snippets about reducing note length
+@c @seealso
+@c ... and reference to other sections ...
+@c{{{2Editorial markings
+@node Editorial markings
+@unnumberedsubsubsec Editorial markings
+@translationof Editorial markings
+
+@untranslated
+
+
+@c{{{2Baroque rhythmic notation
+@c @node Baroque rhythmic notation
+@c @unnumberedsubsubsec Baroque rhythmic notation
+@c TODO Add text
+@c try Till Rettig
+@c Add example of white noteheads:
+@c In the french baroque some composers used white noteheads in slow pieces,
+@c mainly in 3/2-time.  A quarter looks there like a eighth with a white
+@c notehead.  (Franz-Rudolf Kuhnen)
+@c TODO Add example of this:
+@c I was referring to e.g. notated a8. a16, which should, if I
+@c remember correctly, be interpreted more like a8.. a32 (in the french
+@c style).  The editor might want to show that rythmic figure above the
+@c staff as an hint to performers.  (Karl Hammer)
+@c @seealso
+@c ... and reference to other sections ...
+
+@c -- SKELETON FILE --
diff --git a/Documentation/ja/notation/changing-defaults.itely b/Documentation/ja/notation/changing-defaults.itely
new file mode 100644
index 0000000..beae796
--- /dev/null
+++ b/Documentation/ja/notation/changing-defaults.itely
@@ -0,0 +1,769 @@
+\input texinfo @c -*- coding: utf-8; mode: texinfo; documentlanguage: ja -*-
+@c This file is part of notation.tely
+@ignore
+    Translation of GIT committish: 82a821b7fb55935bc71ef8cc4716b9661f806ab3
+
+    When revising a translation, copy the HEAD committish of the
+    version that you are working on.  See TRANSLATION for details.
+@end ignore
+
+
+@c -*- coding: utf-8; mode: texinfo; -*-
+@c \version "2.12.0"
+@node Changing defaults
+@chapter Changing defaults
+@translationof Changing defaults
+
+@untranslated
+
+
+@c index Internals Reference
+@c leave the @uref as one long line.
+@c ode{#}.@footnote{@rextend{Scheme tutorial}, contains a short tutorial
+@menu
+* Interpretation contexts::
+* Explaining the Internals Reference::
+* Modifying properties::
+* Useful concepts and properties::
+* Advanced tweaks::
+* Using music functions::
+@end menu
+
+@node Interpretation contexts
+@section Interpretation contexts
+@translationof Interpretation contexts
+
+@untranslated
+
+
+@menu
+* Contexts explained::
+* Creating contexts::
+* Keeping contexts alive::
+* Modifying context plug-ins::
+* Changing context default settings::
+* Defining new contexts::
+* Aligning contexts::
+@end menu
+
+@node Contexts explained
+@subsection Contexts explained
+@translationof Contexts explained
+
+@untranslated
+
+
+@c TODO Rethink and rewrite
+@c TODO Improve layout, order and consistency of wording -td
+@c TODO Add introduction which explains contexts in generality  -td
+@c TODO Describe propagation of property values -td
+@menu
+* Score - the master of all contexts::
+* Top-level contexts - staff containers::
+* Intermediate-level contexts - staves::
+* Bottom-level contexts - voices::
+@end menu
+
+@node Score - the master of all contexts
+@unnumberedsubsubsec Score - the master of all contexts
+@translationof Score - the master of all contexts
+
+@untranslated
+
+
+@c ode{\score @{@dots{}@}} or @code{\layout @{@dots{}@}} block is
+@node Top-level contexts - staff containers
+@unnumberedsubsubsec Top-level contexts - staff containers
+@translationof Top-level contexts - staff containers
+
+@untranslated
+
+
+@node Intermediate-level contexts - staves
+@unnumberedsubsubsec Intermediate-level contexts - staves
+@translationof Intermediate-level contexts - staves
+
+@untranslated
+
+
+@c ode{Voice} contexts.
+@node Bottom-level contexts - voices
+@unnumberedsubsubsec Bottom-level contexts - voices
+@translationof Bottom-level contexts - voices
+
+@untranslated
+
+
+@node Creating contexts
+@subsection Creating contexts
+@translationof Creating contexts
+
+@untranslated
+
+
+@c TODO \new Score and \score
+@c TODO more complete descriptions rather than learning style
+@c index new contexts
+@c index Context, creating
+@c ode{Voice}).  This command creates a new context, and starts
+@c ode{\new Staff}.
+@c index creating contexts
+@c ode{\context}, it is usually applied to @code{Voice}
+@node Keeping contexts alive
+@subsection Keeping contexts alive
+@translationof Keeping contexts alive
+
+@untranslated
+
+
+@c index contexts, keeping alive
+@c index contexts, lifetime
+@c ode{\change} commands, associating lyrics with a voice with
+@c ode{\lyricsto} commands, or when adding further musical events to
+@c ode{Voice} contexts in a @code{Staff} context or in a
+@c ode{<<...>>} construct will always persist to the end of the
+@c ode{<<...>>} constructs.
+@c index lyrics, aligning with sporadic melody
+@node Modifying context plug-ins
+@subsection Modifying context plug-ins
+@translationof Modifying context plug-ins
+
+@untranslated
+
+
+@c TODO Should this be Modifying engravers or Modifying contexts?
+@c ode{Note_head_engraver} and the @code{Staff} context contains a
+@c ode{Key_signature_engraver}.
+@c ode{Clef_engraver} from a @code{Staff} context,
+@c ode{Staff} context, we can have a score where each staff has its own
+@c index polymetric scores
+@c index Time signatures, multiple
+@c ode{Bar_engraver} must normally be first, and
+@node Changing context default settings
+@subsection Changing context default settings
+@translationof Changing context default settings
+
+@untranslated
+
+
+@c ode{Score}, @code{Staff} and @code{Voice} contexts may be specified
+@c ode{Voice} contexts in a similar way.
+@c ode{\Staff} settings.  If you wish to change the defaults for a
+@c TODO: add \with in here.
+@node Defining new contexts
+@subsection Defining new contexts
+@translationof Defining new contexts
+
+@untranslated
+
+
+@c index contexts, defining new
+@c index engravers, including in contexts
+@c ode{Voice} context from scratch.  It will be similar to
+@c ode{Voice}, but only prints centered slash note heads.  It can be used
+@c ode{\layout} block,
+@node Aligning contexts
+@subsection Aligning contexts
+@translationof Aligning contexts
+
+@untranslated
+
+
+@c TODO Better example needed.  Ref LM, and expand on it.
+@c index ossia
+@c index nested contexts
+@c index contexts, nested
+@node Explaining the Internals Reference
+@section Explaining the Internals Reference
+@translationof Explaining the Internals Reference
+
+@untranslated
+
+
+@menu
+* Navigating the program reference::
+* Layout interfaces::
+* Determining the grob property::
+* Naming conventions::
+@end menu
+
+@node Navigating the program reference
+@subsection Navigating the program reference
+@translationof Navigating the program reference
+
+@untranslated
+
+
+@c TODO remove this (it's in the LM)
+@c Replace with more factual directions
+@ref{Fingering instructions}), you will notice:
+@quotation
+@end quotation
+@c outdated info; probably will delete.
+@quotation
+@end quotation
+@quotation
+@end quotation
+@c ode{Fingering_engraver} plug-in will process them.
+@c I can't figure out what this is supposed to mean.  -gp
+@c old info?  it doesn't make any sense to me with our current docs.
+@quotation
+@end quotation
+@c ode{Music definitions}
+@node Layout interfaces
+@subsection Layout interfaces
+@translationof Layout interfaces
+
+@untranslated
+
+
+@c index interface, layout
+@c index layout interface
+@c index grob
+@c ode{Fingering} object.  For example, the page says
+@quotation
+@c ode{padding} (dimension, in staff space):
+@c ode{0.5}
+@end quotation
+@quotation
+@end quotation
+@node Determining the grob property
+@subsection Determining the grob property
+@translationof Determining the grob property
+
+@untranslated
+
+
+@c TODO remove this (it's in the LM)
+@c Replace with more factual directions
+@quotation
+@c ode{side-position-interface}
+@end quotation
+@c index padding
+@quotation
+@end quotation
+@quotation
+@end quotation
+@node Naming conventions
+@subsection Naming conventions
+@translationof Naming conventions
+
+@untranslated
+
+
+@node Modifying properties
+@section Modifying properties
+@translationof Modifying properties
+
+@untranslated
+
+
+@c TODO change the menu and subsection node names to use
+@c backslash once the new macro to handle the refs
+@c is available.  Need to find and change all refs at
+@c the same time. -td
+@menu
+* Overview of modifying properties::
+* The set command::
+* The override command::
+* The tweak command::
+* set versus override::
+@end menu
+
+@node Overview of modifying properties
+@subsection Overview of modifying properties
+@translationof Overview of modifying properties
+
+@untranslated
+
+
+@c ode{Stem} or @code{NoteHead}, and @var{property} is an internal
+@c ode{\once} applies the change during one timestep only.
+@c ode{Beam} comes after the Beam is started, so it has no effect.
+@c ode{\revert} in the next example does not do anything.
+@c leave this as a long long
+@node The set command
+@subsection The @code{\set} command
+@translationof The set command
+
+@untranslated
+
+
+@c index properties
+@c index changing properties
+@c ode{studlyCaps}.  They mostly control the translation from
+@c ode{measurePosition} is an obvious example of
+@c ode{Voice}, @code{TabVoice}, or @code{Lyrics}).
+@c ode{skipBars} property of the default bottom context, in this case
+@c ode{Voice}, will have no effect, because skipBars is a property of
+@c ode{Voice}s in the current staff.
+@c index \once
+@c index grob properties
+@c index properties, grob
+@node The override command
+@subsection The @code{\override} command
+@translationof The override command
+
+@untranslated
+
+
+@c ode{\override} is actually a shorthand;
+@c leave this long line -gp
+@c ode{dashed-words}.  The values of grob properties change
+@c index reverting overrides
+@c index overrides, reverting
+@c index overriding for only one moment
+@c ode{\once} can be used with @code{\override}
+@c index internal documentation
+@c index finding graphical objects
+@c index graphical object descriptions
+@c index tweaking
+@c index internal documentation
+@node The tweak command
+@subsection The @code{\tweak} command
+@translationof The tweak command
+
+@untranslated
+
+
+@c index tweaking
+@c ode{ChordEvent} event before the note, so separating the tweak
+@c ode{ChordEvent} in the music stream, so remaining adjacent to the
+@c TODO expand to include any further uses of \tweak
+@c TODO add examples of these
+@c index chord, modifying one note in
+@c ode{\tweak} can be used to modify slurs:
+@c ode{\tweak} command in the input stream by the automatic
+@c index tweaks in a variable
+@c index tweaks in lyrics
+@c index tweaking control points
+@c index control points, tweaking
+@node set versus override
+@subsection @code{\set} vs. @code{\override}
+@translationof set versus override
+
+@untranslated
+
+
+@c ode{\override}.  There are actually two different kinds of
+@c ode{fontSize} is a special property: it is equivalent to
+@node Useful concepts and properties
+@section Useful concepts and properties
+@translationof Useful concepts and properties
+
+@untranslated
+
+
+@menu
+* Input modes::
+* Direction and placement::
+* Context layout order::
+* Distances and measurements::
+* Staff symbol properties::
+* Spanners::
+* Visibility of objects::
+* Line styles::
+* Rotating objects::
+@end menu
+
+@node Input modes
+@subsection Input modes
+@translationof Input modes
+
+@untranslated
+
+
+@ref{Chord notation}.  Chords are rendered as notes on a staff.
+@ref{Basic percussion notation}.
+@ref{Entering figured bass}.
+@ref{Default tablatures}.
+@ref{Automatic fret diagrams} or you can enter them as a markup
+@ref{Fret diagram markups}).
+@c ode{\lyricsto} command which associates the following lyrics
+@ref{Text markup commands}.
+@c silly work-around for texinfo broken-ness
+@c (@strong{Note...} causes a spurious cross-reference in Info)
+@c ode{\notemode} command.  Input is interpreted as pitches,
+@node Direction and placement
+@subsection Direction and placement
+@translationof Direction and placement
+
+@untranslated
+
+
+@c TODO Add table showing these
+@c ode{DOWN} may be used instead of @code{1} and @code{-1}
+@c ode{direction} to @code{0} or @code{CENTER}.  Alternatively,
+@c ode{\xxxUp}, @code{xxxDown}, @code{xxxNeutral}
+@c ode{1} or @code{RIGHT} means @qq{to the right}.  @code{0}
+@node Context layout order
+@subsection Context layout order
+@translationof Context layout order
+
+@untranslated
+
+
+@c index contexts, layout order
+@node Distances and measurements
+@subsection Distances and measurements
+@translationof Distances and measurements
+
+@untranslated
+
+
+@c index distances, absolute
+@c index distances, scaled
+@c ode{\in}@tie{}(inches), or @code{\pt}@tie{}(points, 1/72.27
+@c ode{\staff-space} to the quantity.
+@c ode{StaffSymbol}.  Scaled distances automatically scale with any
+@c ode{staff-space} property of @code{StaffSymbol}, but fonts scale
+@c ode{staff-space} property of @code{StaffSymbol} and the size of
+@c ode{staff-space}.  For an explanation and an example of its use,
+@ref{Page formatting},
+@ref{Setting the staff size}.
+@node Staff symbol properties
+@subsection Staff symbol properties
+@translationof Staff symbol properties
+
+@untranslated
+
+
+@c index adjusting staff symbol
+@c index drawing staff symbol
+@c index staff symbol, setting of
+@c TODO Extend or remove this section.  See also NR 1.6.2 Staff symbol
+@c Need to think of uses for these properties.  Eg 'line-positions
+@c is used in a snippet to thicken centre line.
+@c If retained, add @ref to here in 1.6.2  -td
+@c ode{'line-count} property.  The number of staff lines is
+@node Spanners
+@subsection Spanners
+@translationof Spanners
+
+@untranslated
+
+
+@unnumberedsubsubsec Using the @code{spanner-interface}
+@c ode{minimum-length} property.  Increasing this usually has the
+@c ode{springs-and-rods} property is set:
+@c ode{to-barline}.  By default this is true, causing hairpins and
+@unnumberedsubsubsec Using the @code{line-spanner-interface}
+@c ode{ly:line-interface::print}.  This routine determines the
+@c ode{right} sub-lists of the @code{bound-details} property
+@c ode{LEFT}) makes the line start/end at the left side of the note
+@c ode{Y} sub-properties.  Setting either @code{stencil-align-dir-y}
+@c ode{DOWN} means align the @emph{bottom} edge of the text with
+@node Visibility of objects
+@subsection Visibility of objects
+@translationof Visibility of objects
+
+@untranslated
+
+
+@c index objects, visibility of
+@c index grobs, visibility of
+@c index visibility of objects
+@c ode{break-visibility} property can be overridden.  The first
+@menu
+* Removing the stencil::
+* Making objects transparent::
+* Painting objects white::
+* Using break-visibility::
+* Special considerations::
+@end menu
+
+@node Removing the stencil
+@unnumberedsubsubsec Removing the stencil
+@translationof Removing the stencil
+
+@untranslated
+
+
+@c index stencil, removing
+@c ode{\revert}.
+@node Making objects transparent
+@unnumberedsubsubsec Making objects transparent
+@translationof Making objects transparent
+
+@untranslated
+
+
+@c index transparent, making objects
+@node Painting objects white
+@unnumberedsubsubsec Painting objects white
+@translationof Painting objects white
+
+@untranslated
+
+
+@c index objects, coloring
+@c index coloring objects
+@c index layers
+@c index printing order
+@c index overwriting objects
+@c index objects, overwriting
+@c index grobs, overwriting
+@c ode{1}, although a few objects, including @code{StaffSymbol} and
+@c ode{BarLine}, are assigned a value of @code{0}.  The order of
+@c ode{layer} value @code{0}), so overwriting them.  To change this,
+@c ode{layer}, say @code{-1}, so that it is drawn earlier:
+@node Using break-visibility
+@unnumberedsubsubsec Using break-visibility
+@translationof Using break-visibility
+
+@untranslated
+
+
+@c TODO Add making other objects breakable
+@c index break-visibility
+@c ode{break-visibility} property to control their visibility
+@c Leave this ref on a newline - formats incorrectly otherwise -td
+@c omit Ambitus as it appears not to be affected by break-visibility -td
+@c @item @code{Ambitus}          @tab as specified   @tab @code{begin-of-line-visible}
+@c omit the following item until it can be explained -td
+@c @item @code{BreakAlignGroup}  @tab @code{Score}          @tab calculated
+@c omit KeyCancellation until it can be explained -td
+@c @item @code{KeyCancellation}  @tab ??             @tab @code{begin-of-line-invisible}
+@c omit LeftEdge until it can be explained -td
+@c @item @code{LeftEdge}         @tab @code{Score}          @tab @code{center-invisible}
+@c ode{break-visibility} must be present, not all of them are
+@node Special considerations
+@unnumberedsubsubsec Special considerations
+@translationof Special considerations
+
+@untranslated
+
+
+@c index key signature, visibility following explicit change
+@c index explicitKeySignatureVisibility
+@c index clef, visibility following explicit change
+@c index explicitClefVisibility
+@c ode{explicitClefVisibility} properties.  These are the equivalent
+@c ode{break-visibility}.  Both are properties of the Staff context,
+@c ode{\set} command.  Both are set by default to @code{all-visible}.
+@c ode{break-visibility} must still be overridden in the appropriate
+@c TODO Add visibility of cautionary accidentals before notes
+@c index automaticBars
+@c index bar lines, suppressing
+@c TODO Add example
+@c index octavated clefs, visibility of
+@c index visibility of octavated clefs
+@c index clefs, visibility of octavation
+@c ode{OctavateEight} layout object.  Its visibility is controlled
+@node Line styles
+@subsection Line styles
+@translationof Line styles
+
+@untranslated
+
+
+@c ode{ly:line-interface::print}.  This routine determines the
+@c FIXME Complete
+@c ode{left} instead of @code{right}.
+@ref{Spanners}.
+@node Rotating objects
+@subsection Rotating objects
+@translationof Rotating objects
+
+@untranslated
+
+
+@menu
+* Rotating layout objects::
+* Rotating markup::
+@end menu
+
+@node Rotating layout objects
+@unnumberedsubsubsec Rotating layout objects
+@translationof Rotating layout objects
+
+@untranslated
+
+
+@c index rotating objects
+@c index objects, rotating
+@c index hairpins, angled
+@c index angled hairpins
+@node Rotating markup
+@unnumberedsubsubsec Rotating markup
+@translationof Rotating markup
+
+@untranslated
+
+
+@c ode{outside-staff-priority} property for text is set to @code{#f}
+@node Advanced tweaks
+@section Advanced tweaks
+@translationof Advanced tweaks
+
+@untranslated
+
+
+@menu
+* Aligning objects::
+* Vertical grouping of grobs::
+* Modifying stencils::
+* Modifying shapes::
+@end menu
+
+@ref{Explaining the Internals Reference},
+@ref{Modifying properties},
+@node Aligning objects
+@subsection Aligning objects
+@translationof Aligning objects
+
+@untranslated
+
+
+@c ode{X-offset} and @code{Y-offset} properties.  The value of
+@c ode{X-offset} gives the displacement from the x coordinate of
+@c ode{Y-offset} gives the displacement from the center line of the
+@c ode{Y-offset} may be set directly or may be set to be calculated
+@c ode{self-alignment-interface}.}
+@c ode{X-offset} have no effect.
+@menu
+* Setting @code{X-offset} and @code{Y-offset} directly::
+* Using the @code{side-position-interface}::
+* Using the @code{self-alignment-interface}::
+* Using the @code{break-alignable-interface}::
+@end menu
+
+@node Setting @code{X-offset} and @code{Y-offset} directly
+@unnumberedsubsubsec Setting @code{X-offset} and @code{Y-offset} directly
+@translationof Setting @code{X-offset} and @code{Y-offset} directly
+
+@untranslated
+
+
+@c TODO write more
+@node Using the @code{side-position-interface}
+@unnumberedsubsubsec Using the @code{side-position-interface}
+@translationof Using the @code{side-position-interface}
+
+@untranslated
+
+
+@c TODO add an example of each to the table
+@c TODO Add examples
+@node Using the @code{self-alignment-interface}
+@unnumberedsubsubsec Using the @code{self-alignment-interface}
+@translationof Using the @code{self-alignment-interface}
+
+@untranslated
+
+
+@c ode{self-alignment-interface} is controlled by the value of
+@c ode{X-offset} property is set to
+@c ode{ly:self-alignment-interface::x-aligned-on-self}.
+@c ode{self-alignment-X}  may be given any
+@c ode{CENTER} and @code{RIGHT} may be used instead of the values
+@c ode{-1, 0, 1} respectively.
+@c ode{ly:self-alignment-interface::y-aligned-on-self}.  However,
+@c ode{CENTER}, @code{UP} may be substituted for @code{-1, 0, 1}
+@unnumberedsubsubsec Using the @code{aligned-on-parent} procedures
+@c Cannot document as they do not seem to operate consistently on all objects -td
+@c TODO investigate further
+@c TODO Add example
+@unnumberedsubsubsec Using the @code{centered-on-parent} procedures
+@c Cannot document as they do not seem to operate consistently on all objects -td
+@c TODO investigate further
+@c TODO The align-interface, BassFigureAlignment and VerticalAlignment
+@node Using the @code{break-alignable-interface}
+@unnumberedsubsubsec Using the @code{break-alignable-interface}
+@translationof Using the @code{break-alignable-interface}
+
+@untranslated
+
+
+@c index align to objects
+@c index break-align-symbols
+@c ode{breathing-sign}, @code{clef}, @code{custos}, @code{staff-bar},
+@c ode{left-edge}, @code{key-cancellation}, @code{key-signature}, and
+@c ode{time-signature}.
+@node Vertical grouping of grobs
+@subsection Vertical grouping of grobs
+@translationof Vertical grouping of grobs
+
+@untranslated
+
+
+@c FIXME Expand this section
+@node Modifying stencils
+@subsection Modifying stencils
+@translationof Modifying stencils
+
+@untranslated
+
+
+@c ode{MultiMeasureRest} object is @code{ly:multi-measure-rest::print}.
+@c ode{stencil} property to reference a different, specially-written,
+@c ode{text} property to the object which is set to contain the
+@ref{Graphic notation inside markup}.
+@c ode{\musicglyph} markup command -- see @ref{The Feta font}.
+@c TODO Add inserting eps files or ref to later
+@c TODO Add inserting Postscript or ref to later
+@ref{Graphic notation inside markup},
+@ref{Formatting text},
+@ref{Text markup commands},
+@ref{The Feta font}.
+@node Modifying shapes
+@subsection Modifying shapes
+@translationof Modifying shapes
+
+@untranslated
+
+
+@menu
+* Modifying ties and slurs::
+@end menu
+
+@node Modifying ties and slurs
+@unnumberedsubsubsec Modifying ties and slurs
+@translationof Modifying ties and slurs
+
+@untranslated
+
+
+@c index slurs, modifying
+@c index ties, modifying
+@c index Bézier curves
+@c index Bézier control points
+@c ode{TieColumn} can be overridden to set start line and direction
+@node Using music functions
+@section Using music functions
+@translationof Using music functions
+
+@untranslated
+
+
+@c TODO -- add @seealso, etc. to these subsections
+@menu
+* Substitution function syntax::
+* Common argument types::
+* Substitution function examples::
+@end menu
+
+@node Substitution function syntax
+@subsection Substitution function syntax
+@translationof Substitution function syntax
+
+@untranslated
+
+
+@ref{Common argument types}.
+@node Common argument types
+@subsection Common argument types
+@translationof Common argument types
+
+@untranslated
+
+
+@node Substitution function examples
+@subsection Substitution function examples
+@translationof Substitution function examples
+
+@untranslated
+
+
+
+@c -- SKELETON FILE --
diff --git a/Documentation/ja/notation/cheatsheet.itely b/Documentation/ja/notation/cheatsheet.itely
new file mode 100644
index 0000000..5438d41
--- /dev/null
+++ b/Documentation/ja/notation/cheatsheet.itely
@@ -0,0 +1,22 @@
+\input texinfo @c -*- coding: utf-8; mode: texinfo; documentlanguage: ja -*-
+@c This file is part of notation.tely
+@ignore
+    Translation of GIT committish: 82a821b7fb55935bc71ef8cc4716b9661f806ab3
+
+    When revising a translation, copy the HEAD committish of the
+    version that you are working on.  See TRANSLATION for details.
+@end ignore
+
+
+@c -*- coding: utf-8; mode: texinfo; -*-
+@c \version "2.12.0"
+@c TODO: add tablature.
+@node Cheat sheet
+@appendix Cheat sheet
+@translationof Cheat sheet
+
+@untranslated
+
+
+
+@c -- SKELETON FILE --
diff --git a/Documentation/ja/notation/chords.itely b/Documentation/ja/notation/chords.itely
new file mode 100644
index 0000000..4dfb8a6
--- /dev/null
+++ b/Documentation/ja/notation/chords.itely
@@ -0,0 +1,238 @@
+\input texinfo @c -*- coding: utf-8; mode: texinfo; documentlanguage: ja -*-
+@c This file is part of notation.tely
+@ignore
+    Translation of GIT committish: 82a821b7fb55935bc71ef8cc4716b9661f806ab3
+
+    When revising a translation, copy the HEAD committish of the
+    version that you are working on.  See TRANSLATION for details.
+@end ignore
+
+
+@c -*- coding: utf-8; mode: texinfo; -*-
+@c \version "2.12.0"
+@node Chord notation
+@section Chord notation
+@translationof Chord notation
+
+@untranslated
+
+
+@menu
+* Chord mode::
+* Displaying chords::
+* Figured bass::
+@end menu
+
+@node Chord mode
+@subsection Chord mode
+@translationof Chord mode
+
+@untranslated
+
+
+@c index chord chords
+@menu
+* Chord mode overview::
+* Common chords::
+* Extended and altered chords::
+@end menu
+
+@node Chord mode overview
+@unnumberedsubsubsec Chord mode overview
+@translationof Chord mode overview
+
+@untranslated
+
+
+@c index chord names
+@c index chord mode
+@ref{Chorded notes}.
+@c ode{\chordmode} is absolute, as @code{\relative} has no effect
+@ref{Chorded notes},
+@ref{Input modes}.
+@node Common chords
+@unnumberedsubsubsec Common chords
+@translationof Common chords
+
+@untranslated
+
+
+@c index triads
+@c index seventh chords
+@c index root of chord
+@c index modifiers, in chords.
+@c index chord quality
+@c ode{:} and a quality modifier string after the duration:
+@c @table @code
+@c ode{7} following @code{maj} is optional.  Do NOT use this modifier
+@ref{Common chord modifiers},
+@ref{Extended and altered chords}.
+@node Extended and altered chords
+@unnumberedsubsubsec Extended and altered chords
+@translationof Extended and altered chords
+
+@untranslated
+
+
+@c index extended chords
+@c index altered chords
+@c index additions, in chords
+@c index chord steps, altering
+@c index removals, in chords
+@c index chord inversions
+@c index bass note, for chords
+@c ode{/}@var{pitch} to the chord.
+@ref{Common chord modifiers}.
+@ref{Common chord modifiers}.
+@node Displaying chords
+@subsection Displaying chords
+@translationof Displaying chords
+
+@untranslated
+
+
+@menu
+* Printing chord names::
+* Customizing chord names::
+@end menu
+
+@node Printing chord names
+@unnumberedsubsubsec Printing chord names
+@translationof Printing chord names
+
+@untranslated
+
+
+@c index printing chord names
+@c index chord names
+@c index chords
+@c index no chord symbol
+@c index N.C. symbol
+@c index indicating No Chord in ChordNames
+@c ode{noChordSymbol} markup to be displayed.
+@c ode{\chords @{ ... @}} is a shortcut notation for
+@c ode{\new ChordNames @{ \chordmode @{ ... @} @}}.
+@c Keep index entries with following snippet
+@c index chords, suppressing repeated
+@c @lilypondfile[verbatim,lilyquote,ragged-right,texidoc,doctitle]
+@c{adding-bar-lines-to-chordnames-context.ly}
+@ref{Writing music in parallel}.
+@node Customizing chord names
+@unnumberedsubsubsec Customizing chord names
+@translationof Customizing chord names
+
+@untranslated
+
+
+@c index customizing chord names
+@c index jazz chords
+@c index chords, jazz
+@c TODO --  Change this so we don't have a non-verbatim example.
+@c Make short example in docs, then move longer example to
+@c appendix, where the length of the snippet won't matter.
+@c ode{\italianChords} and @code{\frenchChords} set these variables.
+@c ode{blackTriangleMarkup}.
+@c ode{chordRootNamer}. The @code{chordNoteNamer} property can be set
+@c ode{\whiteTriangleMarkup},
+@c ode{\blackTriangleMarkup},
+@c ode{\germanChords},
+@c ode{\semiGermanChords},
+@c ode{\italianChords},
+@c ode{\frenchChords}.
+@c index exceptions, chord names.
+@c TODO - tweak snippet to use \blackTriangleMarkup as well
+@ref{Chord name chart},
+@ref{Common chord modifiers}.
+@c Internals Reference:
+@c @r internals{}.
+@node Figured bass
+@subsection Figured bass
+@translationof Figured bass
+
+@untranslated
+
+
+@menu
+* Introduction to figured bass::
+* Entering figured bass::
+* Displaying figured bass::
+@end menu
+
+@node Introduction to figured bass
+@unnumberedsubsubsec Introduction to figured bass
+@translationof Introduction to figured bass
+
+@untranslated
+
+
+@c index Basso continuo
+@c index Thorough bass
+@c index Figured bass
+@c index Bass, thorough
+@c index Bass, figured
+@c TODO: musicological blurb about FB
+@c ode{FiguredBass} that takes care of displaying
+@c ode{BassFigure} objects.  Figured bass can also be displayed
+@c ode{\figures@{ ... @}} is a shortcut notation for
+@c ode{\new FiguredBass @{ \figuremode @{ ... @} @}}.
+@c ode{baseline-skip}.
+@node Entering figured bass
+@unnumberedsubsubsec Entering figured bass
+@translationof Entering figured bass
+
+@untranslated
+
+
+@c ode{\figuremode} is used to switch the input mode to figure mode.
+@c ode{<} and @code{>}.  The duration is entered after the @code{>}.
+@c NOTE: We need to include notes any time we use extenders to
+@c avoid extraneous staff creation due to Staff.use... in
+@c \bassFigureExtendersOn
+@c index figured bass extender lines
+@c ode{\bassFigureExtendersOn},
+@c ode{\bassFigureExtendersOff}.
+@c Music Glossary:
+@c @rglos{}.
+@c
+@c Learning Manual:
+@c @rlearning{}.
+@c
+@c Notation Reference:
+@c @ref{}.
+@c
+@c Application Usage:
+@c @rprogram{}.
+@c
+@c Installed Files:
+@c @file{}.
+@c
+@c @knownissues
+@node Displaying figured bass
+@unnumberedsubsubsec Displaying figured bass
+@translationof Displaying figured bass
+
+@untranslated
+
+
+@c index figured bass alignment
+@c ode{\bassFigureStaffAlignmentDown},
+@c ode{\bassFigureStaffAlignmentUp},
+@c ode{\bassFigureStaffAlignmentNeutral}.
+@c @snippets
+@c Music Glossary:
+@c @rglos{}.
+@c
+@c Learning Manual:
+@c @rlearning{}.
+@c
+@c Notation Reference:
+@c @ref{}.
+@c
+@c Application Usage:
+@c @rprogram{}.
+@c
+@c Installed Files:
+@c @file{}.
+@c
+
+@c -- SKELETON FILE --
diff --git a/Documentation/ja/notation/contemporary.itely b/Documentation/ja/notation/contemporary.itely
new file mode 100644
index 0000000..7883da6
--- /dev/null
+++ b/Documentation/ja/notation/contemporary.itely
@@ -0,0 +1,172 @@
+\input texinfo @c -*- coding: utf-8; mode: texinfo; documentlanguage: ja -*-
+@c This file is part of notation.tely
+@ignore
+    Translation of GIT committish: 82a821b7fb55935bc71ef8cc4716b9661f806ab3
+
+    When revising a translation, copy the HEAD committish of the
+    version that you are working on.  See TRANSLATION for details.
+@end ignore
+
+
+@c -*- coding: utf-8; mode: texinfo; -*-
+@c \version "2.13.4"
+@node Contemporary music
+@section Contemporary music
+@translationof Contemporary music
+
+@untranslated
+
+
+@menu
+* Pitch and harmony in contemporary music::
+* Contemporary approaches to rhythm::
+* Graphical notation::
+* Contemporary scoring techniques::
+* New instrumental techniques::
+* Further reading and scores of interest::
+@end menu
+
+@node Pitch and harmony in contemporary music
+@subsection Pitch and harmony in contemporary music
+@translationof Pitch and harmony in contemporary music
+
+@untranslated
+
+
+@menu
+* References for pitch and harmony in contemporary music::
+* Microtonal notation::
+* Contemporary key signatures and harmony::
+@end menu
+
+@node References for pitch and harmony in contemporary music
+@unnumberedsubsubsec References for pitch and harmony in contemporary music
+@translationof References for pitch and harmony in contemporary music
+
+@untranslated
+
+
+@ref{Note names in other languages}.
+@ref{Key signature}.
+@node Microtonal notation
+@unnumberedsubsubsec Microtonal notation
+@translationof Microtonal notation
+
+@untranslated
+
+
+@node Contemporary key signatures and harmony
+@unnumberedsubsubsec Contemporary key signatures and harmony
+@translationof Contemporary key signatures and harmony
+
+@untranslated
+
+
+@node Contemporary approaches to rhythm
+@subsection Contemporary approaches to rhythm
+@translationof Contemporary approaches to rhythm
+
+@untranslated
+
+
+@menu
+* References for contemporary approaches to rhythm::
+* Tuplets in contemporary music::
+* Contemporary time signatures::
+* Extended polymetric notation::
+* Beams in contemporary music::
+* Bar lines in contemporary music::
+@end menu
+
+@node References for contemporary approaches to rhythm
+@unnumberedsubsubsec References for contemporary approaches to rhythm
+@translationof References for contemporary approaches to rhythm
+
+@untranslated
+
+
+@ref{Polymetric notation}.
+@node Tuplets in contemporary music
+@unnumberedsubsubsec Tuplets in contemporary music
+@translationof Tuplets in contemporary music
+
+@untranslated
+
+
+@node Contemporary time signatures
+@unnumberedsubsubsec Contemporary time signatures
+@translationof Contemporary time signatures
+
+@untranslated
+
+
+@node Extended polymetric notation
+@unnumberedsubsubsec Extended polymetric notation
+@translationof Extended polymetric notation
+
+@untranslated
+
+
+@node Beams in contemporary music
+@unnumberedsubsubsec Beams in contemporary music
+@translationof Beams in contemporary music
+
+@untranslated
+
+
+@node Bar lines in contemporary music
+@unnumberedsubsubsec Bar lines in contemporary music
+@translationof Bar lines in contemporary music
+
+@untranslated
+
+
+@node Graphical notation
+@subsection Graphical notation
+@translationof Graphical notation
+
+@untranslated
+
+
+@node Contemporary scoring techniques
+@subsection Contemporary scoring techniques
+@translationof Contemporary scoring techniques
+
+@untranslated
+
+
+@node New instrumental techniques
+@subsection New instrumental techniques
+@translationof New instrumental techniques
+
+@untranslated
+
+
+@node Further reading and scores of interest
+@subsection Further reading and scores of interest
+@translationof Further reading and scores of interest
+
+@untranslated
+
+
+@menu
+* Books and articles on contemporary musical notation::
+* Scores and musical examples::
+@end menu
+
+@node Books and articles on contemporary musical notation
+@unnumberedsubsubsec Books and articles on contemporary musical notation
+@translationof Books and articles on contemporary musical notation
+
+@untranslated
+
+
+@node Scores and musical examples
+@unnumberedsubsubsec Scores and musical examples
+@translationof Scores and musical examples
+
+@untranslated
+
+
+
+@c -- SKELETON FILE --
diff --git a/Documentation/ja/notation/editorial.itely b/Documentation/ja/notation/editorial.itely
new file mode 100644
index 0000000..1912eac
--- /dev/null
+++ b/Documentation/ja/notation/editorial.itely
@@ -0,0 +1,208 @@
+\input texinfo @c -*- coding: utf-8; mode: texinfo; documentlanguage: ja -*-
+@c This file is part of notation.tely
+@ignore
+    Translation of GIT committish: 82a821b7fb55935bc71ef8cc4716b9661f806ab3
+
+    When revising a translation, copy the HEAD committish of the
+    version that you are working on.  See TRANSLATION for details.
+@end ignore
+
+
+@c -*- coding: utf-8; mode: texinfo; -*-
+@c \version "2.12.0"
+@node Editorial annotations
+@section Editorial annotations
+@translationof Editorial annotations
+
+@untranslated
+
+
+@menu
+* Inside the staff::
+* Outside the staff::
+@end menu
+
+@node Inside the staff
+@subsection Inside the staff
+@translationof Inside the staff
+
+@untranslated
+
+
+@menu
+* Selecting notation font size::
+* Fingering instructions::
+* Hidden notes::
+* Coloring objects::
+* Parentheses::
+* Stems::
+@end menu
+
+@node Selecting notation font size
+@unnumberedsubsubsec Selecting notation font size
+@translationof Selecting notation font size
+
+@untranslated
+
+
+@c index font size (notation) scaling
+@c index font size (notation)
+@c index selecting font size (notation)
+@c index notation font size
+@c index note heads
+@ref{Selecting font and font size}.}
+@c ode{magstep} converts a @code{font-size} number to a scaling
+@c index standard font size (notation)
+@c index font size (notation), standard
+@c ode{font-interface} layout interface.
+@c ode{\teeny},
+@c ode{\tiny},
+@c ode{\small},
+@c ode{\normalsize},
+@c ode{\large},
+@c ode{\huge}.
+@node Fingering instructions
+@unnumberedsubsubsec Fingering instructions
+@translationof Fingering instructions
+
+@untranslated
+
+
+@c index fingering
+@c index finger change
+@c index thumb-script
+@c index fingering chords
+@c index fingering instructions for chords
+@c index chords, fingering
+@ref{Direction and placement}
+@node Hidden notes
+@unnumberedsubsubsec Hidden notes
+@translationof Hidden notes
+
+@untranslated
+
+
+@c index hidden notes
+@c index invisible notes
+@c index transparent notes
+@c index notes, hidden
+@c index notes, invisible
+@c index notes, transparent
+@c ode{\hideNotes},
+@c ode{\unHideNotes}.
+@ref{Invisible rests},
+@ref{Visibility of objects},
+@ref{Hiding staves}.
+@node Coloring objects
+@unnumberedsubsubsec Coloring objects
+@translationof Coloring objects
+
+@untranslated
+
+
+@c index colored objects
+@c index objects, colored
+@c index colors
+@c index coloring objects
+@c index colored notes
+@c index coloring notes
+@c index notes, colored
+@c index x11 color
+@c index x11-color
+@c index with-color
+@c index rgb-color
+@c index color, rgb
+@c index rgb color
+@c ode{rgb-color}.
+@ref{List of colors}, @ref{The
+@c index x11 color
+@c index colored notes in chords
+@c index notes, colored in chords
+@c index color in chords
+@c ode{\tweak} instead, see @ref{The tweak command}.
+@node Parentheses
+@unnumberedsubsubsec Parentheses
+@translationof Parentheses
+
+@untranslated
+
+
+@c index ghost notes
+@c index notes, ghost
+@c index notes, parenthesized
+@c index parentheses
+@node Stems
+@unnumberedsubsubsec Stems
+@translationof Stems
+
+@untranslated
+
+
+@c index stem
+@c index stem, invisible
+@c index invisible stem
+@c index stem, direction
+@c index stem, up
+@c index stem, down
+@c index stem, neutral
+@ref{Direction and placement}.
+@c ode{\stemUp},
+@c ode{\stemDown},
+@c ode{\stemNeutral}.
+@ref{Direction and placement}.
+@node Outside the staff
+@subsection Outside the staff
+@translationof Outside the staff
+
+@untranslated
+
+
+@menu
+* Balloon help::
+* Grid lines::
+* Analysis brackets::
+@end menu
+
+@node Balloon help
+@unnumberedsubsubsec Balloon help
+@translationof Balloon help
+
+@untranslated
+
+
+@c index balloon
+@c index notation, explaining
+@c index balloon help
+@c index help, balloon
+@c ode{balloonText};  the former is used like
+@c ode{\balloonLengthOn},
+@c ode{\balloonLengthOff}.
+@node Grid lines
+@unnumberedsubsubsec Grid lines
+@translationof Grid lines
+
+@untranslated
+
+
+@c index grid lines
+@c index lines, grid
+@c index vertical lines between staves
+@c index lines, vertical between staves
+@c ode{gridInterval} must specify the duration between the grid
+@node Analysis brackets
+@unnumberedsubsubsec Analysis brackets
+@translationof Analysis brackets
+
+@untranslated
+
+
+@c index brackets
+@c index bracket, phrasing
+@c index phrasing bracket
+@c index musicological analysis
+@c index analysis, musicological
+@c index note grouping bracket
+@c index horizontal bracket
+@c index bracket, horizontal
+
+@c -- SKELETON FILE --
diff --git a/Documentation/ja/notation/expressive.itely b/Documentation/ja/notation/expressive.itely
new file mode 100644
index 0000000..81ee62d
--- /dev/null
+++ b/Documentation/ja/notation/expressive.itely
@@ -0,0 +1,333 @@
+\input texinfo @c -*- coding: utf-8; mode: texinfo; documentlanguage: ja -*-
+@c This file is part of notation.tely
+@ignore
+    Translation of GIT committish: 82a821b7fb55935bc71ef8cc4716b9661f806ab3
+
+    When revising a translation, copy the HEAD committish of the
+    version that you are working on.  See TRANSLATION for details.
+@end ignore
+
+
+@c -*- coding: utf-8; mode: texinfo; -*-
+@c \version "2.12.0"
+@node Expressive marks
+@section Expressive marks
+@translationof Expressive marks
+
+@untranslated
+
+
+@menu
+* Attached to notes::
+* Curves::
+* Lines::
+@end menu
+
+@node Attached to notes
+@subsection Attached to notes
+@translationof Attached to notes
+
+@untranslated
+
+
+@menu
+* Articulations and ornamentations::
+* Dynamics::
+* New dynamic marks::
+@end menu
+
+@node Articulations and ornamentations
+@unnumberedsubsubsec Articulations and ornamentations
+@translationof Articulations and ornamentations
+
+@untranslated
+
+
+@c index articulations
+@c index ornamentation
+@c index scripts
+@c index ornaments
+@c index espressivo
+@c index fermata
+@c index upbow
+@c index downbow
+@c index foot marks
+@c index organ pedal marks
+@c index pedal marks, organ
+@c index turn
+@c index open
+@c index stopped
+@c index flageolet
+@c index reverseturn
+@c index trill
+@c index prall
+@c index mordent
+@c index prallprall
+@c index prallmordent
+@c index prall, up
+@c index prall, down
+@c index thumb marking
+@c index segno
+@c index coda
+@c index varcoda
+@c index marcato
+@c index tenuto
+@c index staccatissimo
+@c index accent
+@c index staccato
+@c index portato
+@ref{Direction and placement}.
+@ref{Text scripts},
+@ref{Direction and placement},
+@ref{List of articulations},
+@ref{Trills}.
+@node Dynamics
+@unnumberedsubsubsec Dynamics
+@translationof Dynamics
+
+@untranslated
+
+
+@c index absolute dynamics
+@c index dynamics
+@c index dynamics, absolute
+@c ode{\ppppp}, @code{\pppp}, @code{\ppp}, @code{\pp}, @code{\p},
+@c ode{\mp}, @code{\mf}, @code{\f}, @code{\ff}, @code{\fff},
+@c ode{\ffff}, @code{\fffff}, @code{\fp}, @code{\sf}, @code{\sff},
+@c ode{\sp}, @code{\spp}, @code{\sfz}, and @code{\rfz}.  Dynamic
+@ref{Direction and placement}.
+@c index hairpin
+@c index crescendo
+@c index decrescendo
+@c index diminuendo
+@c ode{\cr} and @code{\decr} may be used instead of @code{\<} and
+@c ode{\>}.  @notation{Hairpins} are engraved by default using this
+@c index multiple dynamic marks on one note
+@c index dynamic marks, multiple on one note
+@c index espressivo articulation
+@c ode{\dimTextDecresc}, @code{\dimTextDecr}, and @code{\dimTextDim} 
+@c ode{\crescHairpin} and @code{\dimHairpin} commands will revert
+@c index dynamics, vertical positioning
+@c index vertical positioning of dynamics
+@c ode{\dynamicUp},
+@c ode{\dynamicDown},
+@c ode{\dynamicNeutral},
+@c ode{\crescTextCresc},
+@c ode{\dimTextDim},
+@c ode{\dimTextDecr},
+@c ode{\dimTextDecresc},
+@c ode{\crescHairpin},
+@c ode{\dimHairpin}.
+@c index al niente
+@c index niente, al
+@ref{Direction and placement},
+@ref{New dynamic marks},
+@ref{What goes into the MIDI output?},
+@ref{Controlling MIDI dynamics}.
+@node New dynamic marks
+@unnumberedsubsubsec New dynamic marks
+@translationof New dynamic marks
+
+@untranslated
+
+
+@c index new dynamic marks
+@c index dynamic marks, new
+@c ode{\markup} objects.
+@c index dynamics, editorial
+@c index dynamics, parenthesis
+@c index editorial dynamics
+@c index make-dynamic-script
+@c ode{make-dynamic-script} function.
+@c ode{f,m,p,r,s} and @code{z}, so if a dynamic mark that includes
+@c ode{make-dynamic-script} instead of an ordinary markup is ensuring
+@ref{Selecting font and font size}.
+@ref{Formatting text},
+@ref{Selecting font and font size},
+@ref{What goes into the MIDI output?},
+@ref{Controlling MIDI dynamics}.
+@node Curves
+@subsection Curves
+@translationof Curves
+
+@untranslated
+
+
+@menu
+* Slurs::
+* Phrasing slurs::
+* Breath marks::
+* Falls and doits::
+@end menu
+
+@node Slurs
+@unnumberedsubsubsec Slurs
+@translationof Slurs
+
+@untranslated
+
+
+@c index slurs
+@c index slurs, manual placement
+@c index slurs, below notes
+@c index slurs, above notes
+@ref{Direction and placement}.
+@c index phrasing slur
+@c index multiple slurs
+@c index simultaneous slurs
+@c index slur, phrasing
+@c index slurs, multiple
+@c index slurs, simultaneous
+@c index slur style
+@c index slur, solid
+@c index slur, dotted
+@c index slur, dashed
+@c index solid slur
+@c index dotted slur
+@c index dashed slur
+@c index style, slur
+@c index slur, half dashed and half solid
+@c index slur, defining dash patterns
+@c ode{\slurUp},
+@c ode{\slurDown},
+@c ode{\slurNeutral},
+@c ode{\slurDashed},
+@c ode{\slurDotted},
+@c ode{\slurHalfDashed},
+@c ode{\slurHalfSolid},
+@c ode{\slurDashPattern},
+@c ode{\slurSolid}.
+@ref{Direction and placement},
+@ref{Phrasing slurs}.
+@node Phrasing slurs
+@unnumberedsubsubsec Phrasing slurs
+@translationof Phrasing slurs
+
+@untranslated
+
+
+@c index phrasing slurs
+@c index phrasing marks
+@c index slur, phrasing
+@c index mark, phrasing
+@c ode{\)} respectively:
+@c ode{\slurUp} will have no effect on a phrasing slur.  Phrasing
+@ref{Direction and placement}.
+@c index simultaneous phrasing slurs
+@c index multiple phrasing slurs
+@c index slur, simultaneous phrasing
+@c index slur, multiple phrasing
+@c index phrasing slur, simultaneous
+@c index phrasing slur, multiple
+@c index phrasing slur, dashed
+@c index dashed phrasing slur
+@c index phrasing slur, dotted
+@c index dotted phrasing slurs
+@c index slur, dashed phrasing
+@c index slur, dotted phrasing
+@c index phrasing slur, half solid and half dashed
+@c index slur, half solid and half dashed phrasing
+@c index phrasing slur, defining dash patterns
+@c index slur, phrasing, defining dash patterns
+@c index slur, definind dash patterns for phrasing
+@c ode{\phrasingSlurUp},
+@c ode{\phrasingSlurDown},
+@c ode{\phrasingSlurNeutral},
+@c ode{\phrasingSlurDashed},
+@c ode{\phrasingSlurDotted},
+@c ode{\phrasingSlurHalfDashed},
+@c ode{\phrasingSlurHalfSolid},
+@c ode{\phrasingSlurDashPattern},
+@c ode{\phrasingSlurSolid}.
+@ref{Direction and placement},
+@ref{Slurs}.
+@node Breath marks
+@unnumberedsubsubsec Breath marks
+@translationof Breath marks
+
+@untranslated
+
+
+@c index breath marks
+@c index pause mark
+@c index caesura
+@c index railroad tracks
+@ref{Divisiones}.
+@node Falls and doits
+@unnumberedsubsubsec Falls and doits
+@translationof Falls and doits
+
+@untranslated
+
+
+@c index falls
+@c index doits
+@node Lines
+@subsection Lines
+@translationof Lines
+
+@untranslated
+
+
+@menu
+* Glissando::
+* Arpeggio::
+* Trills::
+@end menu
+
+@node Glissando
+@unnumberedsubsubsec Glissando
+@translationof Glissando
+
+@untranslated
+
+
+@c index glissando
+@ref{Line styles}.
+@ref{Line styles}.
+@node Arpeggio
+@unnumberedsubsubsec Arpeggio
+@translationof Arpeggio
+
+@untranslated
+
+
+@c index arpeggio
+@c index broken chord
+@c index chord, broken
+@c ode{\arpeggioNormal} reverts to a normal arpeggio:
+@c index arpeggio symbols, special
+@c index special arpeggio symbols
+@c ode{\arpeggio},
+@c ode{\arpeggioArrowUp},
+@c ode{\arpeggioArrowDown},
+@c ode{\arpeggioNormal},
+@c ode{\arpeggioBracket},
+@c ode{\arpeggioParenthesis}
+@c ode{\arpeggioParenthesisDashed}.
+@ref{Slurs},
+@ref{Ties}.
+@c index cross-staff parenthesis-style arpeggio
+@c index arpeggio, parenthesis-style, cross-staff
+@c index arpeggio, cross-staff parenthesis-style
+@node Trills
+@unnumberedsubsubsec Trills
+@translationof Trills
+
+@untranslated
+
+
+@c index trills
+@c ode{\trill}; see @ref{Articulations and ornamentations}.
+@c ode{\startTrillSpan} and @code{\stopTrillSpan}:
+@c index pitched trills
+@c index trills, pitched
+@c index pitched trill with forced accidental
+@c index trill, pitched with forced accidental
+@c index accidental, forced for pitched trill
+@c ode{\startTrillSpan},
+@c ode{\stopTrillSpan}.
+@ref{Articulations and ornamentations},
+@ref{Grace notes}.
+
+@c -- SKELETON FILE --
diff --git a/Documentation/ja/notation/fretted-strings.itely b/Documentation/ja/notation/fretted-strings.itely
new file mode 100644
index 0000000..a97c579
--- /dev/null
+++ b/Documentation/ja/notation/fretted-strings.itely
@@ -0,0 +1,258 @@
+\input texinfo @c -*- coding: utf-8; mode: texinfo; documentlanguage: ja -*-
+@c This file is part of notation.tely
+@ignore
+    Translation of GIT committish: 82a821b7fb55935bc71ef8cc4716b9661f806ab3
+
+    When revising a translation, copy the HEAD committish of the
+    version that you are working on.  See TRANSLATION for details.
+@end ignore
+
+
+@c -*- coding: utf-8; mode: texinfo; -*-
+@c \version "2.12.0"
+@node Fretted string instruments
+@section Fretted string instruments
+@translationof Fretted string instruments
+
+@untranslated
+
+
+@c index tablature
+@c index tablature, guitar
+@c index tablature, banjo
+@c index guitar tablature
+@c index banjo tablature
+@menu
+* Common notation for fretted strings::
+* Guitar::
+* Banjo::
+@end menu
+
+@node Common notation for fretted strings
+@subsection Common notation for fretted strings
+@translationof Common notation for fretted strings
+
+@untranslated
+
+
+@menu
+* References for fretted strings::
+* String number indications::
+* Default tablatures::
+* Custom tablatures::
+* Fret diagram markups::
+* Predefined fret diagrams::
+* Automatic fret diagrams::
+* Right-hand fingerings::
+@end menu
+
+@node References for fretted strings
+@unnumberedsubsubsec References for fretted strings
+@translationof References for fretted strings
+
+@untranslated
+
+
+@ref{Ties}.
+@ref{Harmonics}.
+@ref{Fingering instructions},
+@ref{Ties},
+@ref{Collision resolution},
+@ref{Instrument names},
+@ref{Writing music in parallel},
+@ref{Arpeggio},
+@ref{List of articulations},
+@ref{Clef}.
+@node String number indications
+@unnumberedsubsubsec String number indications
+@translationof String number indications
+
+@untranslated
+
+
+@c index string numbers
+@c index string vs. fingering numbers
+@c index fingering vs. string numbers
+@c ode{<>}.
+@ref{Fingering instructions}.
+@node Default tablatures
+@unnumberedsubsubsec Default tablatures
+@translationof Default tablatures
+
+@untranslated
+
+
+@c index tablatures, basic
+@c index tablatures, default
+@c ode{TabVoice} contexts
+@c ode{TabStaff}-context. Please bear in mind that half notes are
+@c index fret
+@c index harmonic indications in tablature notation
+@c index tablature and harmonic indications
+@c index slides in tablature notation
+@c index tablature and slides
+@ref{Stems}.
+@node Custom tablatures
+@unnumberedsubsubsec Custom tablatures
+@translationof Custom tablatures
+
+@untranslated
+
+
+@c index tablatures, custom
+@c index tablature, banjo
+@c index tablature, mandolin
+@c index tablature, bass guitar
+@c index tablature, predefined string tunings
+@c index fretted instruments, predefined string tunings
+@c index predefined string tunings for fretted instruments
+@c ode{stringTunings} property.
+@c ode{guitar-open-g-tuning}, @code{mandolin-tuning} and
+@c ode{banjo-open-g-tuning}.  The predefined string tunings
+@c ode{TabStaff} as the number of elements in @code{stringTunings}.
+@node Fret diagram markups
+@unnumberedsubsubsec Fret diagram markups
+@translationof Fret diagram markups
+
+@untranslated
+
+
+@c index fret diagrams
+@c index chord diagrams
+@c index diagrams, fret
+@c index diagrams, chord for fretted instruments
+@c index fret diagrams, custom
+@c index custom fret diagrams
+@c index barre indications
+@c index fret-diagram markup
+@c index fret-diagram-terse markup
+@c Need to use override to enable fingerings to show this -- can we do so?
+@c index fret-diagram-verbose markup
+@c \override is necessary to make fingering visible
+@c index customized fret diagram
+@c index fret diagram, customized
+@c index diagram, fret, customized
+@ref{Text markup commands}.
+@node Predefined fret diagrams
+@unnumberedsubsubsec Predefined fret diagrams
+@translationof Predefined fret diagrams
+
+@untranslated
+
+
+@c index fret diagrams
+@c index chord diagrams
+@c ode{predefined-guitar-fretboards.ly}.  Fret diagrams are
+@c ode{stringTunings} that is currently in use.
+@c ode{predefined-guitar-fretboards.ly} contains predefined
+@c ode{predefined-guitar-fretboards.ly}.
+@c ode{predefined-ukulele-fretboards.ly}.
+@ref{Chord mode overview}).
+@c index chord names with fret diagrams
+@c index fret diagrams with chord names
+@c index transposing fret diagrams
+@c index fret diagrams, transposing
+@c index diagrams, fret, transposing
+@ref{Automatic fret diagrams}.
+@c index fret diagrams, adding custom
+@c index custom fret diagrams, adding
+@c index adding custom fret diagrams
+@c index fretted instruments, chord shapes
+@c index chord shapes for fretted instruments
+@c ode{FretBoards.FretBoard}.
+@ref{Custom tablatures},
+@ref{Automatic fret diagrams},
+@ref{Chord mode overview},
+@ref{Predefined fretboard diagrams}.
+@node Automatic fret diagrams
+@unnumberedsubsubsec Automatic fret diagrams
+@translationof Automatic fret diagrams
+
+@untranslated
+
+
+@c index fret diagrams, automatic
+@c index chord diagrams, automatic
+@c index automatic fret diagrams
+@c index automatic chord diagrams
+@c ode{FretBoards} context.  If no predefined diagram is available for
+@c index fret diagrams, adding fingerings
+@c index fingerings, adding to fret diagrams
+@c ode{FretBoards} fret diagram, the interface properties belong to
+@c ode{FretBoards.FretBoard}.
+@c ode{\predefinedFretboardsOff},
+@c ode{\predefinedFretboardsOn}.
+@ref{Custom tablatures}.
+@node Right-hand fingerings
+@unnumberedsubsubsec Right-hand fingerings
+@translationof Right-hand fingerings
+
+@untranslated
+
+
+@c index fretted instruments, right hand fingerings
+@c index fingerings, right hand for fretted instruments
+@c index right hand fingerings for fretted instruments
+@node Guitar
+@subsection Guitar
+@translationof Guitar
+
+@untranslated
+
+
+@menu
+* Indicating position and barring::
+* Indicating harmonics and dampened notes::
+@end menu
+
+@node Indicating position and barring
+@unnumberedsubsubsec Indicating position and barring
+@translationof Indicating position and barring
+
+@untranslated
+
+
+@c index indicating position and barring for fretted instruments
+@c index fretted instruments, indicating position and barring
+@ref{Text spanners}.
+@node Indicating harmonics and dampened notes
+@unnumberedsubsubsec Indicating harmonics and dampened notes
+@translationof Indicating harmonics and dampened notes
+
+@untranslated
+
+
+@c index fretted instruments, dampened notes
+@c index fretted instruments, harmonics
+@c index dampened notes on fretted instruments
+@c index harmonics on fretted instruments
+@ref{Special note heads},
+@ref{Note head styles}.
+@node Banjo
+@subsection Banjo
+@translationof Banjo
+
+@untranslated
+
+
+@menu
+* Banjo tablatures::
+@end menu
+
+@node Banjo tablatures
+@unnumberedsubsubsec Banjo tablatures
+@translationof Banjo tablatures
+
+@untranslated
+
+
+@c index banjo tablatures
+@c index tablature, banjo
+@c due to crazy intervals of banjo music, absolute pitch is recommended
+@c index banjo tunings
+@c index tunings, banjo
+@c ode{banjo-c-tuning} (gCGBD), @code{banjo-modal-tuning} (gDGCD),
+@c ode{banjo-open-d-tuning} (aDF#AD) and @code{banjo-open-dm-tuning}
+@c ode{four-string-banjo} function:
+
+@c -- SKELETON FILE --
diff --git a/Documentation/ja/notation/input.itely b/Documentation/ja/notation/input.itely
new file mode 100644
index 0000000..832a1a6
--- /dev/null
+++ b/Documentation/ja/notation/input.itely
@@ -0,0 +1,358 @@
+\input texinfo @c -*- coding: utf-8; mode: texinfo; documentlanguage: ja -*-
+@c This file is part of notation.tely
+@ignore
+    Translation of GIT committish: 82a821b7fb55935bc71ef8cc4716b9661f806ab3
+
+    When revising a translation, copy the HEAD committish of the
+    version that you are working on.  See TRANSLATION for details.
+@end ignore
+
+
+@c -*- coding: utf-8; mode: texinfo; -*-
+@c \version "2.12.0"
+@node General input and output
+@chapter General input and output
+@translationof General input and output
+
+@untranslated
+
+
+@menu
+* Input structure::
+* Titles and headers::
+* Working with input files::
+* Controlling output::
+* MIDI output::
+@end menu
+
+@node Input structure
+@section Input structure
+@translationof Input structure
+
+@untranslated
+
+
+@menu
+* Structure of a score::
+* Multiple scores in a book::
+* File structure::
+@end menu
+
+@node Structure of a score
+@subsection Structure of a score
+@translationof Structure of a score
+
+@untranslated
+
+
+@ref{File structure}.)  Both single-line comments and comments
+@c ode{\score} block.
+@node Multiple scores in a book
+@subsection Multiple scores in a book
+@translationof Multiple scores in a book
+
+@untranslated
+
+
+@c index movements, multiple
+@c ode{\book} block will result in a separate output.  If you do not
+@c ode{\book}, but if it is not present, the @code{\header} which is at
+@node File structure
+@subsection File structure
+@translationof File structure
+
+@untranslated
+
+
+@c ode{\layout}.  Such a definition at the toplevel changes the default
+@c ode{#(set-default-paper-size "a7" 'landscape)} or
+@c ode{#(ly:set-option 'point-and-click #f)}.
+@c ode{toplevel-score-handler} at toplevel.  The default handler is
+@c ode{\book} blocks in a @code{.ly} file is if you wish to create
+@c ode{toplevel-music-handler} at toplevel.  The default handler is
+@c index variables
+@c index whitespace
+@c ode{\override} and @code{\set} commands.  In particular, spaces
+@c ode{\override Score . LyricText #'font-size = #5} and before and
+@node Titles and headers
+@section Titles and headers
+@translationof Titles and headers
+
+@untranslated
+
+
+@menu
+* Creating titles::
+* Custom titles::
+* Reference to page numbers::
+* Table of contents::
+@end menu
+
+@node Creating titles
+@subsection Creating titles
+@translationof Creating titles
+
+@untranslated
+
+
+@c ode{\bookpart} blocks).
+@c index page breaks, forcing
+@c ode{\header} inside @code{\score}) by using
+@c index copyright
+@c index tagline
+@c ode{copyright} field from @code{\header} is inserted, and the last
+@node Custom titles
+@subsection Custom titles
+@translationof Custom titles
+
+@untranslated
+
+
+@c index \paper
+@c index header
+@c index footer
+@c index page layout
+@c index titles
+@node Reference to page numbers
+@subsection Reference to page numbers
+@translationof Reference to page numbers
+
+@untranslated
+
+
+@c ode{\label},
+@c ode{\page-ref}.
+@node Table of contents
+@subsection Table of contents
+@translationof Table of contents
+
+@untranslated
+
+
+@c ode{\table-of-contents},
+@c ode{\tocItem}.
+@node Working with input files
+@section Working with input files
+@translationof Working with input files
+
+@untranslated
+
+
+@menu
+* Including LilyPond files::
+* Different editions from one source::
+* Text encoding::
+* Displaying LilyPond notation::
+@end menu
+
+@node Including LilyPond files
+@subsection Including LilyPond files
+@translationof Including LilyPond files
+
+@untranslated
+
+
+@c index including files
+@c ode{\include} statements are not interpreted until they have
+@c ode{-drelative-includes} option at the command line
+@node Different editions from one source
+@subsection Different editions from one source
+@translationof Different editions from one source
+
+@untranslated
+
+
+@menu
+* Using variables::
+* Using tags::
+@end menu
+
+@node Using variables
+@unnumberedsubsubsec Using variables
+@translationof Using variables
+
+@untranslated
+
+
+@c index variables, use of
+@node Using tags
+@unnumberedsubsubsec Using tags
+@translationof Using tags
+
+@untranslated
+
+
+@c index tag
+@c index keep tagged music
+@c index remove tagged music
+@c ode{\removeWithTag #'@var{name}}.  The result of applying these filters
+@c ode{\removeWithTag}
+@c ode{\removeWithTag} commands should be a symbol
+@c ode{\tag} entries:
+@ref{Automatic part combining},
+@ref{Including LilyPond files}.
+@c This warning is more general than this placement implies.
+@c Rests are not merged whether or not they come from tagged sections.
+@c Should be deleted?  -td
+@node Text encoding
+@subsection Text encoding
+@translationof Text encoding
+
+@untranslated
+
+
+@c index Unicode
+@c index UTF-8
+@c index non-ASCII characters
+@c ode{\markup} block, where @code{hhhh} is the hexadecimal code for
+@c index copyright sign
+@node Displaying LilyPond notation
+@subsection Displaying LilyPond notation
+@translationof Displaying LilyPond notation
+
+@untranslated
+
+
+@c TODO What happens under Windows?
+@node Controlling output
+@section Controlling output
+@translationof Controlling output
+
+@untranslated
+
+
+@menu
+* Extracting fragments of music::
+* Skipping corrected music::
+* Alternative output formats::
+@end menu
+
+@node Extracting fragments of music
+@subsection Extracting fragments of music
+@translationof Extracting fragments of music
+
+@untranslated
+
+
+@c ode{-dclip-systems}.  The clips are output as EPS files, and are
+@node Skipping corrected music
+@subsection Skipping corrected music
+@translationof Skipping corrected music
+
+@untranslated
+
+
+@node Alternative output formats
+@subsection Alternative output formats
+@translationof Alternative output formats
+
+@untranslated
+
+
+@c index scalable vector graphics output
+@c index SVG output
+@c index encapsulated postscript output
+@c index EPS output
+@node MIDI output
+@section MIDI output
+@translationof MIDI output
+
+@untranslated
+
+
+@c index Sound
+@c index MIDI
+@c TODO Check this
+@menu
+* Creating MIDI files::
+* MIDI block::
+* What goes into the MIDI output?::
+* Repeats in MIDI::
+* Controlling MIDI dynamics::
+* Percussion in MIDI::
+@end menu
+
+@node Creating MIDI files
+@subsection Creating MIDI files
+@translationof Creating MIDI files
+
+@untranslated
+
+
+@c ode{\midi} block to a score, for example,
+@c ode{\layout} block, only MIDI output will be produced.  When
+@c ode{.midi}.
+@unnumberedsubsubsec Instrument names
+@c index instrument names
+@c ode{Staff.midiInstrument} property to the instrument name.
+@c In 2.11 the following no longer seems to be a problem -td
+@node MIDI block
+@subsection MIDI block
+@translationof MIDI block
+
+@untranslated
+
+
+@c index MIDI block
+@c index MIDI context definitions
+@c ode{\midi@{ @}} block.
+@node What goes into the MIDI output?
+@subsection What goes into the MIDI output?
+@translationof What goes into the MIDI output?
+
+@untranslated
+
+
+@c TODO Check grace notes - timing is suspect?
+@unnumberedsubsubsec Supported in MIDI
+@c index Pitches in MIDI
+@c index MIDI, Pitches
+@c index Quarter tones in MIDI
+@c index MIDI, quarter tones
+@c index Microtones in MIDI
+@c index MIDI, microtones
+@c index Chord names in MIDI
+@c index MIDI, chord names
+@c index Rhythms in MIDI
+@c index MIDI, Rhythms
+@c TODO etc
+@unnumberedsubsubsec Unsupported in MIDI
+@c TODO index as above
+@node Repeats in MIDI
+@subsection Repeats in MIDI
+@translationof Repeats in MIDI
+
+@untranslated
+
+
+@c index repeats in MIDI
+@c ode{\unfoldRepeats} music function.  This function changes all
+@node Controlling MIDI dynamics
+@subsection Controlling MIDI dynamics
+@translationof Controlling MIDI dynamics
+
+@untranslated
+
+
+@unnumberedsubsubsec Dynamic marks
+@c ode{Score.dynamicAbsoluteVolumeFunction} to this function.
+@c ode{\rfz}, is required, this will not by default
+@unnumberedsubsubsec Overall MIDI volume
+@c ode{midiMaximumVolume} at the @code{Score} level.  These
+@unnumberedsubsubsec Equalizing different instruments (i)
+@unnumberedsubsubsec Equalizing different instruments (ii)
+@c ode{instrumentEqualizer} in the @code{Score} context to a new
+@c ode{dynamicAbsoluteVolumeFunction} at the start of this section.
+@c Delete when satisfied this is adequately covered elsewhere -td
+@c index microtones in MIDI
+@node Percussion in MIDI
+@subsection Percussion in MIDI
+@translationof Percussion in MIDI
+
+@untranslated
+
+
+@c ode{DrumStaff} context, to obtain the correct MIDI output.
+@c TODO Expand with examples, and any other issues
+
+@c -- SKELETON FILE --
diff --git a/Documentation/ja/notation/keyboards.itely b/Documentation/ja/notation/keyboards.itely
new file mode 100644
index 0000000..ae528e7
--- /dev/null
+++ b/Documentation/ja/notation/keyboards.itely
@@ -0,0 +1,251 @@
+\input texinfo @c -*- coding: utf-8; mode: texinfo; documentlanguage: ja -*-
+@c This file is part of notation.tely
+@ignore
+    Translation of GIT committish: 82a821b7fb55935bc71ef8cc4716b9661f806ab3
+
+    When revising a translation, copy the HEAD committish of the
+    version that you are working on.  See TRANSLATION for details.
+@end ignore
+
+
+@c -*- coding: utf-8; mode: texinfo; -*-
+@c \version "2.12.0"
+@node Keyboard and other multi-staff instruments
+@section Keyboard and other multi-staff instruments
+@translationof Keyboard and other multi-staff instruments
+
+@untranslated
+
+
+@menu
+* Common notation for keyboards::
+* Piano::
+* Accordion::
+* Harp::
+@end menu
+
+@node Common notation for keyboards
+@subsection Common notation for keyboards
+@translationof Common notation for keyboards
+
+@untranslated
+
+
+@menu
+* References for keyboards::
+* Changing staff manually::
+* Changing staff automatically::
+* Staff-change lines::
+* Cross-staff stems::
+@end menu
+
+@node References for keyboards
+@unnumberedsubsubsec References for keyboards
+@translationof References for keyboards
+
+@untranslated
+
+
+@c index piano staves
+@c index staves, piano
+@c index staves, keyboard instruments
+@c index staves, keyed instruments
+@c index keyboard instrument staves
+@c index keyed instrument staves
+@c ode{PianoStaff} group and third, normal staff for the pedals.
+@ref{Collision resolution}.
+@ref{Writing music in parallel}.
+@ref{List of articulations}.
+@ref{Ties}.
+@c @snippets
+@c @lilypondfile[verbatim,lilyquote,texidoc,doctitle]
+@c{forcing-visibility-of-systems-with-multi-bar-rests-when-using-\RemoveEmptyStaffContext.ly}
+@c http://lsr.dsi.unimi.it/LSR/Item?u=1&id=312
+@ref{Grouping staves},
+@ref{Instrument names},
+@ref{Collision resolution},
+@ref{Writing music in parallel},
+@ref{Fingering instructions},
+@ref{List of articulations},
+@ref{Grid lines},
+@ref{Ties},
+@ref{Arpeggio},
+@ref{Tremolo repeats}.
+@c index keyboard music, centering dynamics
+@c index dynamics, centered in keyboard music
+@c index piano music, centering dynamics
+@c index centered dynamics in piano music
+@c ode{staff-padding} of dynamics as discussed in @rlearning{Moving
+@node Changing staff manually
+@unnumberedsubsubsec Changing staff manually
+@translationof Changing staff manually
+
+@untranslated
+
+
+@c index changing staff manually
+@c index manual staff changes
+@c index staff changes, manual
+@c index cross-staff notes
+@c index notes, cross-staff
+@c index cross-staff beams
+@c index beams, cross-staff
+@c ode{"up"} and @code{"down"}, or @code{"RH"} and @code{"LH"}.
+@ref{Stems},
+@ref{Automatic beams},
+@ref{Keeping contexts alive}.
+@node Changing staff automatically
+@unnumberedsubsubsec Changing staff automatically
+@translationof Changing staff automatically
+
+@untranslated
+
+
+@c index changing staff automatically
+@c index automatic staff changes
+@c index staff changes, automatic
+@c ode{"down"}.  The lower staff will be in the bass clef by default.
+@c index relative music and autochange
+@c index autochange and relative music
+@c ode{\relative} inside @code{\autochange}.
+@c ode{"down"}.  The @code{\autochange} command will then switch
+@c ode{"up"} and @code{"down"}.}
+@ref{Changing staff manually}.
+@c index chords, splitting across staves with \autochange
+@node Staff-change lines
+@unnumberedsubsubsec Staff-change lines
+@translationof Staff-change lines
+
+@untranslated
+
+
+@c index staff-change line
+@c index staff change line
+@c index cross-staff line
+@c index cross staff line
+@c index line, staff-change follower
+@c index line, cross-staff
+@c index line, staff-change
+@c index follow voice
+@c index voice, following
+@c index staff switching
+@c index cross-staff
+@c ode{\showStaffSwitch},
+@c ode{\hideStaffSwitch}.
+@node Cross-staff stems
+@unnumberedsubsubsec Cross-staff stems
+@translationof Cross-staff stems
+
+@untranslated
+
+
+@c index cross-staff notes
+@c index cross staff notes
+@c index notes, cross-staff
+@c index cross-staff stems
+@c index cross staff stems
+@c index stems, cross-staff
+@c index chords, cross-staff
+@c index cross-staff chords
+@c index cross staff chords
+@node Piano
+@subsection Piano
+@translationof Piano
+
+@untranslated
+
+
+@menu
+* Piano pedals::
+@end menu
+
+@node Piano pedals
+@unnumberedsubsubsec Piano pedals
+@translationof Piano pedals
+
+@untranslated
+
+
+@c index piano pedals
+@c index pedals, piano
+@c index sustain pedal
+@c index pedal, sustain
+@c index sostenuto pedal
+@c index pedal, sostenuto
+@c index una corda
+@c index tre corde
+@c index sos.
+@c index U.C.
+@c index pedal indication styles
+@c index pedal indication, text
+@c index pedal indication, bracket
+@c index pedal indication, mixed
+@c index pedal sustain style
+@c index sustain pedal style
+@ref{Ties}.
+@node Accordion
+@subsection Accordion
+@translationof Accordion
+
+@untranslated
+
+
+@c index accordion
+@menu
+* Discant symbols::
+@end menu
+
+@node Discant symbols
+@unnumberedsubsubsec Discant symbols
+@translationof Discant symbols
+
+@untranslated
+
+
+@c index accordion discant symbols
+@c index discant symbols, accordion
+@c index accordion shifts
+@c index accordion shift symbols
+@node Harp
+@subsection Harp
+@translationof Harp
+
+@untranslated
+
+
+@menu
+* References for harps::
+* Harp pedals::
+@end menu
+
+@node References for harps
+@unnumberedsubsubsec References for harps
+@translationof References for harps
+
+@untranslated
+
+
+@c index harps
+@c index bisbiglando
+@ref{Glissando}.
+@ref{Tremolo repeats},
+@ref{Glissando},
+@ref{Arpeggio},
+@ref{Harmonics}.
+@node Harp pedals
+@unnumberedsubsubsec Harp pedals
+@translationof Harp pedals
+
+@untranslated
+
+
+@c index harp pedals
+@c index harp pedal diagrams
+@c index pedals, harp
+@c index pedal diagrams, harp
+@c ode{^} is the highest pedal position (flattened pitch), @code{-} is
+@c ode{o} will circle the following pedal symbol.
+@ref{Text scripts},
+@ref{Instrument Specific Markup}.
+
+@c -- SKELETON FILE --
diff --git a/Documentation/ja/notation/notation-appendices.itely b/Documentation/ja/notation/notation-appendices.itely
new file mode 100644
index 0000000..c1d5330
--- /dev/null
+++ b/Documentation/ja/notation/notation-appendices.itely
@@ -0,0 +1,590 @@
+\input texinfo @c -*- coding: utf-8; mode: texinfo; documentlanguage: ja -*-
+@c This file is part of notation.tely
+@ignore
+    Translation of GIT committish: 82a821b7fb55935bc71ef8cc4716b9661f806ab3
+
+    When revising a translation, copy the HEAD committish of the
+    version that you are working on.  See TRANSLATION for details.
+@end ignore
+
+
+@c -*- coding: utf-8; mode: texinfo; -*-
+@c \version "2.12.0"
+@node Notation manual tables
+@appendix Notation manual tables
+@translationof Notation manual tables
+
+@untranslated
+
+
+@c Please do not delete the following @ignore block.
+* Text markup commands::
+* Text markup list commands::
+* Note head styles::
+* List of articulations::
+@menu
+* Chord name chart::
+* Common chord modifiers::
+* Predefined fretboard diagrams::
+* MIDI instruments::
+* List of colors::
+* The Feta font::
+* Note head styles::
+* Text markup commands::
+* Text markup list commands::
+* List of articulations::
+* Percussion notes::
+* Technical glossary::
+* All context properties::
+* Layout properties::
+* Available music functions::
+* Scheme functions::
+@end menu
+
+@node Chord name chart
+@appendixsec Chord name chart
+@translationof Chord name chart
+
+@untranslated
+
+
+@node Common chord modifiers
+@appendixsec Common chord modifiers
+@translationof Common chord modifiers
+
+@untranslated
+
+
+@c ode{\chordmode} to generate standard chord structures.
+@c ode{5} or nothing
+@c ode{m} or @code{m5}
+@c ode{aug}
+@c ode{dim}
+@c ode{7}
+@c ode{maj7} or @code{maj}
+@c ode{m7}
+@c ode{dim7}
+@c ode{aug7}
+@c ode{m7.5-}
+@c ode{maj7.5-}
+@c ode{6}
+@c ode{m6}
+@c ode{9}
+@c ode{maj9}
+@c ode{m9}
+@c ode{11}
+@c ode{maj11}
+@c ode{m11}
+@c ode{13}
+@c ode{13.11}
+@c ode{maj13.11}
+@c ode{m13.11}
+@c ode{sus2}
+@c ode{sus4}
+@node Predefined fretboard diagrams
+@appendixsec Predefined fretboard diagrams
+@translationof Predefined fretboard diagrams
+
+@untranslated
+
+
+@node MIDI instruments
+@appendixsec MIDI instruments
+@translationof MIDI instruments
+
+@untranslated
+
+
+@c ode{midiInstrument} property.
+@node List of colors
+@appendixsec List of colors
+@translationof List of colors
+
+@untranslated
+
+
+@subsubheading Normal colors
+@c index List of colors
+@c index Colors, list of
+@subsubheading X color names
+@subsubheading Color Names without a numerical suffix:
+@subsubheading Color names with a numerical suffix
+@subsubheading Grey Scale
+@node The Feta font
+@appendixsec The Feta font
+@translationof The Feta font
+
+@untranslated
+
+
+@c index Feta font
+@c index Font, Feta
+@c ode{\markup @{\musicglyph #"five"@}}.  For more information,
+@menu
+* Clef glyphs::
+* Time Signature glyphs::
+* Number glyphs::
+* Accidental glyphs::
+* Default Notehead glyphs::
+* Special Notehead glyphs::
+* Shape-note Notehead glyphs::
+* Rest glyphs::
+* Flag glyphs::
+* Dot glyphs::
+* Dynamic glyphs::
+* Script glyphs::
+* Arrowhead glyphs::
+* Bracket-tip glyphs::
+* Pedal glyphs::
+* Accordion glyphs::
+* Vaticana glyphs::
+* Medicaea glyphs::
+* Hufnagel glyphs::
+* Mensural glyphs::
+* Neomensural glyphs::
+* Petrucci glyphs::
+* Solesmes glyphs::
+@end menu
+
+@node Clef glyphs
+@unnumberedsubsec Clef glyphs
+@translationof Clef glyphs
+
+@untranslated
+
+
+@node Time Signature glyphs
+@unnumberedsubsec Time Signature glyphs
+@translationof Time Signature glyphs
+
+@untranslated
+
+
+@node Number glyphs
+@unnumberedsubsec Number glyphs
+@translationof Number glyphs
+
+@untranslated
+
+
+@node Accidental glyphs
+@unnumberedsubsec Accidental glyphs
+@translationof Accidental glyphs
+
+@untranslated
+
+
+@node Default Notehead glyphs
+@unnumberedsubsec Default Notehead glyphs
+@translationof Default Notehead glyphs
+
+@untranslated
+
+
+@node Special Notehead glyphs
+@unnumberedsubsec Special Notehead glyphs
+@translationof Special Notehead glyphs
+
+@untranslated
+
+
+@node Shape-note Notehead glyphs
+@unnumberedsubsec Shape-note Notehead glyphs
+@translationof Shape-note Notehead glyphs
+
+@untranslated
+
+
+@node Rest glyphs
+@unnumberedsubsec Rest glyphs
+@translationof Rest glyphs
+
+@untranslated
+
+
+@node Flag glyphs
+@unnumberedsubsec Flag glyphs
+@translationof Flag glyphs
+
+@untranslated
+
+
+@node Dot glyphs
+@unnumberedsubsec Dot glyphs
+@translationof Dot glyphs
+
+@untranslated
+
+
+@node Dynamic glyphs
+@unnumberedsubsec Dynamic glyphs
+@translationof Dynamic glyphs
+
+@untranslated
+
+
+@node Script glyphs
+@unnumberedsubsec Script glyphs
+@translationof Script glyphs
+
+@untranslated
+
+
+@node Arrowhead glyphs
+@unnumberedsubsec Arrowhead glyphs
+@translationof Arrowhead glyphs
+
+@untranslated
+
+
+@node Bracket-tip glyphs
+@unnumberedsubsec Bracket-tip glyphs
+@translationof Bracket-tip glyphs
+
+@untranslated
+
+
+@node Pedal glyphs
+@unnumberedsubsec Pedal glyphs
+@translationof Pedal glyphs
+
+@untranslated
+
+
+@node Accordion glyphs
+@unnumberedsubsec Accordion glyphs
+@translationof Accordion glyphs
+
+@untranslated
+
+
+@node Vaticana glyphs
+@unnumberedsubsec Vaticana glyphs
+@translationof Vaticana glyphs
+
+@untranslated
+
+
+@node Medicaea glyphs
+@unnumberedsubsec Medicaea glyphs
+@translationof Medicaea glyphs
+
+@untranslated
+
+
+@node Hufnagel glyphs
+@unnumberedsubsec Hufnagel glyphs
+@translationof Hufnagel glyphs
+
+@untranslated
+
+
+@node Mensural glyphs
+@unnumberedsubsec Mensural glyphs
+@translationof Mensural glyphs
+
+@untranslated
+
+
+@node Neomensural glyphs
+@unnumberedsubsec Neomensural glyphs
+@translationof Neomensural glyphs
+
+@untranslated
+
+
+@node Petrucci glyphs
+@unnumberedsubsec Petrucci glyphs
+@translationof Petrucci glyphs
+
+@untranslated
+
+
+@node Solesmes glyphs
+@unnumberedsubsec Solesmes glyphs
+@translationof Solesmes glyphs
+
+@untranslated
+
+
+@node Note head styles
+@appendixsec Note head styles
+@translationof Note head styles
+
+@untranslated
+
+
+@c index note head styles
+@include markup-commands.tely
+@include markup-list-commands.tely
+@node List of articulations
+@appendixsec List of articulations
+@translationof List of articulations
+
+@untranslated
+
+
+@c index accent
+@c index marcato
+@c index staccatissimo
+@c index espressivo
+@c index fermata
+@c index stopped
+@c index staccato
+@c index portato
+@c index tenuto
+@c index upbow
+@c index downbow
+@c index foot marks
+@c index organ pedal marks
+@c index turn
+@c index open
+@c index halfopen
+@c index stopped
+@c index flageolet
+@c index reverseturn
+@c index trill
+@c index prall
+@c index mordent
+@c index prallprall
+@c index prallmordent
+@c index prall, up
+@c index prall, down
+@c index thumb marking
+@c index segno
+@c index coda
+@c index varcoda
+@node Percussion notes
+@appendixsec Percussion notes
+@translationof Percussion notes
+
+@untranslated
+
+
+@node Technical glossary
+@appendixsec Technical glossary
+@translationof Technical glossary
+
+@untranslated
+
+
+@menu
+* alist::
+* callback::
+* closure::
+* glyph::
+* grob::
+* immutable::
+* interface::
+* lexer::
+* mutable::
+* output-def::
+* parser::
+* parser variable::
+* prob::
+* simple closure::
+* smob::
+* stencil::
+@end menu
+
+@node alist
+@unnumberedsubsec alist
+@translationof alist
+
+@untranslated
+
+
+@c index alist
+@c index association list
+@node callback
+@unnumberedsubsec callback
+@translationof callback
+
+@untranslated
+
+
+@c index callback
+@node closure
+@unnumberedsubsec closure
+@translationof closure
+
+@untranslated
+
+
+@c index closure
+@c index simple closure
+@node glyph
+@unnumberedsubsec glyph
+@translationof glyph
+
+@untranslated
+
+
+@c index glyph
+@c index font
+@c index typeface
+@ref{Fonts},
+@ref{Text encoding}.
+@node grob
+@unnumberedsubsec grob
+@translationof grob
+
+@untranslated
+
+
+@c index grob
+@c index layout objects
+@c index graphical objects
+@node immutable
+@unnumberedsubsec immutable
+@translationof immutable
+
+@untranslated
+
+
+@c index immutable objects
+@c index immutable properties
+@c index shared properties
+@c ode{\override} and @code{\revert}.
+@ref{mutable}.
+@node interface
+@unnumberedsubsec interface
+@translationof interface
+
+@untranslated
+
+
+@c index interface
+@c index grob-interface
+@c index graphical object interfaces
+@ref{Layout interfaces}.
+@node lexer
+@unnumberedsubsec lexer
+@translationof lexer
+
+@untranslated
+
+
+@c index lexer
+@c index Flex
+@node mutable
+@unnumberedsubsec mutable
+@translationof mutable
+
+@untranslated
+
+
+@c index mutable objects
+@c index mutable properties
+@ref{immutable}.
+@node output-def
+@unnumberedsubsec output-def
+@translationof output-def
+
+@untranslated
+
+
+@c index output-def
+@node parser
+@unnumberedsubsec parser
+@translationof parser
+
+@untranslated
+
+
+@c index parser
+@c index Bison
+@c index grammar for LilyPond
+@c index BNF
+@node parser variable
+@unnumberedsubsec parser variable
+@translationof parser variable
+
+@untranslated
+
+
+@c index parser variable
+@c index Scheme variable
+@c index global variable
+@c index afterGraceFraction
+@c index musicQuotes
+@c index mode
+@c index output-count
+@c index output-suffix
+@c index parseStringResult
+@c index partCombineListener
+@c index pitchnames
+@c index toplevel-bookparts
+@c index toplevel-scores
+@c index showLastLength
+@c index showFirstLength
+@c ode{\score} blocks as well as external files added with the
+@c ode{\include} command.  This can lead to unintended consequences
+@node prob
+@unnumberedsubsec prob
+@translationof prob
+
+@untranslated
+
+
+@c index prob
+@c index property object
+@c ode{Prob}.  Instances of the @code{Prob} class are also created
+@node simple closure
+@unnumberedsubsec simple closure
+@translationof simple closure
+
+@untranslated
+
+
+@node smob
+@unnumberedsubsec smob
+@translationof smob
+
+@untranslated
+
+
+@c index smob
+@c index Scheme object
+@node stencil
+@unnumberedsubsec stencil
+@translationof stencil
+
+@untranslated
+
+
+@c index stencil
+@node All context properties
+@appendixsec All context properties
+@translationof All context properties
+
+@untranslated
+
+
+@include context-properties.tely
+@node Layout properties
+@appendixsec Layout properties
+@translationof Layout properties
+
+@untranslated
+
+
+@include layout-properties.tely
+@node Available music functions
+@appendixsec Available music functions
+@translationof Available music functions
+
+@untranslated
+
+
+@include identifiers.tely
+@node Scheme functions
+@appendixsec Scheme functions
+@translationof Scheme functions
+
+@untranslated
+
+
+@include scheme-functions.tely
+
+@c -- SKELETON FILE --
diff --git a/Documentation/ja/notation/notation.itely b/Documentation/ja/notation/notation.itely
new file mode 100644
index 0000000..98ba3a7
--- /dev/null
+++ b/Documentation/ja/notation/notation.itely
@@ -0,0 +1,40 @@
+\input texinfo @c -*- coding: utf-8; mode: texinfo; documentlanguage: ja -*-
+@c This file is part of notation.tely
+@ignore
+    Translation of GIT committish: 82a821b7fb55935bc71ef8cc4716b9661f806ab3
+
+    When revising a translation, copy the HEAD committish of the
+    version that you are working on.  See TRANSLATION for details.
+@end ignore
+
+
+@c -*- coding: utf-8; mode: texinfo; -*-
+@c \version "2.12.0"
+@node Musical notation
+@chapter Musical notation
+@translationof Musical notation
+
+@untranslated
+
+
+@menu
+* Pitches::
+* Rhythms::
+* Expressive marks::
+* Repeats::
+* Simultaneous notes::
+* Staff notation::
+* Editorial annotations::
+* Text::
+@end menu
+
+@include notation/pitches.itely
+@include notation/rhythms.itely
+@include notation/expressive.itely
+@include notation/repeats.itely
+@include notation/simultaneous.itely
+@include notation/staff.itely
+@include notation/editorial.itely
+@include notation/text.itely
+
+@c -- SKELETON FILE --
diff --git a/Documentation/ja/notation/percussion.itely b/Documentation/ja/notation/percussion.itely
new file mode 100644
index 0000000..1be0a9d
--- /dev/null
+++ b/Documentation/ja/notation/percussion.itely
@@ -0,0 +1,112 @@
+\input texinfo @c -*- coding: utf-8; mode: texinfo; documentlanguage: ja -*-
+@c This file is part of notation.tely
+@ignore
+    Translation of GIT committish: 82a821b7fb55935bc71ef8cc4716b9661f806ab3
+
+    When revising a translation, copy the HEAD committish of the
+    version that you are working on.  See TRANSLATION for details.
+@end ignore
+
+
+@c -*- coding: utf-8; mode: texinfo; -*-
+@c \version "2.12.0"
+@node Percussion
+@section Percussion
+@translationof Percussion
+
+@untranslated
+
+
+@menu
+* Common notation for percussion::
+@end menu
+
+@node Common notation for percussion
+@subsection Common notation for percussion
+@translationof Common notation for percussion
+
+@untranslated
+
+
+@menu
+* References for percussion::
+* Basic percussion notation::
+* Drum rolls::
+* Pitched percussion::
+* Percussion staves::
+* Custom percussion staves::
+* Ghost notes::
+@end menu
+
+@node References for percussion
+@unnumberedsubsubsec References for percussion
+@translationof References for percussion
+
+@untranslated
+
+
+@ref{Instantiating new staves}.
+@ref{Percussion in MIDI}.
+@ref{Showing melody rhythms},
+@ref{Instantiating new staves}.
+@ref{Percussion in MIDI}.
+@node Basic percussion notation
+@unnumberedsubsubsec Basic percussion notation
+@translationof Basic percussion notation
+
+@untranslated
+
+
+@c index percussion
+@c index drums
+@ref{Percussion in MIDI},
+@ref{Percussion notes}.
+@node Drum rolls
+@unnumberedsubsubsec Drum rolls
+@translationof Drum rolls
+
+@untranslated
+
+
+@c ode{:32}, as described in @ref{Tremolo repeats}.  Here is an
+@node Pitched percussion
+@unnumberedsubsubsec Pitched percussion
+@translationof Pitched percussion
+
+@untranslated
+
+
+@c TODO: possibly link to an alternate section of NR 3.5, if
+@c "percussion in MIDI" gets a separate subsubsection for
+@c pitched percussion sounds.  -gp
+@ref{Percussion in MIDI}.
+@node Percussion staves
+@unnumberedsubsubsec Percussion staves
+@translationof Percussion staves
+
+@untranslated
+
+
+@c index percussion
+@c index drums
+@c FIXME: decide what to do about this table.  (ie verbatim or not)
+@c ode{tommh}, @code{tomml}, and @code{tomfh}.
+@node Custom percussion staves
+@unnumberedsubsubsec Custom percussion staves
+@translationof Custom percussion staves
+
+@untranslated
+
+
+@c TODO: check name -gp
+@node Ghost notes
+@unnumberedsubsubsec Ghost notes
+@translationof Ghost notes
+
+@untranslated
+
+
+@c ode{\parenthesize} command detailed in @ref{Parentheses}.
+@c ode{Parenthesis_engraver} plugin which allows this.
+
+@c -- SKELETON FILE --
diff --git a/Documentation/ja/notation/pitches.itely b/Documentation/ja/notation/pitches.itely
new file mode 100644
index 0000000..15e7fd0
--- /dev/null
+++ b/Documentation/ja/notation/pitches.itely
@@ -0,0 +1,487 @@
+\input texinfo @c -*- coding: utf-8; mode: texinfo; documentlanguage: ja -*-
+@c This file is part of notation.tely
+@ignore
+    Translation of GIT committish: 82a821b7fb55935bc71ef8cc4716b9661f806ab3
+
+    When revising a translation, copy the HEAD committish of the
+    version that you are working on.  See TRANSLATION for details.
+@end ignore
+
+
+@c -*- coding: utf-8; mode: texinfo; -*-
+@c \version "2.12.0"
+@node Pitches
+@section Pitches
+@translationof Pitches
+
+@untranslated
+
+
+@menu
+* Writing pitches::
+* Changing multiple pitches::
+* Displaying pitches::
+* Note heads::
+@end menu
+
+@node Writing pitches
+@subsection Writing pitches
+@translationof Writing pitches
+
+@untranslated
+
+
+@menu
+* Absolute octave entry::
+* Relative octave entry::
+* Accidentals::
+* Note names in other languages::
+* Non-Western note names and accidentals::
+@end menu
+
+@node Absolute octave entry
+@unnumberedsubsubsec Absolute octave entry
+@translationof Absolute octave entry
+
+@untranslated
+
+
+@c index pitch names
+@c index pitches
+@c index absolute
+@c index absolute octave specification
+@c index octave specification, absolute
+@c index absolute octave entry
+@c index octave entry, absolute
+@c don't use c' here.
+@c index octave changing mark
+@node Relative octave entry
+@unnumberedsubsubsec Relative octave entry
+@translationof Relative octave entry
+
+@untranslated
+
+
+@c index relative
+@c index relative octave entry
+@c index octave entry, relative
+@c index relative octave specification
+@c index ocatve specification, relative
+@c ode{''}@tie{}and@tie{}@code{,,} will alter the pitch by two
+@c ode{@var{startpitch}}.  @var{startpitch} is specified in
+@c ode{c}.
+@c ode{\relative} block applies.
+@c ode{\relative} has no effect on @code{\chordmode} blocks.
+@c ode{\relative} is not allowed inside of @code{\chordmode} blocks.
+@c ode{\relative} is included.
+@c index chords and relative octave entry
+@c index relative octave entry and chords
+@ref{Octave checks}.
+@c index relative octave entry and transposition
+@c index transposition and relative octave entry
+@c DEPRECATED
+@node Accidentals
+@unnumberedsubsubsec Accidentals
+@translationof Accidentals
+
+@untranslated
+
+
+@c index accidental
+@c index key signature
+@c index clef
+@c duplicated in Key signature and Accidentals
+@c index note names, Dutch
+@c index note names, default
+@c index default note names
+@c index sharp
+@c index flat
+@c index double sharp
+@c index sharp, double
+@c index double flat
+@c index flat, double
+@c index natural sign
+@c index natural pitch
+@c index quarter tones
+@c index semi-flats
+@c index semi-sharps
+@c index accidental, reminder
+@c index accidental, cautionary
+@c index accidental, parenthesized
+@c index reminder accidental
+@c index cautionary accidental
+@c index parenthesized accidental
+@c index accidental on tied note
+@c index tied note, accidental
+@ref{Automatic accidentals},
+@ref{Annotational accidentals (musica ficta)},
+@ref{Note names in other languages}.
+@c index accidental, quarter-tone
+@c index quarter-tone accidental
+@node Note names in other languages
+@unnumberedsubsubsec Note names in other languages
+@translationof Note names in other languages
+
+@untranslated
+
+
+@c index note names, other languages
+@c index pitch names, other languages
+@c index language, note names in other
+@c index language, pitch names in other
+@c ode{@w{\include "english.ly"}} to the input file.
+@quotation
+@end quotation
+@quotation
+@end quotation
+@c ode{ees} are accepted.  This also applies to
+@c ode{aeses}@tie{}/@tie{}@code{ases} and
+@c ode{eeses}@tie{}/@tie{}@code{eses}.  Sometimes only these
+@c index microtones
+@c index semi-sharp
+@c index semi-flat
+@c index sesqui-sharp
+@c index sesqui-flat
+@quotation
+@end quotation
+@node Non-Western note names and accidentals
+@unnumberedsubsubsec Non-Western note names and accidentals
+@translationof Non-Western note names and accidentals
+
+@untranslated
+
+
+@c TODO: can we include the actual accidentals in this table?
+@quotation
+@end quotation
+@node Changing multiple pitches
+@subsection Changing multiple pitches
+@translationof Changing multiple pitches
+
+@untranslated
+
+
+@menu
+* Octave checks::
+* Transpose::
+@end menu
+
+@node Octave checks
+@unnumberedsubsubsec Octave checks
+@translationof Octave checks
+
+@untranslated
+
+
+@c index octave correction
+@c index octave check
+@c index control pitch
+@c ode{\octaveCheck}@tie{}@var{controlpitch} command.
+@node Transpose
+@unnumberedsubsubsec Transpose
+@translationof Transpose
+
+@untranslated
+
+
+@c index transpose
+@c index transposing
+@c index transposition
+@c index transposition of pitches
+@c index transposition of notes
+@c index pitches, transposition of
+@c index notes, transposition of
+@c index transposing instruments
+@c index instruments, transposing
+@c ode{\transpose} distinguishes between enharmonic pitches: both
+@c ode{\transpose} may also be used in a different way, to input
+@ref{Relative octave entry},
+@ref{Instrument transpositions}.
+@c ode{\chordmode} or @code{\relative} sections in its argument.
+@c ode{\relative} must be placed inside @code{\transpose}.
+@node Displaying pitches
+@subsection Displaying pitches
+@translationof Displaying pitches
+
+@untranslated
+
+
+@menu
+* Clef::
+* Key signature::
+* Ottava brackets::
+* Instrument transpositions::
+* Automatic accidentals::
+* Ambitus::
+@end menu
+
+@node Clef
+@unnumberedsubsubsec Clef
+@translationof Clef
+
+@untranslated
+
+
+@c index G clef
+@c index C clef
+@c index F clef
+@c index treble clef
+@c index violin clef
+@c index alto clef
+@c index tenor clef
+@c index bass clef
+@c index french clef
+@c index soprano clef
+@c index mezzosoprano clef
+@c index baritone clef
+@c index varbaritone clef
+@c index subbass clef
+@c index clef
+@c index ancient clef
+@c index clef, ancient
+@c index clef, G
+@c index clef, C
+@c index clef, F
+@c index clef, treble
+@c index clef, violin
+@c index clef, alto
+@c index clef, tenor
+@c index clef, bass
+@c index clef, french
+@c index clef, soprano
+@c index clef, mezzosoprano
+@c index clef, baritone
+@c index clef, varbaritone
+@c index subbass clef, subbass
+@c index transposing clefs
+@c index clef, transposing
+@c index octave transposition
+@c index choral tenor clef
+@c index tenor clef, choral
+@ref{Mensural clefs},
+@ref{Gregorian clefs}.
+@node Key signature
+@unnumberedsubsubsec Key signature
+@translationof Key signature
+
+@untranslated
+
+
+@c index key signature
+@c duplicated in Key signature and Accidentals
+@c index church modes
+@c index modes
+@c index major
+@c index minor
+@c index ionian
+@c index locrian
+@c index aeolian
+@c index mixolydian
+@c index lydian
+@c index phrygian
+@c index dorian
+@c ode{\phrygian}, @code{\lydian}, @code{\mixolydian},
+@c ode{\aeolian}, and @code{\locrian}.
+@node Ottava brackets
+@unnumberedsubsubsec Ottava brackets
+@translationof Ottava brackets
+
+@untranslated
+
+
+@c index ottava
+@c index 15ma
+@c index 8va
+@c index 8ve
+@c index octavation
+@node Instrument transpositions
+@unnumberedsubsubsec Instrument transpositions
+@translationof Instrument transpositions
+
+@untranslated
+
+
+@c index transposition, MIDI
+@c index transposition, instrument
+@c index transposing instrument
+@c index MIDI
+@c index MIDI transposition
+@ref{Quoting other voices}.
+@ref{Quoting other voices},
+@ref{Transpose}.
+@node Automatic accidentals
+@unnumberedsubsubsec Automatic accidentals
+@translationof Automatic accidentals
+
+@untranslated
+
+
+@c index accidental style
+@c index accidental style, default
+@c index accidentals
+@c index accidentals, automatic
+@c index automatic accidentals
+@c index default accidental style
+@c ode{piano-cautionary}, which are explained below).  Optionally,
+@c don't use verbatim in this table.
+@c index default accidental style
+@c index accidental style, default
+@c index accidental style, voice
+@c index voice accidental style
+@c index accidental style, modern
+@c index modern accidental style
+@c index accidental style, modern-cautionary
+@c index modern-cautionary accidental style
+@c ode{Staff}-level.  In this style, however, accidentals are
+@c ode{modern-cautionary} should be used instead.
+@c index accidentals, modern style
+@c index modern style accidentals
+@c index accidentals, modern cautionary style
+@c index modern accidental style
+@c index modern cautionary accidental style
+@c index modern style accidentals
+@c index modern style cautionary accidentals
+@c ode{AccidentalSuggestion}.
+@c index accidental style, modern
+@c index accidentals, modern
+@c index accidentals, multivoice
+@c index modern accidental style
+@c index modern accidentals
+@c index multivoice accidentals
+@c index accidental style, cautionary, modern voice
+@c index accidental style, modern voice cautionary
+@c index accidental style, voice, modern cautionary
+@c ode{default} @emph{are} typeset with this rule, some of them are
+@c index accidental style, piano
+@c index accidentals, piano
+@c index piano accidental style
+@c index piano accidentals
+@c ode{GrandStaff} or @code{PianoStaff}, hence all the
+@c ode{PianoStaff} by default.
+@c index accidentals, piano cautionary
+@c index cautionary accidentals, piano
+@c index piano cautionary accidentals
+@c index accidental style, piano cautionary
+@c index cautionary accidental style, piano
+@c index piano cautionary accidental style
+@c index neo-modern accidental style
+@c index accidental style, neo-modern
+@c index neo-modern-cautionary accidental style
+@c index accidental style, neo-modern-cautionary
+@c index neo-modern-voice accidental style
+@c index accidental style, neo-modern-voice
+@c index neo-modern-voice-cautionary accidental style
+@c index accidental style, neo-modern-voice-cautionary
+@c index dodecaphonic accidental style
+@c index dodecaphonic style, neo-modern
+@c index teaching accidental style
+@c index accidental style, teaching
+@c index accidental style, no reset
+@c index no reset accidental style
+@c index forget accidental style
+@c index accidental style, forget
+@c index accidentals and simultaneous notes
+@c index simultaneous notes and accidentals
+@c index accidentals in chords
+@c index chords, accidentals in
+@node Ambitus
+@unnumberedsubsubsec Ambitus
+@translationof Ambitus
+
+@untranslated
+
+
+@c index ambitus
+@c index range of pitches
+@c index pitch range
+@node Note heads
+@subsection Note heads
+@translationof Note heads
+
+@untranslated
+
+
+@menu
+* Special note heads::
+* Easy notation note heads::
+* Shape note heads::
+* Improvisation::
+@end menu
+
+@node Special note heads
+@unnumberedsubsubsec Special note heads
+@translationof Special note heads
+
+@untranslated
+
+
+@c index note heads, special
+@c index note heads, cross
+@c index note heads, diamond
+@c index note heads, parlato
+@c index note heads, harmonic
+@c index note heads, guitar
+@c index special note heads
+@c index cross note heads
+@c index diamond note heads
+@c index parlato note heads
+@c index harmonic note heads
+@c index guitar note heads
+@c index note head styles
+@c index styles, note heads
+@c ode{\harmonic},
+@c ode{\xNotesOn},
+@c ode{\xNotesOff},
+@c ode{\xNote}.
+@ref{Note head styles},
+@ref{Chorded notes}.
+@node Easy notation note heads
+@unnumberedsubsubsec Easy notation note heads
+@translationof Easy notation note heads
+
+@untranslated
+
+
+@c index note heads, practice
+@c index practice note heads
+@c index note heads, easy notation
+@c index easy notation
+@c index Hal Leonard
+@c index beginners' music
+@c index music, beginners'
+@c index easy play note heads
+@c index note heads, easy play
+@c ode{\easyHeadsOn},
+@c ode{\easyHeadsOff}.
+@ref{Setting the staff size}.
+@node Shape note heads
+@unnumberedsubsubsec Shape note heads
+@translationof Shape note heads
+
+@untranslated
+
+
+@c index note heads, shape
+@c index note heads, Aiken
+@c index note heads, sacred harp
+@c index shape notes
+@c index Aiken shape note heads
+@c index sacred harp note heads
+@c ode{\aikenHeads},
+@c ode{\sacredHarpHeads}.
+@ref{Note head styles}.
+@node Improvisation
+@unnumberedsubsubsec Improvisation
+@translationof Improvisation
+
+@untranslated
+
+
+@c index improvisation
+@c index slashed note heads
+@c index note heads, improvisation
+@c index note heads, slashed
+@c ode{\improvisationOn},
+@c ode{\improvisationOff}.
+
+@c -- SKELETON FILE --
diff --git a/Documentation/ja/notation/repeats.itely b/Documentation/ja/notation/repeats.itely
new file mode 100644
index 0000000..9c5c2b9
--- /dev/null
+++ b/Documentation/ja/notation/repeats.itely
@@ -0,0 +1,159 @@
+\input texinfo @c -*- coding: utf-8; mode: texinfo; documentlanguage: ja -*-
+@c This file is part of notation.tely
+@ignore
+    Translation of GIT committish: 82a821b7fb55935bc71ef8cc4716b9661f806ab3
+
+    When revising a translation, copy the HEAD committish of the
+    version that you are working on.  See TRANSLATION for details.
+@end ignore
+
+
+@c -*- coding: utf-8; mode: texinfo; -*-
+@c \version "2.12.0"
+@node Repeats
+@section Repeats
+@translationof Repeats
+
+@untranslated
+
+
+@menu
+* Long repeats::
+* Short repeats::
+@end menu
+
+@node Long repeats
+@subsection Long repeats
+@translationof Long repeats
+
+@untranslated
+
+
+@menu
+* Normal repeats::
+* Manual repeat marks::
+* Written-out repeats::
+@end menu
+
+@c index volta
+@c index prima volta
+@c index seconda volta
+@c index volta, prima
+@c index volta, seconda
+@c index repeat, normal
+@c index normal repeat
+@c index repeat with alternate endings
+@c index alternate endings
+@node Normal repeats
+@unnumberedsubsubsec Normal repeats
+@translationof Normal repeats
+
+@untranslated
+
+
+@c ode{@bs{}repeat}.  It will cause unwanted staves to appear.
+@c index repeat with upbeat
+@c index upbeat in a repeat
+@c index anacrucis in a repeat
+@c index repeat with anacrucis
+@c index repeat with pickup
+@c index pickup in a repeat
+@c index repeats with ties
+@c index alternative endings with ties
+@c index ties in repeats
+@c index ties in alternative endings
+@ref{Bar lines},
+@ref{Modifying context plug-ins}.
+@c index repeat, ambiguous
+@c index nested repeat
+@c index repeat, nested
+@c index repeat timing information
+@c index repeat and measure number
+@c index timing information and repeats
+@c index measure number and repeats
+@c index repeat and slur
+@c index slur and repeat
+@c ode{\alternative} belongs.  This ambiguity is resolved by always
+@c ode{\partial}.  Similarly, slurs are also not repeated.
+@node Manual repeat marks
+@unnumberedsubsubsec Manual repeat marks
+@translationof Manual repeat marks
+
+@untranslated
+
+
+@c index manual repeat mark
+@c index repeat, manual
+@c index start repeat
+@c index repeat, start
+@c index end repeat
+@c index repeat, end
+@c index repeat number, changing
+@c index repeat volta, changing
+@c index volta bracket
+@c index bracket, volta
+@ref{Bar lines}.}
+@c index volta bracket with text
+@c index text in volta bracket
+@ref{Bar lines},
+@ref{Formatting text}.
+@node Written-out repeats
+@unnumberedsubsubsec Written-out repeats
+@translationof Written-out repeats
+
+@untranslated
+
+
+@c index written-out repeats
+@c index repetitious music
+@c index repeats, written-out
+@c index repeat, unfold
+@c index unfold music
+@c index unfold repeat
+@c index unfold repeat with alternate endings
+@c index unfold music with alternate endings
+@c index alternate ending in written-out repeats
+@node Short repeats
+@subsection Short repeats
+@translationof Short repeats
+
+@untranslated
+
+
+@menu
+* Percent repeats::
+* Tremolo repeats::
+@end menu
+
+@node Percent repeats
+@unnumberedsubsubsec Percent repeats
+@translationof Percent repeats
+
+@untranslated
+
+
+@c index percent repeats
+@c index measure repeats
+@c index repeat, percent
+@c index repeat, measure
+@c index repeat, short
+@c ode{\repeat percent @var{number} @var{musicexpr}}
+@node Tremolo repeats
+@unnumberedsubsubsec Tremolo repeats
+@translationof Tremolo repeats
+
+@untranslated
+
+
+@c index tremolo beams
+@c index tremolo
+@c index repeat, tremolo
+@c ode{\repeat tremolo 7} is valid and produces a double dotted
+@c ode{\repeat tremolo 8 @{ c16 d16 @}} gives a whole note tremolo,
+@c ode{\repeat tremolo} syntax is also used here, in which case
+@c index tremolo marks
+@c ode{tremoloFlags}) is used:
+@c index tremolo, cross-staff
+@c index cross-staff tremolo
+
+@c -- SKELETON FILE --
diff --git a/Documentation/ja/notation/rhythms.itely b/Documentation/ja/notation/rhythms.itely
new file mode 100644
index 0000000..4c43e91
--- /dev/null
+++ b/Documentation/ja/notation/rhythms.itely
@@ -0,0 +1,631 @@
+\input texinfo @c -*- coding: utf-8; mode: texinfo; documentlanguage: ja -*-
+@c This file is part of notation.tely
+@ignore
+    Translation of GIT committish: 82a821b7fb55935bc71ef8cc4716b9661f806ab3
+
+    When revising a translation, copy the HEAD committish of the
+    version that you are working on.  See TRANSLATION for details.
+@end ignore
+
+
+@c -*- coding: utf-8; mode: texinfo; -*-
+@c \version "2.12.0"
+@node Rhythms
+@section Rhythms
+@translationof Rhythms
+
+@untranslated
+
+
+@menu
+* Writing rhythms::
+* Writing rests::
+* Displaying rhythms::
+* Beams::
+* Bars::
+* Special rhythmic concerns::
+@end menu
+
+@node Writing rhythms
+@subsection Writing rhythms
+@translationof Writing rhythms
+
+@untranslated
+
+
+@menu
+* Durations::
+* Tuplets::
+* Scaling durations::
+* Ties::
+@end menu
+
+@node Durations
+@unnumberedsubsubsec Durations
+@translationof Durations
+
+@untranslated
+
+
+@c index durations, of notes
+@c index note durations
+@c index length of notes
+@c index note lengths
+@c ode{\breve} commands.  Durations as short as 128th notes may be
+@c Two 64th notes are needed to obtain beams
+@c not strictly "writing rhythms"; more of a "displaying" thing,
+@c but it's ok here.  -gp
+@c ode{\maxima}, but this is supported only within ancient music
+@c index duration, default
+@c index default note duration
+@c index note duration, default
+@c index notes, dotted
+@c index dotted notes
+@c index notes, double-dotted
+@c index double-dotted notes
+@c ode{\autoBeamOn},
+@c ode{\autoBeamOff},
+@c ode{\dotsUp},
+@c ode{\dotsDown},
+@c ode{\dotsNeutral}.
+@ref{Automatic beams},
+@ref{Ties},
+@ref{Stems},
+@ref{Writing rhythms},
+@ref{Writing rests},
+@ref{Vocal music},
+@ref{Ancient notation},
+@ref{Proportional notation}.
+@c Deliberately duplicated in Durations and Rests.  -gp
+@node Tuplets
+@unnumberedsubsubsec Tuplets
+@translationof Tuplets
+
+@untranslated
+
+
+@c index tuplets
+@c index triplets
+@c index tuplet bracket placement
+@c ode{\tupletUp},
+@c ode{\tupletDown},
+@c ode{\tupletNeutral}.
+@c index tuplet formatting
+@c index triplet formatting
+@c index Tuplet number changes
+@ref{Time administration},
+@ref{Scaling durations},
+@ref{The tweak command},
+@ref{Polymetric notation}.
+@c index grace notes within tuplet brackets
+@node Scaling durations
+@unnumberedsubsubsec Scaling durations
+@translationof Scaling durations
+
+@untranslated
+
+
+@c index scaling durations
+@c index durations, scaling
+@c ode{*L*M/N}.
+@c ode{s1*23}.
+@c index compressing music
+@c index expanding music
+@ref{Tuplets},
+@ref{Invisible rests},
+@ref{Polymetric notation}.
+@node Ties
+@unnumberedsubsubsec Ties
+@translationof Ties
+
+@untranslated
+
+
+@c index tie
+@c index ties and chords
+@c index chords and ties
+@c index repeating ties
+@c index ties, repeating
+@c index volta brackets and ties
+@c index ties and volta brackets
+@c index laissez vibrer
+@c index ties, laissez vibrer
+@c index ties, placement
+@ref{Direction and placement}.
+@c index ties, appearance
+@c index ties, dotted
+@c index ties, dashed
+@c index dashed ties
+@c index dotted ties
+@c ode{\tieUp},
+@c ode{\tieDown},
+@c ode{\tieNeutral},
+@c ode{\tieDotted},
+@c ode{\tieDashed},
+@c ode{\tieDashPattern},
+@c ode{\tieHalfDashed},
+@c ode{\tieHalfSolid},
+@c ode{\tieSolid}.
+@ref{Slurs},
+@ref{Automatic note splitting}.
+@node Writing rests
+@subsection Writing rests
+@translationof Writing rests
+
+@untranslated
+
+
+@menu
+* Rests::
+* Invisible rests::
+* Full measure rests::
+@end menu
+
+@node Rests
+@unnumberedsubsubsec Rests
+@translationof Rests
+
+@untranslated
+
+
+@c index rest
+@c index rest, entering durations
+@c index maxima rest
+@c index longa rest
+@c index breve rest
+@c \time 16/1 is used to avoid spurious bar lines
+@c and long tracts of empty measures
+@c index rest, multi-measure
+@c index rest, whole-measure
+@c index rest, specifying vertical position
+@ref{Full measure rests}.
+@c Deliberately duplicated in Durations and Rests.  -gp
+@node Invisible rests
+@unnumberedsubsubsec Invisible rests
+@translationof Invisible rests
+
+@untranslated
+
+
+@c index skip
+@c index invisible rest
+@c index rest, invisible
+@c index spacer note
+@c index spacer rest
+@c index lyrics, skip
+@c ode{\skip} simply skips musical time; it creates no output of
+@ref{Hidden notes},
+@ref{Visibility of objects}.
+@node Full measure rests
+@unnumberedsubsubsec Full measure rests
+@translationof Full measure rests
+
+@untranslated
+
+
+@c index multi-measure rests
+@c index full-measure rests
+@c index rest, multi-measure
+@c index rest, full-measure
+@c index whole rest for a full measure
+@c index rest, whole for a full measure
+@c index multi-measure rest, expanding
+@c index multi-measure rest, contracting
+@c index text on multi-measure rest
+@c index multi-measure rest, attaching text
+@c index script on multi-measure rest
+@c index multi-measure rest, script
+@c index fermata on multi-measure rest
+@c index multi-measure rest, attaching fermata
+@c index markup on multi-measure rest
+@c index multi-measure rest with markup
+@c ode{TextScript}.  Overrides must be directed to the correct
+@c ode{\textLengthOn},
+@c ode{\textLengthOff},
+@c ode{\fermataMarkup},
+@c ode{\compressFullBarRests},
+@c ode{\expandFullBarRests}.
+@c index church rest
+@c index rest, church
+@c index kirchenpausen
+@c index multi-measure rests, positioning
+@c index positioning multi-measure rests
+@ref{Durations},
+@ref{Text},
+@ref{Formatting text},
+@ref{Text scripts}.
+@c index fingerings and multi-measure rests
+@c index multi-measure rests and fingerings
+@c ode{R1*10-4}) to put numbers over multi-measure rests, the
+@c index condensing rests
+@c index rest, condensing ordinary
+@c index rest, collisions of
+@node Displaying rhythms
+@subsection Displaying rhythms
+@translationof Displaying rhythms
+
+@untranslated
+
+
+@menu
+* Time signature::
+* Upbeats::
+* Unmetered music::
+* Polymetric notation::
+* Automatic note splitting::
+* Showing melody rhythms::
+@end menu
+
+@node Time signature
+@unnumberedsubsubsec Time signature
+@translationof Time signature
+
+@untranslated
+
+
+@c index time signature
+@c index meter
+@c index time signature, visibility of
+@ref{Visibility of objects}.
+@c index time signature style
+@c index meter style
+@ref{Mensural time signatures}.
+@c ode{\numericTimeSignature},
+@c ode{\defaultTimeSignature}.
+@c index compound time signatures
+@c index time signature, compound
+@ref{Mensural time signatures},
+@ref{Time administration}.
+@node Upbeats
+@unnumberedsubsubsec Upbeats
+@translationof Upbeats
+
+@untranslated
+
+
+@c index anacrusis
+@c index upbeat
+@c index partial measure
+@c index measure, partial
+@c index pickup measure
+@c index measure, change length
+@c ode{-4}, meaning @qq{there is a quarter note left in the measure.}
+@ref{Grace notes}.
+@node Unmetered music
+@unnumberedsubsubsec Unmetered music
+@translationof Unmetered music
+
+@untranslated
+
+
+@c index bar lines, turning off
+@c index bar numbering, turning off
+@c index cadenza
+@c index unmetered music
+@c ode{\cadenzaOn},
+@c ode{\cadenzaOff}.
+@ref{Visibility of objects},
+@ref{Polymetric notation}.
+@c index cadenza line breaks
+@c index cadenza page breaks
+@c index unmetered music, line breaks
+@c index unmetered music, page breaks
+@c index breaks in unmetered music
+@c index line breaks in cadenzas
+@c index page breaks in cadenzas
+@c index line breaks in unmetered music
+@c index page breaks in unmetered music
+@node Polymetric notation
+@unnumberedsubsubsec Polymetric notation
+@translationof Polymetric notation
+
+@untranslated
+
+
+@c This section necessarily uses \set
+@c This is acceptable  -td
+@c index double time signatures
+@c index signatures, polymetric
+@c index time signatures, polymetric
+@c index time signatures, double
+@c index polymetric signatures
+@c index meter, polymetric
+@c ode{timeSignatureFraction} to the desired fraction and scaling
+@c ode{\scaleDurations}, which is used in a similar way to
+@c ode{\times}, but does not create a tuplet bracket; see
+@ref{Scaling durations}.
+@c index beaming in polymetric music
+@c index beaming in polymetric meter
+@c ode{Default_bar_line_engraver} to the @code{Staff} context.
+@ref{Time signature},
+@ref{Scaling durations}.
+@node Automatic note splitting
+@unnumberedsubsubsec Automatic note splitting
+@translationof Automatic note splitting
+
+@untranslated
+
+
+@c index notes, splitting
+@c index splitting notes
+@c ode{Note_heads_engraver} with the
+@c ode{Completion_heads_engraver}.  In the following
+@c ode{Completion_heads_engraver} will not insert tuplets.
+@node Showing melody rhythms
+@unnumberedsubsubsec Showing melody rhythms
+@translationof Showing melody rhythms
+
+@untranslated
+
+
+@c index melody rhythms, showing
+@c index rhythms, showing melody
+@c index guitar chord charts
+@c index strumming rhythms, showing
+@c index guitar strumming rhythms, showing
+@c ode{\improvisationOn}.
+@c ode{\improvisationOn},
+@c ode{\improvisationOff}.
+@node Beams
+@subsection Beams
+@translationof Beams
+
+@untranslated
+
+
+@menu
+* Automatic beams::
+* Setting automatic beam behavior::
+* Manual beams::
+* Feathered beams::
+@end menu
+
+@node Automatic beams
+@unnumberedsubsubsec Automatic beams
+@translationof Automatic beams
+
+@untranslated
+
+
+@c index beams, manual
+@c index manual beams
+@c index beams, setting rules for
+@c index beams, custom rules for
+@c ode{\autoBeamOff} and on with @code{\autoBeamOn}:
+@c index melismata, beams
+@c index beams and melismata
+@c ode{\autoBeamOff},
+@c ode{\autoBeamOn}.
+@c index line breaks and beams
+@c index beams and line breaks
+@ref{Manual beams},
+@ref{Setting automatic beam behavior}.
+@node Setting automatic beam behavior
+@unnumberedsubsubsec Setting automatic beam behavior
+@translationof Setting automatic beam behavior
+
+@untranslated
+
+
+@c index automatic beams, tuning
+@c index tuning automatic beaming
+@c index automatic beam generation
+@c index autobeam
+@c index lyrics and beaming
+@c ode{beatLength} is a @i{moment},
+@c ode{beamSettings} property.  Default values of @code{beamSettings}
+@c ode{beamSettings} are indexed by time signature and
+@c ode{*}, the grouping is in units of @code{beatLength}.
+@c ode{\overrideBeamSettings} and @code{\revertBeamSettings}.
+@c ode{\overrideBeamSettings},
+@c ode{\revertBeamSettings}.
+@c index beams, subdividing
+@c index measure groupings
+@c index beats, grouping
+@c index grouping beats
+@c index measure sub-grouping
+@c index beam, last in score
+@c index beam, last in polyphonic voice
+@node Manual beams
+@unnumberedsubsubsec Manual beams
+@translationof Manual beams
+
+@untranslated
+
+
+@c index beams, manual
+@c index manual beams
+@c index manual beams, direction shorthand for
+@c ode{stemRightBeamCount}.  They specify the number of beams to
+@c ode{\noBeam}.
+@ref{Direction and placement}.
+@node Feathered beams
+@unnumberedsubsubsec Feathered beams
+@translationof Feathered beams
+
+@untranslated
+
+
+@c index beams, feathered
+@c index feathered beams
+@c ode{]}, and the beam feathering is turned on by specifying a
+@c ode{\featherDurations}.
+@node Bars
+@subsection Bars
+@translationof Bars
+
+@untranslated
+
+
+@menu
+* Bar lines::
+* Bar numbers::
+* Bar and bar number checks::
+* Rehearsal marks::
+@end menu
+
+@node Bar lines
+@unnumberedsubsubsec Bar lines
+@translationof Bar lines
+
+@untranslated
+
+
+@c index bar lines
+@c index measure lines
+@c index closing bar lines
+@c index bar lines, closing
+@c index double bar lines
+@c index bar lines, double
+@c index repeat bars
+@c index line breaks
+@c index bar lines, invisible
+@c index measure lines, invisible
+@ref{Line breaking}.
+@c index manual bar lines
+@c index manual measure lines
+@c index bar lines, manual
+@c index measure lines, manual
+@c index repeats
+@c ode{"|:"} except at line breaks, where it gives a double bar
+@c ode{PianoStaff}, or @code{GrandStaff}.
+@c index default bar lines, changing
+@c index bar lines, default, changing
+@c ode{\set Timing.whichBar = }@var{bartype}.  A bar line is
+@c ode{"|"}.  This may be changed at any time
+@ref{Line breaking},
+@ref{Repeats},
+@ref{Grouping staves}.
+@node Bar numbers
+@unnumberedsubsubsec Bar numbers
+@translationof Bar numbers
+
+@untranslated
+
+
+@c index bar numbers
+@c index measure numbers
+@c index numbers, bar
+@c index numbers, measure
+@c ode{currentBarNumber} property, which is normally updated
+@c index bar numbers, regular spacing
+@c ode{break-visibility} property of @code{BarNumber}.  This takes
+@c index measure number, format
+@c index bar number, format
+@c index bar number alignment
+@c index bar number collision
+@c index collision, bar number
+@c ode{BarNumber} can be used to position the number correctly.  See
+@node Bar and bar number checks
+@unnumberedsubsubsec Bar and bar number checks
+@translationof Bar and bar number checks
+
+@untranslated
+
+
+@c index bar check
+@c index bar number check
+@c index measure check
+@c index measure number check
+@node Rehearsal marks
+@unnumberedsubsubsec Rehearsal marks
+@translationof Rehearsal marks
+
+@untranslated
+
+
+@c index rehearsal marks
+@c index mark, rehearsal
+@c ode{rehearsalMark}.
+@c index rehearsal mark format
+@c index rehearsal mark style
+@c index style, rehearsal mark
+@c index format, rehearsal mark
+@c index mark, rehearsal, style
+@c index mark, rehearsal, format
+@c index rehearsal mark, manual
+@c index mark, rehearsal, manual
+@c index custom rehearsal mark
+@c index manual rehearsal mark
+@c ode{format-mark-box-numbers}, @code{format-mark-letters} and
+@c ode{format-mark-box-letters}.  These can be used as inspiration
+@c ode{format-mark-box-barnumbers}, and
+@c ode{format-mark-circle-barnumbers} to get bar numbers instead of
+@c index segno
+@c index coda
+@c index D.S. al Fine
+@c index fermata
+@c index music glyphs
+@c index glyphs, music
+@c ode{\mark}
+@ref{Formatting text}.
+@ref{The Feta font},
+@ref{Formatting text}.
+@c ode{format-mark-letters}.  They can be used as inspiration for
+@node Special rhythmic concerns
+@subsection Special rhythmic concerns
+@translationof Special rhythmic concerns
+
+@untranslated
+
+
+@menu
+* Grace notes::
+* Aligning to cadenzas::
+* Time administration::
+@end menu
+
+@node Grace notes
+@unnumberedsubsubsec Grace notes
+@translationof Grace notes
+
+@untranslated
+
+
+@c index ornaments
+@c index grace notes
+@c index appoggiatura
+@c index acciaccatura
+@c index grace notes, following
+@c index tweaking grace notes
+@c index grace notes, tweaking
+@c index grace notes, changing layout settings
+@c index stem, with slash
+@c index acciaccatura, multi-note
+@c index multi-note acciaccatura
+@c index grace-note synchronization
+@c TODO Add link to LSR snippet to add slash when available
+@node Aligning to cadenzas
+@unnumberedsubsubsec Aligning to cadenzas
+@translationof Aligning to cadenzas
+
+@untranslated
+
+
+@c index cadenza
+@c index cadenza, aligning to
+@c index aligning to cadenza
+@c ode{mmrest-of-length} and @code{skip-of-length}.  These Scheme
+@node Time administration
+@unnumberedsubsubsec Time administration
+@translationof Time administration
+
+@untranslated
+
+
+@c index time administration
+@c index timing (within the score)
+@c index music, unmetered
+@c index unmetered music
+@c ode{Timing}, is added to the context in which the
+@c ode{Timing_translator} is placed.
+@c index bar number
+@c index measure number
+@c ode{measureLength} is reached or exceeded.  When that happens,
+@c ode{currentBarNumber} is incremented.
+@c ode{ly:make-moment 1 8} is an eighth note duration and
+@c ode{ly:make-moment 7 16} is the duration of seven sixteenths
+@ref{Bar numbers},
+@ref{Unmetered music}.
+
+@c -- SKELETON FILE --
diff --git a/Documentation/ja/notation/simultaneous.itely b/Documentation/ja/notation/simultaneous.itely
new file mode 100644
index 0000000..f492693
--- /dev/null
+++ b/Documentation/ja/notation/simultaneous.itely
@@ -0,0 +1,189 @@
+\input texinfo @c -*- coding: utf-8; mode: texinfo; documentlanguage: ja -*-
+@c This file is part of notation.tely
+@ignore
+    Translation of GIT committish: 82a821b7fb55935bc71ef8cc4716b9661f806ab3
+
+    When revising a translation, copy the HEAD committish of the
+    version that you are working on.  See TRANSLATION for details.
+@end ignore
+
+
+@c -*- coding: utf-8; mode: texinfo; -*-
+@c \version "2.12.0"
+@node Simultaneous notes
+@section Simultaneous notes
+@translationof Simultaneous notes
+
+@untranslated
+
+
+@menu
+* Single voice::
+* Multiple voices::
+@end menu
+
+@node Single voice
+@subsection Single voice
+@translationof Single voice
+
+@untranslated
+
+
+@menu
+* Chorded notes::
+* Chord repetition::
+* Simultaneous expressions::
+* Clusters::
+@end menu
+
+@node Chorded notes
+@unnumberedsubsubsec Chorded notes
+@translationof Chorded notes
+
+@untranslated
+
+
+@c index chords
+@c index brackets, angle
+@c index angle brackets
+@c index relative pitch in chords
+@ref{Chord notation}.
+@node Chord repetition
+@unnumberedsubsubsec Chord repetition
+@translationof Chord repetition
+
+@untranslated
+
+
+@node Simultaneous expressions
+@unnumberedsubsubsec Simultaneous expressions
+@translationof Simultaneous expressions
+
+@untranslated
+
+
+@node Clusters
+@unnumberedsubsubsec Clusters
+@translationof Clusters
+
+@untranslated
+
+
+@c index cluster
+@c index note cluster
+@node Multiple voices
+@subsection Multiple voices
+@translationof Multiple voices
+
+@untranslated
+
+
+@menu
+* Single-staff polyphony::
+* Voice styles::
+* Collision resolution::
+* Automatic part combining::
+* Writing music in parallel::
+@end menu
+
+@node Single-staff polyphony
+@unnumberedsubsubsec Single-staff polyphony
+@translationof Single-staff polyphony
+
+@untranslated
+
+
+@c index single-staff polyphony
+@c index polyphony, single-staff
+@c index voice
+@c index lyrics assigned to one voice
+@c ode{\voiceOne} ... @code{\voiceFour} commands set up the voices
+@c ode{"2"}, etc.
+@c ode{\voiceOne} ... @code{\voiceFour} commands, in the order in
+@c ode{Voice} contexts as explained in @rlearning{Contexts and engravers} and
+@c ode{Voice} context, thus forming chords.  To achieve this, enclose
+@c ode{\voiceOne},
+@c ode{\voiceTwo},
+@c ode{\voiceThree},
+@c ode{\voiceFour},
+@c ode{\oneVoice}.
+@ref{Percussion staves},
+@ref{Invisible rests},
+@ref{Stems}.
+@node Voice styles
+@unnumberedsubsubsec Voice styles
+@translationof Voice styles
+
+@untranslated
+
+
+@c index voice styles
+@c index styles, voice
+@c index coloring voices
+@c ode{\voiceOneStyle},
+@c ode{\voiceTwoStyle},
+@c ode{\voiceThreeStyle},
+@c ode{\voiceFourStyle},
+@c ode{\voiceNeutralStyle}.
+@node Collision resolution
+@unnumberedsubsubsec Collision resolution
+@translationof Collision resolution
+
+@untranslated
+
+
+@c index merging notes
+@c index note collisions
+@c index collisions
+@c index shift note
+@c index multiple voices
+@c index voices, multiple
+@c index polyphonic music
+@c index shifting voices
+@c index voices, multiple
+@c index shift rest, automatic
+@c ode{\shiftOnnn} define further shift levels.
+@c ode{\mergeDifferentlyDottedOn},
+@c ode{\mergeDifferentlyDottedOff},
+@c ode{\mergeDifferentlyHeadedOn},
+@c ode{\mergeDifferentlyHeadedOff}.
+@c ode{\shiftOn},
+@c ode{\shiftOnn},
+@c ode{\shiftOnnn},
+@c ode{\shiftOff}.
+@c TODO investigate! Sometimes it works, sometimes not. --FV
+@node Automatic part combining
+@unnumberedsubsubsec Automatic part combining
+@translationof Automatic part combining
+
+@untranslated
+
+
+@c index automatic part combining
+@c index part combiner
+@c index combining parts
+@c index a due part
+@c index solo part
+@c ode{one}) always gets up stems, while the second (called @code{two})
+@c ode{Voice} contexts.  If using relative octaves,
+@c ode{\relative} should be specified for both music expressions,
+@ref{Writing parts}.
+@c ode{\partcombine} can only accept two voices.
+@c ode{\partcombine} cannot be inside @code{\times}.
+@c ode{\partcombine} cannot be inside @code{\relative}.
+@c ode{Voice}s and decides when the parts can be combined.  When they have
+@c ode{one} and @code{two}.  Consequently, if the arguments switch to
+@c ode{\partcombine} only observes onset times of notes. It cannot
+@node Writing music in parallel
+@unnumberedsubsubsec Writing music in parallel
+@translationof Writing music in parallel
+
+@untranslated
+
+
+@c index writing music in parallel
+@c index interleaved music
+@c index parallel music
+@c ode{voiceA} ignore the notes in @code{voiceB}.
+
+@c -- SKELETON FILE --
diff --git a/Documentation/ja/notation/spacing.itely b/Documentation/ja/notation/spacing.itely
new file mode 100644
index 0000000..77850bd
--- /dev/null
+++ b/Documentation/ja/notation/spacing.itely
@@ -0,0 +1,442 @@
+\input texinfo @c -*- coding: utf-8; mode: texinfo; documentlanguage: ja -*-
+@c This file is part of notation.tely
+@ignore
+    Translation of GIT committish: 82a821b7fb55935bc71ef8cc4716b9661f806ab3
+
+    When revising a translation, copy the HEAD committish of the
+    version that you are working on.  See TRANSLATION for details.
+@end ignore
+
+
+@c -*- coding: utf-8; mode: texinfo; -*-
+@c \version "2.12.0"
+@node Spacing issues
+@chapter Spacing issues
+@translationof Spacing issues
+
+@untranslated
+
+
+@c ode{\score @{...@}} blocks and contains settings that
+@menu
+* Paper and pages::
+* Music layout::
+* Breaks::
+* Vertical spacing::
+* Horizontal spacing::
+* Fitting music onto fewer pages::
+@end menu
+
+@node Paper and pages
+@section Paper and pages
+@translationof Paper and pages
+
+@untranslated
+
+
+@menu
+* Paper size::
+* Page formatting::
+@end menu
+
+@node Paper size
+@subsection Paper size
+@translationof Paper size
+
+@untranslated
+
+
+@c index paper size
+@c index page size
+@c ode{set-default-paper-size} and @code{set-paper-size}.
+@c ode{set-default-paper-size} must be placed in the toplevel
+@c ode{set-default-paper-size} sets the size of all pages, whereas
+@c ode{set-paper-size} only sets the size of the pages that the
+@c ode{\paper} block applies to.  For example, if the @code{\paper}
+@c ode{\book}, then the paper size will only apply to that book.
+@c ode{letter}, @code{legal}, and @code{11x17} (also known as
+@c TODO add a new appendix for paper sizes (auto-generated) -pm
+@c ode{paper-alist} in the initialization file
+@c index orientation
+@c index landscape
+@c ode{set-default-paper-size}, pages will be rotated by 90
+@node Page formatting
+@subsection Page formatting
+@translationof Page formatting
+
+@untranslated
+
+
+@menu
+* Vertical dimensions::
+* Horizontal dimensions::
+* Other layout variables::
+@end menu
+
+@node Vertical dimensions
+@unnumberedsubsubsec Vertical dimensions
+@translationof Vertical dimensions
+
+@untranslated
+
+
+@c ode{6\mm}.
+@c ode{5\mm}.
+@c ode{in}, @code{pt}, and @code{cm} are variables defined in
+@c ode{\paper} block, @code{page-music-height} and
+@c ode{page-make-stencil}.  The former tells the line-breaking algorithm
+@ref{Vertical spacing between systems}.
+@node Horizontal dimensions
+@unnumberedsubsubsec Horizontal dimensions
+@translationof Horizontal dimensions
+
+@untranslated
+
+
+@c ode{0}.
+@c ode{left-margin} and @code{right-margin}.
+@c ode{right-margin} and @code{paper-width} depend on
+@c ode{right-margin} will remain default, @code{line-width} is
+@c ode{left-margin}, @code{indent}, and @code{short-indent} may
+@node Other layout variables
+@unnumberedsubsubsec Other layout variables
+@translationof Other layout variables
+
+@untranslated
+
+
+@c ode{5}.
+@c ode{line-width} fit each other. Also make sure that their combination
+@c ode{#1}.
+@c ode{between-system-padding} is set to something different than
+@ref{Vertical spacing between systems}.
+@c ode{1.4}.  For details, see
+@ref{Vertical spacing between systems}.
+@c ode{##t}.
+@c ode{##f}.
+@c ode{binding-offset} to determine margins depending on whether
+@node Music layout
+@section Music layout
+@translationof Music layout
+
+@untranslated
+
+
+@menu
+* Setting the staff size::
+* Score layout::
+@end menu
+
+@node Setting the staff size
+@subsection Setting the staff size
+@translationof Setting the staff size
+
+@untranslated
+
+
+@c index font size, setting
+@c index staff size, setting
+@quotation
+@c modern rental material?
+@end quotation
+@c ode{fontSize} and the layout property @code{staff-space} (in
+@ref{Selecting notation font size}.
+@c ode{layout-set-staff-size} does not change the distance between the
+@node Score layout
+@subsection Score layout
+@translationof Score layout
+
+@untranslated
+
+
+@ref{Changing context default settings}.
+@node Breaks
+@section Breaks
+@translationof Breaks
+
+@untranslated
+
+
+@menu
+* Line breaking::
+* Page breaking::
+* Optimal page breaking::
+* Optimal page turning::
+* Minimal page breaking::
+* Explicit breaks::
+* Using an extra voice for breaks::
+@end menu
+
+@node Line breaking
+@subsection Line breaking
+@translationof Line breaking
+
+@untranslated
+
+
+@c index line breaks
+@c index breaking lines
+@c ode{\break}. This will force a line break at this point.  However,
+@c TODO Check and add para on default for ragged-right
+@c index regular line breaks
+@c index four bar music.
+@c TODO Check this
+@c ode{\break},
+@c ode{\noBreak}.
+@c ode{\override Beam #'breakable = ##t}.
+@node Page breaking
+@subsection Page breaking
+@translationof Page breaking
+
+@untranslated
+
+
+@c ode{\pageBreak} or @code{\noPageBreak} commands.  These commands are
+@c ode{ragged-last} which have the same effect on vertical spacing:
+@c ode{ragged-bottom} and @code{ragged-last-bottom}.  If set to
+@c ode{##t} the systems on all pages or just the last page
+@c ode{ly:optimal-breaking}, @code{ly:page-turn-breaking} and
+@c ode{ly:minimal-breaking}.  The default is @code{ly:optimal-breaking},
+@c ode{\pageBreak},
+@c ode{\noPageBreak}.
+@node Optimal page breaking
+@subsection Optimal page breaking
+@translationof Optimal page breaking
+
+@untranslated
+
+
+@c ode{ly:page-turn-breaking}, it has no concept of page turns.
+@node Optimal page turning
+@subsection Optimal page turning
+@translationof Optimal page turning
+
+@untranslated
+
+
+@c ode{\allowPageTurn} will be inserted at the final @q{special} bar line in
+@c ode{minimumPageTurnLength} to determine how long a note-free section must
+@c ode{minimumPageTurnLength} is @code{#(ly:make-moment 1 1)}.  If you want
+@c ode{minimumRepeatLengthForPageTurn} then the @code{Page_turn_engraver} will
+@c ode{\allowPageTurn}, may also be used at top-level, between scores and
+@c ode{\pageTurn},
+@c ode{\noPageTurn},
+@c ode{\allowPageTurn}.
+@node Minimal page breaking
+@subsection Minimal page breaking
+@translationof Minimal page breaking
+
+@untranslated
+
+
+@node Explicit breaks
+@subsection Explicit breaks
+@translationof Explicit breaks
+
+@untranslated
+
+
+@c ode{page-break-permission} is overridden to false, Lily will insert
+@node Using an extra voice for breaks
+@subsection Using an extra voice for breaks
+@translationof Using an extra voice for breaks
+
+@untranslated
+
+
+@c ode{line-break-system-details} and the other useful but long properties of
+@c ode{NonMusicalPaperColumnGrob}, as explained in @ref{Vertical spacing}.
+@ref{Vertical spacing}.
+@node Vertical spacing
+@section Vertical spacing
+@translationof Vertical spacing
+
+@untranslated
+
+
+@c index vertical spacing
+@c index spacing, vertical
+@menu
+* Vertical spacing inside a system::
+* Vertical spacing between systems::
+* Explicit staff and system positioning::
+* Vertical collision avoidance::
+@end menu
+
+@node Vertical spacing inside a system
+@subsection Vertical spacing inside a system
+@translationof Vertical spacing inside a system
+
+@untranslated
+
+
+@c index distance between staves
+@c index staff distance
+@c index space between staves
+@c index space inside systems
+@unnumberedsubsubsec Spacing between staves
+@unnumberedsubsubsec Spacing of non-staff lines
+@c @lsr{spacing,page-spacing.ly},
+@c @lsr{spacing,alignment-vertical-spacing.ly}.
+@node Vertical spacing between systems
+@subsection Vertical spacing between systems
+@translationof Vertical spacing between systems
+
+@untranslated
+
+
+@ref{Vertical spacing inside a system}).  The main difference is that
+@c ode{\paper} block, rather than as grob properties.  These paper block
+@node Explicit staff and system positioning
+@subsection Explicit staff and system positioning
+@translationof Explicit staff and system positioning
+
+@untranslated
+
+
+@c ode{NonMusicalPaperColumn #'line-break-system-details}.  Where
+@c ode{VerticalAxisGroup} and @code{\paper} settings specify vertical padding,
+@c ode{NonMusicalPaperColumn #'line-break-system-details} specifies exact
+@c ode{NonMusicalPaperColumn #'line-break-system-details} accepts an associative
+@c ode{\override} command in @code{\context} blocks and in the
+@c ode{\with} block.  On the other hand, when we override
+@c ode{NonMusicalPaperColumn} in the middle of note entry,
+@c ode{\overrideProperty} command:
+@c \book { } is required in these examples to ensure the spacing
+@c overrides can be seen between systems. -np
+@c ode{line-break-system-details} attribute of the
+@c ode{NonMusicalPaperColumn} grob.  Though the
+@c ode{line-break-system-details} attribute alist accepts many
+@c ode{X-offset} pair), we need only set the @code{Y-offset} and
+@c ode{alignment-distances} pairs to control the vertical startpoint of
+@c ode{Y-offset} and @code{alignment-distances} are interpreted as multiples
+@node Vertical collision avoidance
+@subsection Vertical collision avoidance
+@translationof Vertical collision avoidance
+
+@untranslated
+
+
+@c ode{outside-staff-priority} tells LilyPond in which order the objects
+@c ode{outside-staff-priority} (in increasing order).  One by one, LilyPond
+@c ode{outside-staff-padding}.
+@node Horizontal spacing
+@section Horizontal spacing
+@translationof Horizontal spacing
+
+@untranslated
+
+
+@c index horizontal spacing
+@c index spacing, horizontal
+@menu
+* Horizontal spacing overview::
+* New spacing area::
+* Changing horizontal spacing::
+* Line length::
+* Proportional notation::
+@end menu
+
+@node Horizontal spacing overview
+@subsection Horizontal spacing overview
+@translationof Horizontal spacing overview
+
+@untranslated
+
+
+@c ode{shortest-duration-space} in the @rinternals{SpacingSpanner}
+@c ode{spacing-increment}) of space to the note.
+@c ode{shortest-duration-space} is set to 2.0, meaning that the
+@c ode{spacing-increment}) of horizontal space.  This space is counted
+@c ode{lilypond} with the @code{--verbose} option.
+@c ode{common-shortest-duration} in @rinternals{SpacingSpanner}, then
+@c ode{stem-spacing-correction} property in the
+@node New spacing area
+@subsection New spacing area
+@translationof New spacing area
+
+@untranslated
+
+
+@c ode{newSpacingSection}.  This is useful when there are
+@c ode{SpacingSpanner} object, and hence new @code{\override}s
+@node Changing horizontal spacing
+@subsection Changing horizontal spacing
+@translationof Changing horizontal spacing
+
+@untranslated
+
+
+@c ode{base-shortest-duration} property.  Here
+@c ode{Score.SpacingSpanner #'uniform-stretching}.  This
+@node Line length
+@subsection Line length
+@translationof Line length
+
+@untranslated
+
+
+@c index page breaks
+@c index breaking pages
+@c Although line-width can be set in \layout, it should be set in paper
+@c block, to get page layout right.
+@c Setting indent in \paper block makes not much sense, but it works.
+@c Bit verbose and vague, use examples?
+@c ode{line-width}.  They are set in the @code{\layout} block.  They
+@c index page layout
+@c index vertical spacing
+@c Note that for text there are several options for the last line.
+@c While Knuth TeX uses natural length, lead typesetters use the same
+@c stretch as the previous line.  eTeX uses \lastlinefit to
+@c interpolate between both these solutions.
+@node Proportional notation
+@subsection Proportional notation
+@translationof Proportional notation
+
+@untranslated
+
+
+@c ode{\context} block, or directly in music entry
+@c ode{#(ly:make-moment 1 16)}, @code{#(ly:make-moment 1 8)}, and
+@c ode{#(ly:make-moment 3 97)} are all possible as well.
+@c ode{proportionalNotationDuration}?  Usually by a process of trial and error,
+@c ode{SpacingSpanner}.
+@c ode{\newSpacingSection}.  See @ref{New spacing area}, for more info.
+@ref{New spacing area}.
+@node Fitting music onto fewer pages
+@section Fitting music onto fewer pages
+@translationof Fitting music onto fewer pages
+
+@untranslated
+
+
+@ref{Displaying spacing}.
+@menu
+* Displaying spacing::
+* Changing spacing::
+@end menu
+
+@node Displaying spacing
+@subsection Displaying spacing
+@translationof Displaying spacing
+
+@untranslated
+
+
+@c index spacing, display of layout
+@c ode{annotate-spacing} in the @code{\paper} block:
+@c need to have \book{} otherwise we get the separate systems. -hwn
+@c ode{staff-spaces}, and the @code{staff-size} is 20 points (the
+@c ode{staff-spaces} is equivalent to 105 millimeters, the height
+@ref{Setting the staff size}.
+@node Changing spacing
+@subsection Changing spacing
+@translationof Changing spacing
+
+@untranslated
+
+
+@ref{Page formatting},
+@ref{Changing horizontal spacing}.
+
+@c -- SKELETON FILE --
diff --git a/Documentation/ja/notation/specialist.itely b/Documentation/ja/notation/specialist.itely
new file mode 100644
index 0000000..4eac77a
--- /dev/null
+++ b/Documentation/ja/notation/specialist.itely
@@ -0,0 +1,44 @@
+\input texinfo @c -*- coding: utf-8; mode: texinfo; documentlanguage: ja -*-
+@c This file is part of notation.tely
+@ignore
+    Translation of GIT committish: 82a821b7fb55935bc71ef8cc4716b9661f806ab3
+
+    When revising a translation, copy the HEAD committish of the
+    version that you are working on.  See TRANSLATION for details.
+@end ignore
+
+
+@c -*- coding: utf-8; mode: texinfo; -*-
+@c \version "2.12.0"
+@node Specialist notation
+@chapter Specialist notation
+@translationof Specialist notation
+
+@untranslated
+
+
+@menu
+* Vocal music::
+* Keyboard and other multi-staff instruments::
+* Unfretted string instruments::
+* Fretted string instruments::
+* Percussion::
+* Wind instruments::
+* Chord notation::
+* Contemporary music::
+* Ancient notation::
+* World music::
+@end menu
+
+@include notation/vocal.itely
+@include notation/keyboards.itely
+@include notation/unfretted-strings.itely
+@include notation/fretted-strings.itely
+@include notation/percussion.itely
+@include notation/wind.itely
+@include notation/chords.itely
+@include notation/contemporary.itely
+@include notation/ancient.itely
+@include notation/world.itely
+
+@c -- SKELETON FILE --
diff --git a/Documentation/ja/notation/staff.itely b/Documentation/ja/notation/staff.itely
new file mode 100644
index 0000000..8ac82e9
--- /dev/null
+++ b/Documentation/ja/notation/staff.itely
@@ -0,0 +1,315 @@
+\input texinfo @c -*- coding: utf-8; mode: texinfo; documentlanguage: ja -*-
+@c This file is part of notation.tely
+@ignore
+    Translation of GIT committish: 82a821b7fb55935bc71ef8cc4716b9661f806ab3
+
+    When revising a translation, copy the HEAD committish of the
+    version that you are working on.  See TRANSLATION for details.
+@end ignore
+
+
+@c -*- coding: utf-8; mode: texinfo; -*-
+@c \version "2.12.0"
+@node Staff notation
+@section Staff notation
+@translationof Staff notation
+
+@untranslated
+
+
+@menu
+* Displaying staves::
+* Modifying single staves::
+* Writing parts::
+@end menu
+
+@node Displaying staves
+@subsection Displaying staves
+@translationof Displaying staves
+
+@untranslated
+
+
+@menu
+* Instantiating new staves::
+* Grouping staves::
+* Nested staff groups::
+@end menu
+
+@node Instantiating new staves
+@unnumberedsubsubsec Instantiating new staves
+@translationof Instantiating new staves
+
+@untranslated
+
+
+@c index new staff
+@c index staff initiation
+@c index staff instantiation
+@c index staff, new
+@c index staff, single
+@c index staff, drum
+@c index staff, percussion
+@c index drum staff
+@c index percussion staff
+@c index Gregorian transcription staff
+@c index rhythmic staff
+@c index tabstaff
+@c index tablature
+@ref{Creating contexts}.
+@c ode{\drummode} command, with each instrument specified by name.
+@c ode{RhythmicStaff} creates a single-line staff that only
+@c ode{TabStaff} creates a tablature with six strings in standard
+@ref{Defining new contexts}.
+@ref{Creating contexts},
+@ref{Percussion staves},
+@ref{Showing melody rhythms},
+@ref{Default tablatures},
+@ref{Pre-defined contexts},
+@ref{Staff symbol},
+@ref{Gregorian chant contexts},
+@ref{Mensural contexts},
+@ref{Defining new contexts}.
+@node Grouping staves
+@unnumberedsubsubsec Grouping staves
+@translationof Grouping staves
+
+@untranslated
+
+
+@c index start of system
+@c index staff, multiple
+@c index staves, multiple
+@c index system start delimiters
+@c index bracket, vertical
+@c index brace, vertical
+@c index choir staff
+@c index grand staff
+@c index piano staff
+@c index staff group
+@c index staff, choir
+@c index staff, piano
+@c index staff, grand
+@c index system
+@c ode{systemStartDelimiter} to one of the following values:
+@c ode{SystemStartBar}, @code{SystemStartBrace}, or
+@c ode{SystemStartBracket}.  A fourth delimiter,
+@c ode{SystemStartSquare}, is also available, but it must be
+@ref{Defining new contexts}.
+@c index mensurstriche layout
+@c index renaissance music
+@c index transcription of mensural music
+@c index mensural music, transcription of
+@ref{Instrument names},
+@ref{Defining new contexts}.
+@node Nested staff groups
+@unnumberedsubsubsec Nested staff groups
+@translationof Nested staff groups
+
+@untranslated
+
+
+@c index staff, nested
+@c index staves, nested
+@c index nesting of staves
+@c index system start delimiters, nested
+@c index nested staff brackets
+@c index brackets, nesting of
+@c index braces, nesting of
+@ref{Defining new contexts}.
+@ref{Grouping staves},
+@ref{Instrument names},
+@ref{Defining new contexts}.
+@node Modifying single staves
+@subsection Modifying single staves
+@translationof Modifying single staves
+
+@untranslated
+
+
+@menu
+* Staff symbol::
+* Ossia staves::
+* Hiding staves::
+@end menu
+
+@node Staff symbol
+@unnumberedsubsubsec Staff symbol
+@translationof Staff symbol
+
+@untranslated
+
+
+@c index adjusting staff symbol
+@c index drawing staff symbol
+@c index staff symbol, setting of
+@c index staff symbol, drawing
+@c index stop staff lines
+@c index start staff lines
+@c index staff lines, amount of
+@c index staff lines, number of
+@c index staff line, thickness of
+@c index amount of staff lines
+@c index thickness of staff lines
+@c index ledger lines, setting
+@c index setting of ledger lines
+@c index spacing of ledger lines
+@c index number of staff lines
+@c ode{StaffSymbol} properties can be modified to change the
+@ref{Clef}.
+@c index stopping a staff
+@c index starting a staff
+@c index staff, starting
+@c index staff, stopping
+@c ode{\startStaff},
+@c ode{\stopStaff}.
+@ref{Clef}.
+@node Ossia staves
+@unnumberedsubsubsec Ossia staves
+@translationof Ossia staves
+
+@untranslated
+
+
+@c index staff, Frenched
+@c index ossia
+@c index Frenched staves
+@c index staff, resizing of
+@c index resizing of staves
+@c ode{Staff} context with a specific @emph{context id} may be more
+@c ode{\stopStaff} at the desired locations.  The benefits of this
+@c ode{\RemoveEmptyStaffContext}, see @ref{Hiding staves}.
+@ref{Hiding staves}.
+@node Hiding staves
+@unnumberedsubsubsec Hiding staves
+@translationof Hiding staves
+
+@untranslated
+
+
+@c index Frenched score
+@c index Frenched staff
+@c index staff, hiding
+@c index staff, empty
+@c index hiding of staves
+@c index empty staves
+@c ode{Staff_symbol_engraver} from the @code{Staff} context.  As an
+@c ode{\RemoveEmptyStaffContext} command in the @code{\layout}
+@c index ossia
+@c ode{\RemoveEmptyStaffContext} can also be used to create ossia
+@c index hiding ancient staves
+@c index hiding rhythmic staves
+@c ode{\RemoveEmptyRhythmicStaffContext} may be used to hide empty
+@c ode{RhythmicStaff} contexts.
+@c ode{\RemoveEmptyStaffContext},
+@c ode{\AncientRemoveEmptyStaffContext},
+@c ode{\RemoveEmptyRhythmicStaffContext}.
+@ref{Staff symbol},
+@ref{Ossia staves},
+@ref{Hidden notes},
+@ref{Invisible rests},
+@ref{Visibility of objects}.
+@node Writing parts
+@subsection Writing parts
+@translationof Writing parts
+
+@untranslated
+
+
+@menu
+* Metronome marks::
+* Instrument names::
+* Quoting other voices::
+* Formatting cue notes::
+@end menu
+
+@node Metronome marks
+@unnumberedsubsubsec Metronome marks
+@translationof Metronome marks
+
+@untranslated
+
+
+@c index tempo
+@c index beats per minute
+@c index metronome mark
+@c index metronome marking with text
+@c perhaps also an example of how to move it horizontally?
+@ref{Formatting text},
+@ref{MIDI output}.
+@node Instrument names
+@unnumberedsubsubsec Instrument names
+@translationof Instrument names
+
+@untranslated
+
+
+@c index instrument names
+@c index instrument names, short
+@c ode{Staff} and @code{PianoStaff} contexts.  The value of
+@c ode{instrumentName} is used for the first staff, and the value
+@c index instrument names, centering
+@c ode{\center-column} must be used:
+@c ode{short-indent} settings are increased.  For details about
+@c index instrument names, adding to other contexts
+@c ode{GrandStaff}, @code{ChoirStaff}, or @code{StaffGroup}),
+@c ode{Instrument_name_engraver} must be added to that context.
+@c index instrument names, changing
+@c index changing instrument names
+@c index instrument switch
+@c index switching instruments
+@c ode{\addInstrumentDefinition} may be used in combination with
+@c ode{\instrumentSwitch} to create a detailed list of the
+@c ode{\addInstrumentDefinition} command has two arguments: an
+@ref{Horizontal dimensions},
+@ref{Modifying context plug-ins}.
+@node Quoting other voices
+@unnumberedsubsubsec Quoting other voices
+@translationof Quoting other voices
+
+@untranslated
+
+
+@c index cues
+@c index quoting other voices
+@c index fragments
+@c index cue notes
+@ref{Instrument transpositions}.
+@c ode{#'(StreamEvent)}, which means that everything is quoted.  Setting it
+@c index note-event
+@c index articulation-event
+@c index dynamic-event
+@c index rest-event
+@ref{Instrument transpositions},
+@ref{Using tags}.
+@c ode{\addQuote} command will be considered for quotation, so
+@node Formatting cue notes
+@unnumberedsubsubsec Formatting cue notes
+@translationof Formatting cue notes
+
+@untranslated
+
+
+@c index cues
+@c index cue notes
+@c index cue notes, formatting
+@c index fragments
+@c index quoting other voices
+@c index cues, formatting
+@c ode{\cueDuring} command is a more specialized form of
+@c ode{\quoteDuring}, being particularly useful for inserting cue
+@c ode{DOWN} corresponds to the second.
+@c ode{\cueDuring} by setting the @code{quotedCueEventTypes} property.  Its
+@c ode{instrumentCueName} property in the @code{CueVoice} context.
+@c index removing cues
+@c index removing cue notes
+@c index cue notes, removing
+@c ode{\addInstrumentDefinition} and @code{\instrumentSwitch}.  For
+@ref{Instrument transpositions}.
+@c index notes, smaller
+@c index smaller notes
+@ref{Instrument transpositions},
+@ref{Instrument names},
+@ref{Using tags}.
+
+@c -- SKELETON FILE --
diff --git a/Documentation/ja/notation/text.itely b/Documentation/ja/notation/text.itely
new file mode 100644
index 0000000..6285df4
--- /dev/null
+++ b/Documentation/ja/notation/text.itely
@@ -0,0 +1,356 @@
+\input texinfo @c -*- coding: utf-8; mode: texinfo; documentlanguage: ja -*-
+@c This file is part of notation.tely
+@ignore
+    Translation of GIT committish: 82a821b7fb55935bc71ef8cc4716b9661f806ab3
+
+    When revising a translation, copy the HEAD committish of the
+    version that you are working on.  See TRANSLATION for details.
+@end ignore
+
+
+@c -*- coding: utf-8; mode: texinfo; -*-
+@c \version "2.12.0"
+@node Text
+@section Text
+@translationof Text
+
+@untranslated
+
+
+@menu
+* Writing text::
+* Formatting text::
+* Fonts::
+@end menu
+
+@node Writing text
+@subsection Writing text
+@translationof Writing text
+
+@untranslated
+
+
+@c index Text, other languages
+@menu
+* Text scripts::
+* Text spanners::
+* Text marks::
+* Separate text::
+@end menu
+
+@node Text scripts
+@unnumberedsubsubsec Text scripts
+@translationof Text scripts
+
+@untranslated
+
+
+@c index Text scripts
+@c index text items, non-empty
+@c index non-empty texts
+@c index quoted text
+@c ode{\markup} block, as described in @ref{Formatting text}.
+@c ode{\textLengthOn},
+@c ode{\textLengthOff}.
+@ref{Formatting text},
+@ref{Direction and placement}.
+@c index text outside margin
+@c index margin, text running over
+@c index text, keeping inside margin
+@c index lyrics, keeping inside margin
+@node Text spanners
+@unnumberedsubsubsec Text spanners
+@translationof Text spanners
+
+@untranslated
+
+
+@c index text spanners
+@c index text spanners, formatting
+@c index formatting text spanners
+@c ode{\textSpannerUp},
+@c ode{\textSpannerDown},
+@c ode{\textSpannerNeutral}.
+@ref{Line styles},
+@ref{Dynamics}.
+@node Text marks
+@unnumberedsubsubsec Text marks
+@translationof Text marks
+
+@untranslated
+
+
+@c index text marks
+@c index marks, text
+@c index text on bar line
+@c index coda on bar line
+@c index segno on bar line
+@c index fermata on bar line
+@c index bar lines, symbols on
+@c \mark needs to be placed on a separate line (it's not
+@c attached to an object like \markup is). -vv
+@ref{Music notation inside markup}:
+@ref{Rehearsal marks},
+@ref{Formatting text},
+@ref{Music notation inside markup},
+@ref{The Feta font}.
+@node Separate text
+@unnumberedsubsubsec Separate text
+@translationof Separate text
+
+@untranslated
+
+
+@c index separate text
+@c index text, separate
+@c index standalone text
+@c index top-level text
+@c index text, top-level
+@c index text, standalone
+@c ode{\markup},
+@c ode{\markuplines}.
+@ref{Formatting text},
+@ref{File structure},
+@ref{Multiple scores in a book},
+@ref{Multi-page markup}.
+@node Formatting text
+@subsection Formatting text
+@translationof Formatting text
+
+@untranslated
+
+
+@menu
+* Text markup introduction::
+* Selecting font and font size::
+* Text alignment::
+* Graphic notation inside markup::
+* Music notation inside markup::
+* Multi-page markup::
+@end menu
+
+@node Text markup introduction
+@unnumberedsubsubsec Text markup introduction
+@translationof Text markup introduction
+
+@untranslated
+
+
+@c index markup
+@c index text markup
+@c index markup text
+@c index typeset text
+@c index markup expressions
+@c index expressions, markup
+@c index markup syntax
+@c index synatax, markup
+@c ode{\markup} expression is enclosed in curly braces @code{@{
+@c index special characters in markup mode
+@c index markup mode, special characters
+@c index reserved characters, printing
+@c index printing reserved characters
+@c index printing special characters
+@c index quoted text in markup mode
+@c index markup mode, quoted text
+@c ode{\markup} expression is treated the same as the first one:
+@ref{Text markup commands}.
+@ref{Text markup commands}.
+@node Selecting font and font size
+@unnumberedsubsubsec Selecting font and font size
+@translationof Selecting font and font size
+
+@untranslated
+
+
+@c index font switching
+@c index changing fonts
+@c index switching fonts
+@c index font size
+@c index text size
+@c index subscript
+@c index superscript
+@c index font families
+@c \concat is actually documented in Align (it is not
+@c a font-switching command). But we need it here. -vv
+@ref{Fonts}.
+@c ode{\teeny},
+@c ode{\tiny},
+@c ode{\small},
+@c ode{\normalsize},
+@c ode{\large},
+@c ode{\huge},
+@c ode{\smaller},
+@c ode{\larger}.
+@ref{Font},
+@ref{New dynamic marks},
+@ref{Manual repeat marks},
+@ref{Fonts}.
+@node Text alignment
+@unnumberedsubsubsec Text alignment
+@translationof Text alignment
+
+@untranslated
+
+
+@c index text, aligning
+@c index aligning text
+@c index aligning markup text
+@c index aligning markups
+@c index markups, aligning
+@c index markup text, aligning
+@c Padding commands should be mentioned on this page, but
+@c most of these require \box to be more clearly illustrated. -vv
+@c index text, horizontal alignment
+@c index horizontal text alignment
+@c index text, vertical alignment
+@c index vertical text alignment
+@c QUERY Should the function of ``\null'' be clarified? rp
+@c index multi-line markup
+@c index markup, multi-line
+@c index multi-line text
+@c index text, multi-line
+@c index text in columns
+@c index columns, text
+@c index centering text on the page
+@c index text, centering on the page
+@c index markup, centering on the page
+@c index wordwrapped text
+@c index justified text
+@c index text, justified
+@c index text, wordwrapped
+@c index markup text, wordwrapped
+@c index markup text, justified
+@c index text alignment commands
+@c index markup text alignment commands
+@c index alignment, text, commands
+@ref{Align}.
+@ref{Align},
+@ref{Text marks}.
+@node Graphic notation inside markup
+@unnumberedsubsubsec Graphic notation inside markup
+@translationof Graphic notation inside markup
+
+@untranslated
+
+
+@c index graphics, embedding
+@c index drawing graphic objects
+@c index graphic objects, drawing
+@c index embedding graphic objects
+@c index graphic objects, embedding
+@c index decorating text
+@c index framing text
+@c index text, framing
+@c index text, decorating
+@c index markup text, decorating
+@c index markup text, framing
+@c index padding around text
+@c index text padding
+@c index markup text padding
+@ref{Align}.
+@c index graphic notation
+@c index symbols, non-musical
+@c index non-musical symbols
+@c index notation, graphic
+@c index embedded graphics
+@c index images, embedding
+@c index graphics, embedding
+@c index postscript
+@ref{Graphic}.
+@ref{Graphic},
+@ref{Editorial annotations}.
+@node Music notation inside markup
+@unnumberedsubsubsec Music notation inside markup
+@translationof Music notation inside markup
+
+@untranslated
+
+
+@c index notation inside markup
+@c index music inside markup
+@c index markup, music notation inside
+@c The accordion diagram is actually taken from a snippet.
+@c index score inside markup
+@c index markup, score inside
+@ref{Music}.
+@ref{Music},
+@ref{The Feta font},
+@ref{Fonts explained}.
+@node Multi-page markup
+@unnumberedsubsubsec Multi-page markup
+@translationof Multi-page markup
+
+@untranslated
+
+
+@c index multi-page markup
+@c index markup, multi-page
+@c index markup text, multi-page
+@c index text spread over multiple pages
+@ref{Text markup list commands}.
+@ref{Text markup list commands},
+@c ode{\markuplines}.
+@node Fonts
+@subsection Fonts
+@translationof Fonts
+
+@untranslated
+
+
+@menu
+* Fonts explained::
+* Single entry fonts::
+* Entire document fonts::
+@end menu
+
+@node Fonts explained
+@unnumberedsubsubsec Fonts explained
+@translationof Fonts explained
+
+@untranslated
+
+
+@c index Pango
+@c index fonts, explained
+@c index braces, various sizes
+@c index fonts, non-text in markup
+@c index non-text fonts in markup
+@ref{Rotating objects}.
+@ref{Single entry fonts} and @ref{Entire document fonts}.
+@ref{The Feta font},
+@ref{Music notation inside markup},
+@ref{Selecting font and font size},
+@ref{Font}.
+@node Single entry fonts
+@unnumberedsubsubsec Single entry fonts
+@translationof Single entry fonts
+
+@untranslated
+
+
+@c index fonts, finding available
+@c index finding available fonts
+@c index listing available fonts
+@c index available fonts, listing
+@ref{Fonts explained},
+@ref{Entire document fonts}.
+@c A source file gets never installed...
+@c Installed files:
+@c @file{lily/@/font@/-config@/-scheme@/.cc}.
+@node Entire document fonts
+@unnumberedsubsubsec Entire document fonts
+@translationof Entire document fonts
+
+@untranslated
+
+
+@c index font families, setting
+@c index fonts, changing for entire document
+@c we don't do Helvetica / Courier, since GS incorrectly loads
+@c Apple TTF fonts
+@ref{Fonts explained},
+@ref{Single entry fonts},
+@ref{Selecting font and font size},
+@ref{Font}.
+
+@c -- SKELETON FILE --
diff --git a/Documentation/ja/notation/unfretted-strings.itely b/Documentation/ja/notation/unfretted-strings.itely
new file mode 100644
index 0000000..a452465
--- /dev/null
+++ b/Documentation/ja/notation/unfretted-strings.itely
@@ -0,0 +1,99 @@
+\input texinfo @c -*- coding: utf-8; mode: texinfo; documentlanguage: ja -*-
+@c This file is part of notation.tely
+@ignore
+    Translation of GIT committish: 82a821b7fb55935bc71ef8cc4716b9661f806ab3
+
+    When revising a translation, copy the HEAD committish of the
+    version that you are working on.  See TRANSLATION for details.
+@end ignore
+
+
+@c -*- coding: utf-8; mode: texinfo; -*-
+@c \version "2.12.0"
+@node Unfretted string instruments
+@section Unfretted string instruments
+@translationof Unfretted string instruments
+
+@untranslated
+
+
+@c index orchestral strings
+@c index strings, orchestral
+@c index strings, writing for
+@menu
+* Common notation for unfretted strings::
+@end menu
+
+@node Common notation for unfretted strings
+@subsection Common notation for unfretted strings
+@translationof Common notation for unfretted strings
+
+@untranslated
+
+
+@menu
+* References for unfretted strings::
+* Bowing indications::
+* Harmonics::
+* Snap (Bartok) pizzicato::
+@end menu
+
+@node References for unfretted strings
+@unnumberedsubsubsec References for unfretted strings
+@translationof References for unfretted strings
+
+@untranslated
+
+
+@ref{Text scripts},
+@ref{Fingering instructions},
+@ref{Chorded notes},
+@ref{Arpeggio}.
+@node Bowing indications
+@unnumberedsubsubsec Bowing indications
+@translationof Bowing indications
+
+@untranslated
+
+
+@c index bowing indications
+@c index up bow indication
+@c index down bow indication
+@c index open string indication
+@c index string, indicating open
+@c ode{\downbow},
+@c ode{\upbow},
+@c ode{\open}.
+@ref{Articulations and ornamentations},
+@ref{Slurs}.
+@node Harmonics
+@unnumberedsubsubsec Harmonics
+@translationof Harmonics
+
+@untranslated
+
+
+@c index note heads, diamond-shaped
+@c index diamond-shaped note heads
+@c index natural harmonics
+@c index harmonics, natural
+@ref{References for unfretted strings}.
+@c index artificial harmonics
+@c index harmonics, artifical
+@c TODO If the default for harmonicDots is changed, change this
+@c ode{@bs{}harmonicsOn} would be used in this situation.}
+@ref{Special note heads},
+@ref{References for unfretted strings}.
+@node Snap (Bartok) pizzicato
+@unnumberedsubsubsec Snap (Bartók) pizzicato
+@translationof Snap (Bartok) pizzicato
+
+@untranslated
+
+
+@c index pizzicato, Bartók
+@c index pizzicato, snap
+@c index Bartók pizzicato
+@c index snap pizzicato
+
+@c -- SKELETON FILE --
diff --git a/Documentation/ja/notation/vocal.itely b/Documentation/ja/notation/vocal.itely
new file mode 100644
index 0000000..6bfa2d6
--- /dev/null
+++ b/Documentation/ja/notation/vocal.itely
@@ -0,0 +1,401 @@
+\input texinfo @c -*- coding: utf-8; mode: texinfo; documentlanguage: ja -*-
+@c This file is part of notation.tely
+@ignore
+    Translation of GIT committish: 82a821b7fb55935bc71ef8cc4716b9661f806ab3
+
+    When revising a translation, copy the HEAD committish of the
+    version that you are working on.  See TRANSLATION for details.
+@end ignore
+
+
+@c -*- coding: utf-8; mode: texinfo; -*-
+@c \version "2.12.0"
+@node Vocal music
+@section Vocal music
+@translationof Vocal music
+
+@untranslated
+
+
+@c TODO: inspirational headword
+@menu
+* Common notation for vocal music::
+* Entering lyrics::
+* Aligning lyrics to a melody::
+* Specific uses of lyrics::
+* Stanzas::
+@end menu
+
+@node Common notation for vocal music
+@subsection Common notation for vocal music
+@translationof Common notation for vocal music
+
+@untranslated
+
+
+@menu
+* References for vocal music and lyrics::
+* Opera::
+* Song books::
+* Spoken music::
+* Chants::
+* Ancient vocal music::
+@end menu
+
+@node References for vocal music and lyrics
+@unnumberedsubsubsec References for vocal music and lyrics
+@translationof References for vocal music and lyrics
+
+@untranslated
+
+
+@c TODO: split this section in two parts? -vv
+@node Opera
+@unnumberedsubsubsec Opera
+@translationof Opera
+
+@untranslated
+
+
+@c TODO
+@c add characters names snippet -vv
+@node Song books
+@unnumberedsubsubsec Song books
+@translationof Song books
+
+@untranslated
+
+
+@c TODO
+@ref{Chord notation}.
+@node Spoken music
+@unnumberedsubsubsec Spoken music
+@translationof Spoken music
+
+@untranslated
+
+
+@c index parlato
+@c index Sprechgesang
+@c TODO add "marking-notes-on-spoken-parts" snippet -vv
+@c add "showing the rhythm of a melody" snip
+@c add "one staff-line notation"
+@c add "improvisation" ref
+@c add "lyrics independents of notes" ref
+@node Chants
+@unnumberedsubsubsec Chants
+@translationof Chants
+
+@untranslated
+
+
+@c TODO Add text from lsr and -user
+@node Ancient vocal music
+@unnumberedsubsubsec Ancient vocal music
+@translationof Ancient vocal music
+
+@untranslated
+
+
+@c TODO
+@c Add "Printing both the ancient and the modern clef in vocal music" snippet,
+@c and "Transcription of Ancient music with incipit" snippet. -vv
+@ref{Ancient notation}.
+@node Entering lyrics
+@subsection Entering lyrics
+@translationof Entering lyrics
+
+@untranslated
+
+
+@c TODO add one sentence here. -vv
+@menu
+* Lyrics explained::
+* Setting simple songs::
+* Working with lyrics and variables::
+@end menu
+
+@node Lyrics explained
+@unnumberedsubsubsec Lyrics explained
+@translationof Lyrics explained
+
+@untranslated
+
+
+@c index lyrics
+@c index punctuation
+@c index spaces, in lyrics
+@c index quotes, in lyrics
+@c FIXME: this section is to be rewritten.
+@c ode{\lyricsto}.  In this mode you can enter lyrics,
+@c TODO: broken
+@c For more details see @ref{The Lyrics context}.
+@c index spaces, in lyrics
+@c index quotes, in lyrics
+@c index ties, in lyrics
+@c ode{U+203F}; therefore a font that includes this glyph
+@c ode{?}, @code{!}, @code{:}, @code{'}, the control characters @code{^A}
+@c ode{"}, or @code{^}.
+@c " to balance double quotes for not-so-bright context-sensitive editors
+@ref{Fonts}.
+@c FIXME: this title has to be changed (possible confusion with LM) -vv
+@node Setting simple songs
+@unnumberedsubsubsec Setting simple songs
+@translationof Setting simple songs
+
+@untranslated
+
+
+@c index \addlyrics
+@c ode{\addlyrics} sections
+@c TODO: one additional section may be needed here,
+@c such as "advanced lyric syntax" or whatever -vv
+@node Working with lyrics and variables
+@unnumberedsubsubsec Working with lyrics and variables
+@translationof Working with lyrics and variables
+
+@untranslated
+
+
+@c index lyrics, variables
+@c ode{\addlyrics} or @code{\lyricsto}
+@c FIXME
+@c TODO: document \new Staff << Voice \lyricsto >> bug
+@node Aligning lyrics to a melody
+@subsection Aligning lyrics to a melody
+@translationof Aligning lyrics to a melody
+
+@untranslated
+
+
+@c FIXME: this stuff is to be rewritten. -vv
+@c ode{Lyrics}; see @rinternals{Lyrics}, for more.
+@ref{Keeping contexts alive}.
+@menu
+* Automatic syllable durations::
+* Manual syllable durations::
+* Multiple syllables to one note::
+* Multiple notes to one syllable::
+* Skipping notes::
+* Extenders and hyphens::
+* Lyrics and repeats::
+@end menu
+
+@node Automatic syllable durations
+@unnumberedsubsubsec Automatic syllable durations
+@translationof Automatic syllable durations
+
+@untranslated
+
+
+@c index automatic syllable durations
+@c index lyrics and melodies
+@c ode{\lyricsto} switches to @code{\lyricmode} mode automatically, so the
+@c ode{\lyricmode} keyword may be omitted.
+@node Manual syllable durations
+@unnumberedsubsubsec Manual syllable durations
+@translationof Manual syllable durations
+
+@untranslated
+
+
+@c ode{\lyricsto}.  In this case,
+@c ode{associatedVoice} property,
+@ref{Keeping contexts alive}.
+@node Multiple syllables to one note
+@unnumberedsubsubsec Multiple syllables to one note
+@translationof Multiple syllables to one note
+
+@untranslated
+
+
+@c index ties, in lyrics
+@c Here come the section which used to be "Melismata"
+@c the new title might be more self-explanatory
+@node Multiple notes to one syllable
+@unnumberedsubsubsec Multiple notes to one syllable
+@translationof Multiple notes to one syllable
+
+@untranslated
+
+
+@c index melisma
+@c index melismata
+@c index phrasing, in lyrics
+@c this method seems to be the simplest; therefore
+@c it might be better to present it first - vv
+@c FIXME: clarify: __ is used to crate a lyric extender,
+@c _ is used to add a note to a melisma, so both __ and _ are needed.
+@c verbose! --FV
+@c duplicated: TODO fix
+@c wrong: extender line only on last syllable of a word. Change example
+@c FIXME: this now links to LM -vv
+@c index SATB
+@c index choral score
+@c ode{\melisma},
+@c ode{\melismaEnd}.
+@c @seealso
+@c @lsr{vocal,lyric@/-combine.ly}.
+@node Skipping notes
+@unnumberedsubsubsec Skipping notes
+@translationof Skipping notes
+
+@untranslated
+
+
+@c ode{\skip} is used in lyrics.
+@node Extenders and hyphens
+@unnumberedsubsubsec Extenders and hyphens
+@translationof Extenders and hyphens
+
+@untranslated
+
+
+@c index melisma
+@c index extender
+@c leave this as samp. -gp
+@c index hyphens
+@c leave this as samp. -gp
+@node Lyrics and repeats
+@unnumberedsubsubsec Lyrics and repeats
+@translationof Lyrics and repeats
+
+@untranslated
+
+
+@c TODO New section.  Add text
+@node Specific uses of lyrics
+@subsection Specific uses of lyrics
+@translationof Specific uses of lyrics
+
+@untranslated
+
+
+@c FIXME This whole section is to be reorganized. -vv
+@c ode{\lyricsto}.
+@menu
+* Divisi lyrics::
+* Lyrics independent of notes::
+* Spacing out syllables::
+* Centering lyrics between staves::
+@end menu
+
+@node Divisi lyrics
+@unnumberedsubsubsec Divisi lyrics
+@translationof Divisi lyrics
+
+@untranslated
+
+
+@node Lyrics independent of notes
+@unnumberedsubsubsec Lyrics independent of notes
+@translationof Lyrics independent of notes
+
+@untranslated
+
+
+@c index Devnull context
+@c ode{Devnull} context, but the rhythms can still be used
+@c ode{Voice} context. Connecting lyrics to a @code{Devnull} context
+@c Conclusion: do not use devnull for lyrics -FV
+@c this clarifies http://code.google.com/p/lilypond/issues/detail?id=248
+@node Spacing out syllables
+@unnumberedsubsubsec Spacing out syllables
+@translationof Spacing out syllables
+
+@untranslated
+
+
+@c index Spacing lyrics
+@c index Lyrics, increasing space between
+@c @snippets
+@c This snippet has been renamed to "lyrics-alignment.ly"
+@c update as soon as lsr/is updated -vv
+@c @lilypondfile[verbatim,lilyquote,ragged-right,texidoc,doctitle]
+@c{lyrics-alignment.ly}
+@c TODO: move to LSR -vv
+@c TODO Create and add lsr example of lyricMelismaAlignment
+@c It's used like this to center-align all lyric syllables,
+@c even when notes are tied. -td
+@node Centering lyrics between staves
+@unnumberedsubsubsec Centering lyrics between staves
+@translationof Centering lyrics between staves
+
+@untranslated
+
+
+@c TODO Add text from -user
+@node Stanzas
+@subsection Stanzas
+@translationof Stanzas
+
+@untranslated
+
+
+@menu
+* Adding stanza numbers::
+* Adding dynamics marks to stanzas::
+* Adding singers' names to stanzas::
+* Stanzas with different rhythms::
+* Printing stanzas at the end::
+* Printing stanzas at the end in multiple columns::
+@end menu
+
+@node Adding stanza numbers
+@unnumberedsubsubsec Adding stanza numbers
+@translationof Adding stanza numbers
+
+@untranslated
+
+
+@c index stanza number
+@c TODO Create and add snippet to show how two lines of a
+@c stanza can be grouped together, along these lines:
+@c (might need improving a bit) -td
+@node Adding dynamics marks to stanzas
+@unnumberedsubsubsec Adding dynamics marks to stanzas
+@translationof Adding dynamics marks to stanzas
+
+@untranslated
+
+
+@node Adding singers' names to stanzas
+@unnumberedsubsubsec Adding singers' names to stanzas
+@translationof Adding singers' names to stanzas
+
+@untranslated
+
+
+@c index singer name
+@c index name of singer
+@c ode{vocalName}.  A short version may be entered as @code{shortVocalName}.
+@node Stanzas with different rhythms
+@unnumberedsubsubsec Stanzas with different rhythms
+@translationof Stanzas with different rhythms
+
+@untranslated
+
+
+@subsubheading Ignoring melismata
+@c ode{ignoreMelismata} in the Lyrics context.
+@c ode{\set} and @code{\unset} to bracket the lyrics where melismata
+@subsubheading Switching to an alternative melody
+@c FIXME: make this easier to understand -vv
+@c ode{lahlah} to @code{associatedVoice}.
+@node Printing stanzas at the end
+@unnumberedsubsubsec Printing stanzas at the end
+@translationof Printing stanzas at the end
+
+@untranslated
+
+
+@c ode{\markup}.
+@node Printing stanzas at the end in multiple columns
+@unnumberedsubsubsec Printing stanzas at the end in multiple columns
+@translationof Printing stanzas at the end in multiple columns
+
+@untranslated
+
+
+
+@c -- SKELETON FILE --
diff --git a/Documentation/ja/notation/wind.itely b/Documentation/ja/notation/wind.itely
new file mode 100644
index 0000000..943cfb4
--- /dev/null
+++ b/Documentation/ja/notation/wind.itely
@@ -0,0 +1,101 @@
+\input texinfo @c -*- coding: utf-8; mode: texinfo; documentlanguage: ja -*-
+@c This file is part of notation.tely
+@ignore
+    Translation of GIT committish: 82a821b7fb55935bc71ef8cc4716b9661f806ab3
+
+    When revising a translation, copy the HEAD committish of the
+    version that you are working on.  See TRANSLATION for details.
+@end ignore
+
+
+@c -*- coding: utf-8; mode: texinfo; -*-
+@c \version "2.12.0"
+@node Wind instruments
+@section Wind instruments
+@translationof Wind instruments
+
+@untranslated
+
+
+@menu
+* Common notation for wind instruments::
+* Bagpipes::
+@end menu
+
+@node Common notation for wind instruments
+@subsection Common notation for wind instruments
+@translationof Common notation for wind instruments
+
+@untranslated
+
+
+@menu
+* References for wind instruments::
+* Fingerings::
+@end menu
+
+@node References for wind instruments
+@unnumberedsubsubsec References for wind instruments
+@translationof References for wind instruments
+
+@untranslated
+
+
+@c index wind instruments
+@ref{Instrument transpositions}.
+@ref{Grace notes}.
+@c ode{stopped} and @code{open} articulations. See @ref{Articulations and
+@ref{Breath marks},
+@ref{Slurs},
+@ref{Articulations and ornamentations},
+@ref{List of articulations},
+@ref{Tremolo repeats},
+@ref{Instrument transpositions},
+@ref{Glissando},
+@ref{Grace notes},
+@ref{Falls and doits},
+@ref{Special note heads},
+@node Fingerings
+@unnumberedsubsubsec Fingerings
+@translationof Fingerings
+
+@untranslated
+
+
+@c TODO add link to LSR snippet by Libero Mureddo once he has added
+@c it (after August 15th).
+@node Bagpipes
+@subsection Bagpipes
+@translationof Bagpipes
+
+@untranslated
+
+
+@menu
+* Bagpipe definitions::
+* Bagpipe example::
+@end menu
+
+@node Bagpipe definitions
+@unnumberedsubsubsec Bagpipe definitions
+@translationof Bagpipe definitions
+
+@untranslated
+
+
+@c index bagpipe
+@c index Scottish highland bagpipe
+@c index grace notes
+@c ode{bagpipe.ly} also contains pitch definitions for the bagpipe
+@c ode{\relative} or @code{\transpose}.
+@node Bagpipe example
+@unnumberedsubsubsec Bagpipe example
+@translationof Bagpipe example
+
+@untranslated
+
+
+@c index bagpipe example
+@c index Amazing Grace bagpipe example
+
+@c -- SKELETON FILE --
diff --git a/Documentation/ja/notation/world.itely b/Documentation/ja/notation/world.itely
new file mode 100644
index 0000000..c4c1b7b
--- /dev/null
+++ b/Documentation/ja/notation/world.itely
@@ -0,0 +1,146 @@
+\input texinfo @c -*- coding: utf-8; mode: texinfo; documentlanguage: ja -*-
+@c This file is part of notation.tely
+@ignore
+    Translation of GIT committish: 82a821b7fb55935bc71ef8cc4716b9661f806ab3
+
+    When revising a translation, copy the HEAD committish of the
+    version that you are working on.  See TRANSLATION for details.
+@end ignore
+
+
+@c -*- coding: utf-8; mode: texinfo; -*-
+@c \version "2.12.0"
+@node World music
+@section World music
+@translationof World music
+
+@untranslated
+
+
+@menu
+* Arabic music::
+* Turkish classical music::
+@end menu
+
+@node Arabic music
+@subsection Arabic music
+@translationof Arabic music
+
+@untranslated
+
+
+@menu
+* References for Arabic music::
+* Arabic note names ::
+* Arabic key signatures::
+* Arabic time signatures::
+* Arabic music example::
+* Further reading for Arabic music::
+@end menu
+
+@node References for Arabic music
+@unnumberedsubsubsec References for Arabic music
+@translationof References for Arabic music
+
+@untranslated
+
+
+@c index Arabic music
+@c index medium intervals
+@c index maqam
+@c index maqams
+@ref{Note names in other languages},
+@ref{Key signature},
+@ref{Manual beams}.
+@node Arabic note names
+@unnumberedsubsubsec Arabic note names
+@translationof Arabic note names
+
+@untranslated
+
+
+@c index Arabic note names
+@c index Arabic semi-flat symbol
+@c index Semi-flat symbol appearance
+@c ode{arabic.ly} may be used preceding a flat symbol as a work
+@ref{Note names in other languages}.
+@node Arabic key signatures
+@unnumberedsubsubsec Arabic key signatures
+@translationof Arabic key signatures
+
+@untranslated
+
+
+@c index Arabic key signatures
+@ref{Key signature}.
+@node Arabic time signatures
+@unnumberedsubsubsec Arabic time signatures
+@translationof Arabic time signatures
+
+@untranslated
+
+
+@c index Arabic time signatures
+@c index Semai form
+@c index taqasim
+@ref{Manual beams},
+@ref{Automatic beams},
+@ref{Unmetered music},
+@ref{Automatic accidentals},
+@ref{Setting automatic beam behavior},
+@ref{Time signature}.
+@node Arabic music example
+@unnumberedsubsubsec Arabic music example
+@translationof Arabic music example
+
+@untranslated
+
+
+@c index Arabic music example
+@c index Arabic music template
+@c index Template Arabic music
+@node Further reading for Arabic music
+@unnumberedsubsubsec Further reading for Arabic music
+@translationof Further reading for Arabic music
+
+@untranslated
+
+
+@node Turkish classical music
+@subsection Turkish classical music
+@translationof Turkish classical music
+
+@untranslated
+
+
+@menu
+* References for Turkish classical music::
+* Turkish note names::
+@end menu
+
+@node References for Turkish classical music
+@unnumberedsubsubsec References for Turkish classical music
+@translationof References for Turkish classical music
+
+@untranslated
+
+
+@c index Turkish music
+@c index Ottoman music
+@c index comma intervals
+@c index makam
+@c index makamlar
+@ref{Non-Western note names and accidentals}.
+@node Turkish note names
+@unnumberedsubsubsec Turkish note names
+@translationof Turkish note names
+
+@untranslated
+
+
+@c index Turkish note names
+@c index makam
+@c index makamlar
+@ref{Non-Western note names and accidentals}.
+
+@c -- SKELETON FILE --
-- 
1.5.6.3